Herb and Beauty: Aromatic Female in “Dream of the Red Chamber”
Project summary: Through a close reading of the poems and descriptions of Daguan Yuan’s female in Dream of the Red Chamber, I mainly explore two questions in this project: How does herb in Dream of the Red Chamber construct female identity? How does the nature-female correlation narrative style embody the feminine space and feminine discourse in the book? Theories related to sensory experiences, eco-feminism, and traditional Chinese medicine will also be referred in the project. Continue reading “Student Research Project: Weiran Li’s “Herb and Beauty: Aromatic Female in ‘Dream of the Red Chamber’””
The Humanities Research Center proudly announces the current research projects being conducted by the HRC labs. We invite you stay in touch with updates on each of these projects by checking the news sections of our website and following our weekly newsletter.
PROJECT 1 Title: The Neganthropocene and Arts (Case studies in China) Who: Prof.Jung Choi, Meixuan Wang, Yujia Zhai Project summary: Inspired by the notion of Neganthropocene by a French Philosopher, Bernard Stiegler, the study explores innovative tactics by Chinese emerging artists that challenge the human-centered logic of understanding the world.
PROJECT 2 Title: DKU Augmented Reality (AR) Campus Who: Prof. Xin Tong, Prof. Jung Choi, student researchers Qingyang He, Tony Ren, Weiran Li, and Ruiqi Chen Project summary:In the research, we are creating an AR mobile app, DKU AR Campus, and investigating how augmented reality technology can support spatial digital co-creation and social interaction. We aim to understand multi-users’ social dynamics and examine their co-creation behaviors in an embodied AR context and derive design implications to shed light on future research. Continue reading “Humanities Research Center Current Research Projects”
Congratulations to Jesse Olsavsky, Assistant Professor of History and Co-Director of the Freedom Lab at the Humanities Research Center at Duke Kunshan University!
His new book, The Most Absolute Abolition, “tells the dramatic story of how vigilance committees organized the Underground Railroad and revolutionized the abolitionist movement. These groups, based primarily in northeastern cities, defended Black neighborhoods from police and slave catchers. As the urban wing of the Underground Railroad, they helped as many as ten thousand refugees, building an elaborate network of like-minded sympathizers across boundaries of nation, gender, race, and class.
Freedom Lab is thrilled to announce the following 9 recipients of the 2022 Shirley Graham and W.E.B. Du Bois Award. The Award (5000 rmb per recipient) will help with our DKU juniors on their Signature Work projects, including book purchasing, art installations, photo printing and exhibits, archival research, and field work.
The Freedom Lab is excited to announce that it will support two to four faculty-student research projects. All faculty members are welcome to apply.
Research projects should relate very broadly to the Lab’s theme of “freedom” and “unfreedom.” Please see the Freedom Lab Website for a sense of the kind of work the lab does https://sites.duke.edu/dkuhumanities/category/labs/freedom-lab/freedom-lab-events/. All research projects must include student researchers, as the funding will be primarily allocated in the form of student research assistantships. Apart from maintaining their research agendas, Faculty and student RA’s must actively participate in the lab’s activities.
To apply, please send a one-page proposal briefly describing your project, the kind of research it requires, and the kind of work student RAs will do.
So far, the Freedom Lab has funded four faculty projects and eight student RA’s, leading to conference presentations, student Signature Work projects, and publications. We hope to continue this support of student and faculty research!
Freedom Lab is excited to announce the W.E.B. and Shirley Graham Du Bois Award to DKU juniors whose Signature Work projects examine themes related to Freedom Lab. The Lab will fund up to ten projects, 5000rmb each, in order for students to explore their work in the spirit of WEB Du Bois and his wife, Shirley Graham Du Bois—two of the most consequential figures of US history who had left behind a legacy of human freedom and justice across the globe.
For the publishers, translators, and general readers of kokujin bungaku [black literature] in post-WWII Japan, African American struggle for freedom and autonomy and their resilient cultural production have served as a provocative mirror, a self-reflexive textual space through which they have explored the interrelated questions of race and national identity. This talk will examine the historical and cultural significance of the formation of the Association of Negro Studies [the A. N. S., now renamed as Japan Black Studies Association] in the Western port city of Kobe in 1954 and the compilation and publication of the 13-volume Kokujin bungaku zenshu [The Complete Anthology of Black Literature] in Tokyo from 1961 to 63.
Elizabeth Walcott-Hackshaw is a Professor of French Literature at The University of the West Indies (St. Augustine, Trinidad and Tobago). She is both an award-winning fiction writer as well as widely-known scholar of the French Caribbean. Her fiction books include such titles as Four Taxis Facing North (2007) and Mrs. B (2014). She has edited such books as Border Crossings: A Trilingual Anthology of Caribbean Women Writers (2011), Echoes of the Haitian Revolution (2008), and Reinterpreting the Haitian Revolution and Its Cultural Aftershocks (2006). In 2021, she published a biography of the poet Aime Cesaire.