On May 5, 2022, Third Space Lab launched their Guest Speaker Series sharing a discussion focused on Language and culture in the form of an online forum. This forum was mainly composed of two sessions, the talk and Q & A. Two distinguished speakers, Prof. Anwei Feng and Prof. Bob Adamson from UNNC, discussed multi-lingual China realities, key policies and multi-lingual education models based on two of their edited volumes on this topic.
Freedom Lab is thrilled to announce the following 9 recipients of the 2022 Shirley Graham and W.E.B. Du Bois Award. The Award (5000 rmb per recipient) will help with our DKU juniors on their Signature Work projects, including book purchasing, art installations, photo printing and exhibits, archival research, and field work.
The Humanities Research Center’s Doc Lab seeks proposal submissions for documentary projects. The projects can be rooted in any discipline and/or be interdisciplinary in nature as long as they incorporate a humanities perspective. The projects can be based in any medium of preference.
Both students and faculty are invited to submit project proposals. Students who would like to submit proposals are required to find at least one DKU faculty member to mentor the project. Faculty who submit a proposal must incorporate at least one student role as part of the project. Teams featuring multiple student roles are highly encouraged. Proposals that include or consist of Signature Work projects are welcome.
On the 9th of March 2022, Duke Kunshan University’s Humanities Research Center organized a roundtable discussion to cover the recent 2022 Russian invasion of Ukraine. The event saw the participation of four distinguished individuals who engaged in a rich discourse on its causes of the Ukraine crisis, and its impact on ordinary people’s lives, and the world’s economy.
On April 30, 2022, Li Ruoyu and Chai Hua, students of Arts and Humanities at Duke Kunshan University, conceptualized and convened the workshop as a part of the one-day symposium “The Female Robot”. The purpose of the student working panel is to look back on the history of AI and look into its future.
Firstly, Chai Hua gave a presentation of her signature work that illustrated the ethical reflection on anthropomorphic artificial intelligence products. The research focused on two main questions. The first one was the reason why humans materialize and personify AI. The second question was ethical risks of AI products in private scenarios. When explaining the two questions, Chai provided the explicit description and logical analysis. In her conclusion, she advocated for further regulation in this realm. Next was the free discussion with audience, some questions of which were explained by Ruoyu in her following presentation.
The topic of Ruoyu’s presentation was the Glitch Art and human-machine relationship. To start with, she delivered a introduction of terms including Glitch and Glitch Art. Then she demonstrated the meaning of studying Glitch Art. In terms of Glitch Art and human-machine relationship, she provided models of logic and put forward with the primary argument. Glitch Art is a revolt against existing programs and gave back to humans the initiative that has gradually been taken by machines. For female robot, Glitch Art questioned systems and tended to eliminate duality of gender.
In the workshop, Li Ruoyu and Chai Hua provided profound illustration and critical thoughts, which greatly inspired audience to think more about the future of AI.