The Spirit of Space Exploration in China and the West: Conference Program

Thursday, June 6, 2024

0900 Welcome and Introduction from the Organizers (James Miller and Ben Van Overmeire)

0910 Welcome and Introduction from the ASU Space Intersections Conference (Jack Traphagan)

0930-1030 “Shooting Down Souls… Good Luck with That”: Some Paradoxical Thoughts on the UFO Phenomenon from a Historian of ReligionsJeff Kripal

Jeffrey Kripal holds the J. Newton Rayzor Chair in Philosophy and Religious Thought at Rice University. He is the author of many books, including Esalen: America and the Religion of No Religion and The Serpent’s Gift: Gnostic Reflections on the Study of Religion. he is known worldwide as a leading theorist of religion, the paranormal, and the impossible.

1030-1100 Coffee

1100-1230 Panel 1: Sincizing Outer Space

Alexander C.T. Geppert and Lu Liu: The Face of Space: Qian Xuesen and Chinese Astroculture

Tonio Savina: “Sinicizing” the Moon: the Promotion of Chinese Astroculture through Lunar Nomenclature

Evander Price: Chinese Perspectives on the NASA Voyager Golden Record

1230-1400 Lunch

1400-1600  Panel 2: Comparative Perspectives

Brad Tabas: The Question Concerning Technology in Outer Space

Olga Dubrovina: Dreaming of Space in the USSR

Vladimir Brljak: Dark Space in NewSpace: Jeff Bezos’s “Great Inversion,” William Shatner’s “Black Ugliness,” and the History of the Cosmological Imagination

Thore Bjørnvig: Transcendence of Time and Space: Outer Space Religion as a Trans-Cultural Phenomenon

1600-1630 Coffee

1630-1730 Keynote 2: Su Meng

Su Meng, founder and chief scientist of Origin Space is one of the world’s leading space scientists. Professor Su received his BSc from Peking University and his PhD in astrophysics from Harvard University. He received a Pappalardo fellowship from MIT, an Einstein fellowship from NASA (now part of the NASA Hubble Fellowship Program), and was the co-winner of the 2014 Bruno Rossi prize for high-energy astrophysics for the discovery of the bubble structure of the Milky Way.

1800-20:00 Dinner

Friday, June 7

0930-1030 “For All Humanity: Chinese Transvaluations of American Space Rhetoric”:  Mary-Jane Rubenstein

Mary-Jane Rubenstein is a philosopher of science and religion and author, most notably, of Astrotopia: The Dangerous Religion of the Corporate Space Race. Her work offers a vision of exploring space without reproducing the atrocities of earthly colonialism, and encourages stories that put cosmic caretaking over corporate profiteering.

1030-1100 Coffee Break

1100-1230 Panel 3: Vision, Technology and Media

Kiu-wai Chu: Native Soil Goes to Space: Chinese Planetary Fictions in the Anthropocene

Ting Zheng: Technoecological Eyes: The Compound Eyes in Space and Nature

Saskia Abrahms-Kavunenko: On Star work and Dharma: Contemporary Buddhist Visioning of the Universal and the Universe

Lukáš Likavčan: Elemental Mediality of Light: Infrared Waves in Cosmic Information Ecologies

1230-1400 Lunch

1400-1530 Space Research At DKU: Scientific Perspectives

  • Kai Huang
  • Changcheng Zheng
  • Marcus Werner

1530-1600 Coffee Break

1600-1730 Space Research at DKU: Interdisciplinary Perspectives

Travis Wilkerson, Ding Ma, and Erin Wilkerson: Gaia Theory as a Cosmological Investigation of Buddhist Dharma

1800 Dinner

1930-2130 Film Screening and Discussion with Travis Wilkerson and Erin Wilkerson

  • A Long Day’s Journey into Night (Bi Gan, 2018)
  • Pluto Declaration (Travis Wilkerson, 2011)

Saturday, June 8

0930-1100 Panel 4: Philosophy and Outer Space

Lance Gharavi: The New Transcendence Narrative for U.S. Space Exploration

Mohamed Zreik: Bridging Traditions: The Confluence of Eastern Philosophies and Space Exploration in China’s Contemporary Astroculture

Ujjwal Kumar and Haoqin Zhong: Exploring the Philosophical Underpinnings: Buddhism and the Possibility of Extraterrestrial (=Alien) Life

1100-1130 Coffee Break

1130-1230 Keynote 4: Chen Qiufan

Chen Qiufan (aka Stanley Chan) is one of China’s leading science fiction authors, and a translator, creative producer, and curator. He is a Berggruen Institute Fellow and a Yale University research scholar, and  co-author, with former Google China president Kai-Fu Lee, of AI 2041: Ten Visions for our Future.

1230-1300 Closing Ceremony and Photograph

Questions

Please contact James Miller <jem122@duke.edu> or Ben Van Overmeire <ben.van.overmeire@dukekunshan.edu.cn> if you have any questions.

Abstracts

The Face of Space: Qian Xuesen and Chinese Astroculture
Alexander C.T. Geppert and Lu Liu
Qian Xuesen (1911–2009), widely recognized as the Chinese ‘father of spaceflight,’ is a household name within China but remains relatively obscure on the international stage. Trained at the California Institute of Technology, he co-founded the Jet Propulsion Laboratory before returning to China in 1955, where he became instrumental in the space program and missile industry. Interrogating the discrepancy, this article investigates the social, cultural, and political rationale behind the making of a space persona. Utilizing digital visualization and reading methods, it charts the transformation of Qian from an aeronautical engineer known only within expert circles to China’s foremost rocket star. The analysis deconstructs key facets of Qian’s public image and explores forces and paradoxes that underlie the ongoing construction of this image. Transforming Qian into the face of space plays a crucial role in popularizing spaceflight activities, rendering outer space a conceivable frontier, and producing a Chinese astroculture. Examining a comprehensive body of visual materials, media reports, over 150 biographies, and posthumous memorialization activities reveals the celebrification of Qian as a carefully orchestrated transmedial project braiding together efforts of the state, science and education institutes, private publishers, professional and amateur writers, and the general public.

“Sinicizing” the Moon: the Promotion of Chinese Astroculture through Lunar Nomenclature
Tonio Savina
During the last decade, the People’s Republic of China (PRC) paid particular attention to the denomination of the topographical features on the Moon, submitting proposals of names ‘with Chinese characteristics’ to the International Astronomical Union (IAU), which is responsible for the official lunar nomenclature. For example, after the successful mission Chang’e-4, launched in 2018, a cluster of lunar sites was assigned with Chinese names, such as Statio Tianhe for the landing area and Zhinyu, Hegu, and Tianjin for three small craters around it. In trying to interpret the PRC’s interest in “sinicizing” the Moon, this paper looks at a corpus of Chinese names approved by the IAU between 2010 and 2021 as a sign of Beijing’s search for a national astroculture, a set of space-related practices used to promote national cohesion and to enhance the country’s soft power. The assignation of names to the Moon’s terrain is put in the context of the revival of tradition in contemporary China, showing how this operation is, in fact, the enactment of a practice deeply rooted in Chinese culture – the so-called “art of naming”. In doing so, the paper will also discuss how naming the Moon is an exercise of national power that seems to contradict, symbolically at least, the PRC’s rhetoric against the US, accused of claiming territories on the Earth’s satellite in the context of the alleged “New Moon Race”.

Chinese Perspectives on the NASA Voyager Golden Record
Evander Price, CUHK
What message should China send into space? What is the best face to show the cosmos? At the Chinese University of Hong Kong, Shenzhen, I introduce my students to the Golden Record, a literal LP—made of gold—strapped to the Voyagers 1 and 2, launched into space in 1977. The Golden Record contains images, greetings, and most importantly, music, all meant as a collective snapshot of humankind to whoever (aliens maybe?) might retrieve one or the other of these golden gifts in some distant future. Safe in the erosionless vacuum of space, these golden records might very well be the most lasting vestige of humankind into eternity. Such an object is rife with mythical and religious interpretations. As an exercise, I ask my (mostly) Chinese students to propose what they think is missing from the Golden Record and make an argument for what they might add. The actual Golden Record contains only one piece of music from China,“流水”. In this paper, I analyze my students’responses to this strange, far-flung object, and consider what it means to them to make a Chinese Gen-Z Golden Record.

The Question Concerning Technology in Outer Space
Brad Tabas
In 1961, Heidegger proclaimed the dawning of a new era. He called it the “Rocket Age”(2000, 577). He thought Sputnik ruptured the fabric of history, meaning that rockets were not merely a new technology but that they brought a new cosmology. He felt they had so radically changed the relationship between the earth and the celestial sphere that the fundamental distinctions underwriting occidental metaphysics were shattered. That implied that the very relationship between words and world, the poetically generated sense of the order and place of the human with respect to what might be called the whole, were annihilated. As he himself put it: “There is neither ‘earth’ nor ‘heaven’ in the sense of man’s poetic dwelling on this earth. What the rocket’s orbit achieves is the technical realization of what since three centuries has always more exclusively and decisively been framed as Nature and which now stands as a universal, interstellar, standing reserve. The rocket’s orbit pushes ‘earth and heaven’ into oblivion” (2020, 157). The question thus arises: after the loss of heaven and earth, what remains? Moreover, is this cosmological deconstruction planetary, affecting not only western metaphysics but all terrestrial aesthetic orders, including Chinese thought? Is it a catastrophe after all and for all, or merely a re-articulation and an opening? This paper will pursue these questions, foundational for thinking critically about contemporary astroculture, in conversation with Yuk Hui’s presentation of what he calls Chinese “cosmotechnics” (Hui 2016, 2020).

Dreaming of Space in the USSR
Olga Dubrovina
It is generally accepted among Cold War historians that space exploration on both the Soviet and American sides is primarily related to the goal of achieving military-strategic priority. Thus, in the USSR, enormous financial, scientific, and human resources were spent on the intercontinental missile project starting in the mid-1940s. However, it was not only the interest in state security that drove the space exploration process. The key figures who were directly involved in the development and production of space technology were driven not only by the desire to prove the superiority of communism over capitalism. These Soviet engineers and scientists at the dawn of the space age regarded space as the main source of energy that fuelled their boundless enthusiasm. The latter was not backed by hopes of world fame (due to the secrecy of the entire sector), nor by material benefits in their Western sense, nor by guarantees of personal safety (just remember the purges of the 1930s). So, what drove these pioneers of Soviet space? Based on their memoirs, as well as biographies written by their relatives, contemporaries, and historians, I will try to reconstruct the ideas about space that guided the space explorers in the USSR at the early stage of the Cold War.

Dark Space in NewSpace: Jeff Bezos’s “Great Inversion,” William Shatner’s “Black Ugliness,” and the History of the Cosmological Imagination
Vladimir Brljak
On 13 October 2021, the second crewed flight by Jeff Bezos’s Blue Origin company included the actor William Shatner, famous for his role in the original Star Trek series of 1966–69. One of few civilians to witness stratospheric descent in daytime, Shatner singled out the experience in a widely reported post-flight statement, notable for its emphatically negative response to space: ‘[E]verybody in the world needs to do this. […] To see the blue colour whip by you, and now you’re staring into blackness’, ‘black ugliness’, and ‘death’. Drawn from a larger project titled When Did Space Turn Dark?, the paper discusses Shatner’s statement, along with the ‘NewSpace’ moment more generally, as episodes in the long shift from bright to dark space in the Western cosmological imagination. Analysis of the statement reveals it as a carefully coached performance, promoting not only Bezos’s space tourism venture but also his concept of the ‘Great Inversion’: a model of space colonization influenced by the work of Gerard O’Neill, where heavy industry is moved off-Earth, preserving the planet as humanity’s ‘national park’. The paper situates these developments within broader perspectives on the perceived colour of space and its complex cultural and political dynamics.

Transcendence of Time and Space: Outer Space Religion as a Trans-Cultural Phenomenon
Thore Bjørnvig
The idea that imaginings of outer space exploration and religion are intertwined has been gaining traction during the last 10 years. Before this it was common to argue that UFOs and religion are connected, just as it was common to point out the religious dimensions of what I call “psycho-occult” ways of exploring outer space and the encounter with extraterrestrial beings. Likewise is has been pointed out that the Search for Extraterrestrial Intelligence displays spiritual dimensions. The appearance of religious sentiments in these areas indicates that a common spiritual ground unites them. This common ground might be termed “outer space religion” and its mythos can be uncovered by studying science fiction. Stipulating that sci-fi is apocalyptic in nature, apocalypticism is the key to unlocking the religious underpinnings of both space exploration, SETI, the UFO-phenomenon (when seen as origination from outer space) and psycho-occult experiences of outer space. Theoretical in nature this paper explores the possibility that a common outer space religious mythos unites the aforementioned areas across cultures, from the West to the East, the latter exemplified by science fiction movies such as the Indian Koi… Mil Gaya (2003) and the Chinese Wandering Earth (2019).

Native Soil Goes to Space: Chinese Planetary Fictions in the Anthropocene
Kiu-wai Chu
Focusing on the new Chinese science fiction wave in the literary, cinematic and visual art scenes, this presentation offers an ecocritical examination of recent fictional narratives that center on space travel, and discuss how they could foster transcalar perspectives and tackle ecological concerns across local, global, and planetary scales. Drawing from examples such as Chen Qiufan’s short story “Space Leek”(2019) and Liu Chuang’s multi-screen video art installation “Lithium Lake and the Lonely Island of Polyphony” (2023), this presentation explores how Chinese “planetary fictions” navigate the intricate balance between local/regional and global planetary concerns. Do we see a revival of the spirit of “native soil” (xiangtu) and hometown writing that characterized the 20th century modern Chinese literature in recent works about space travel and exploration? How do they expand the notion of “home” in the Anthropocene present and the post-Anthropocene future? This presentation argues for a need to develop a comparative, pluralistic ecocritical paradigm that is built upon concepts such as eco-cosmopolitanism (Heise 2008); cosmopolitics/ cosmotechnics (Hui 2017,2021); and classical Daoist and Confucian thoughts, in order to examine the interplay between technology and religion, modernity and tradition, when facing the environmental challenges in the Anthropocene epoch.

Technoecological Eyes: The Compound Eyes in Space and Nature
Ting Zheng
In 2018, China started constructing a new radar system called “China’s Compound Eye” to observe asteroids and Earth-like planets for planetary defense. Inspired by insects’ compound eyes, this system employs an array of smaller radars to extend its reach into deeper space, overcoming the constraints of traditional centralized aperture radar systems. Similarly named, Wu Mingyi’s ecofiction The Man with the Compound Eyes portrays a natural environment inundated with the detritus of modern material civilization from a non-anthropocentric perspective. Thinking with Latour’s actor–network theory, this paper juxtaposes this space exploration radar system with this ecofiction to explore the relationship between human, animal, nature, and space. Focusing on the concept of compound eyes, this paper studies the plural form of vision and the extended vision, investigating how multifaceted perspectives can lead to a comprehensive understanding of complex systems, and how this extended cognition/perception can shape our relationship with environment and space. By drawing a parallel between the planetary defense purpose of “China’s Compound Eyes” and the allegorical “man with compound eyes” Wu’s fiction—an anthropomorphization of nature/a mosaic vision of nature—this paper argues that how scientific and artistic expressions offer dialectical insights into the dynamic between technology, human, the Earth and beyond.

Elemental Mediality of Light: Infrared Waves in Cosmic Information Ecologies
Lukáš Likavčan
Situated within the nascent field of outer space humanities, this contribution brings together recent scholarship focused on exploration of media affordances of waves (Greenspan 2023, Helmreich 2023) with the concept of elemental media (Peters 2015, Schuppli 2020), while applying these theoretical elaborations to the context of contemporary space exploration, mostly in the field of exoplanet astronomy (Turrini 2022). By doing so, it poses two key questions: What does exoplanet research tell us about the nature of mediation and information on cosmic scales? How are these insights relevant for conceptualizing human condition in the Anthropocene? Answering these questions, the first part of this contribution introduces research of exoplanet atmospheres using analysis of emission and absorption spectra of infrared light waves (Seager 2010), and it theorizes these light waves as cosmic information infrastructure if sorts, using the vocabulary of elemental media (Jue and Ruiz 2021). The second part of the paper then turns the focus to the discussion of waves as both metaphors and media phenomena, elaborating especially on Anna Greenspan’s unique synthesis of media theory with Chinese thinking. The paper then concludes with addressing the human condition in Anthropocene through concepts of human mediality (Likavčan 2023) and cosmic media ecologies.

Gaia Theory as a Cosmological Investigation of Buddhist Dharma
Travis Wilkerson, Ding Ma, and Erin Wilkerson
Gaia theory, developed by chemist James Lovelock and microbiologist Lynn Margulis, is a hypothesis that the Earth is a self-regulating and complex system of entanglement of matter that works towards the homeostasis necessary to maintain life, questioning the western binary between organic and inorganic and their perceived sentience, or lack thereof. This work was expanded by biologist and anthropologist Donna Haraway’s work on “sympoiesis,” wherein multispecies entanglement, or the diversity of species working in collaboration, is described as essential for the prevention of mass extinction. Some of these relationships are currently understood, such as lichen as a composite organism of fungi and algae, and the inseparability of rocks and the carbon cycle, but many of these relationships, in regards to microscopic organisms and other scales beyond human visibility, remain unknown, making the extractive policies of the Anthropocene, and accompanying climate change, particularly troublesome. Buddhist dharma’s cosmic law provides an opportunity to explore Gaia theory in an expanded scale, looking out towards the cosmos. This can be read alongside physicist and posthumanist theorist Karen Barad’s “agential realism” and her investigation of the materiality of nothingness, wherein she describes void as anything but empty. Utilizing Graeme L. Sullivan’s practice-led research methodology of collaborative cross-disciplinary invention, this panel will also function as sympoietic inquiry.

Bridging Traditions: The Confluence of Eastern Philosophies and Space Exploration in China’s Contemporary Astroculture
Mohamed Zreik
This paper aims to explore the intersection of Eastern philosophical and religious traditions with contemporary space exploration efforts in China, drawing a contrast with Western narratives in astroculture. China’s burgeoning space program, reflecting its rich cultural and scientific heritage, offers a distinct perspective on outer space, diverging from the dominant Western narratives often influenced by Christian ideology and the notion of space as a frontier to conquer. By examining the philosophical and religious underpinnings of China’s space endeavours, the paper seeks to uncover how traditional Eastern thought, particularly Confucianism, Taoism, and Buddhism, interplays with the nation’s aspirations and ethos in space exploration. This analysis will highlight how these age-old philosophies might inform and shape China’s approach to extra-terrestrial exploration, ethical considerations in encountering alien life, and the broader implications for global space norms. The paper will contribute to the dialogue on global astroculture by providing an alternative viewpoint, one rooted in Asian cosmologies and ethical systems, thereby enriching the discourse on humanity’s place in the universe and our collective responsibility towards our home planet in the face of space exploration.

Exploring the Philosophical Underpinnings: Buddhism and the Possibility of Extraterrestrial (=Alien) Life
Ujjwal Kumar and Haoqin Zhong
The concept of extraterrestrial life and its relation to Buddhism sparks contemplation regarding the existence of beings beyond our planet. Buddhism, primarily focused on understanding suffering and the nature of existence, does not put much emphasis on the existence of aliens, though the mahabodhisattvas and devas in Trāyastriṃśa (Pāli Tāvatiṃsa; thirty-three heavens) might have reminded us of the modern concept of extraterrestrial life. Moreover, its philosophical perspectives offer intriguing parallels and considerations when pondering the idea of extraterrestrial life. This paper will explore the intersection between Buddhism and the concept of aliens, emphasizing the multiplicity of worlds in Buddhist cosmology and its implications for contemplating the existence of extraterrestrial beings.

On Star work and Dharma: Contemporary Buddhist Visioning of the Universal and the Universe
Saskia Abrahms-Kavunenko
For many people around the world the experience of the night is heavily mediated by the presence of electric lighting which, whilst illuminating building interiors and city streets, simultaneously conceals the night sky. Yet, as the heavens recede behind artificial lighting and smog, there is a new wave of ambition for travelling into outer space. This talk will look at a Buddhist community in Western Australia for whom the contemplative practices of absorption animate an expansive vision of the Earth’s place in the solar system, while other practices such as Star Work encourage an experiential mode of exploring the cosmos. Within Buddhism light, and its capacity to illuminate, is often seen in opposition to darkness and ignorance. Electric lights are frequently used to enhance the revelry of Buddhist festivals, yet the night time can provide a space for quietude and reflection. Buddhist practitioners frequently sit in dimly lit rooms, reading mantras, practicing meditation and carrying out rituals before dawn. Buddhist astrologers interpret the stars, and the lucent glow of the full Moon is auspicious, marking important ritual dates and the renewal of calendars. This talk will offer an exploration of the dynamic tensions between the partial divorce with the cosmos attendant to obscuration, the vertiginous immersion of an unobstructed night sky and modernist imaginaries of intergalactic travel from a Buddhist perspective.

The New Transcendence Narrative for U.S. Space Exploration
Lance Gharavi

Since its genesis in the Kennedy administration, the dominant story driving U.S. space exploration has been the frontier narrative. With roots deeply embedded in U.S. history, mythology, and the religious concept of Manifest Destiny, this narrative has been used to sell U.S. space exploration and, to this day, organizes the thinking of many scientists, engineers, and others directly involved in designing and building space futures.

This narrative has been the target of much critique in recent decades for its colonialist framework, yet no new narrative has arisen to compete with it. Until recently.

In the 21st century, a new narrative of space exploration has emerged that I will tentatively refer to as the Transcendence Narrative. This narrative—associated with a set of philosophies and social movements including transhumanism, Effective Altruism, Longtermism, and others—is an explicitly apocalyptic vision of the future.

In this presentation, I will briefly discuss the narrative and philosophical characteristics of this story, its social connections, and the significance of where it is (and is not) found.

“Shooting Down Souls… Good Luck with That”: Some Paradoxical Thoughts on the UFO Phenomenon from a Historian of Religions.
Jeff Kripal

The convergence of recent events prompts reflection on the intersection between academic initiatives and the broader exploration of anomalous phenomena, particularly within the context of university research and Jacques Vallee’s work. This talk explores the relationship between scientific inquiry and the study of religious and mystical experiences in understanding the UFO phenomenon. Drawing from historical, comparative, and altered states of consciousness perspectives, the speaker discusses the implications of UFO encounters within the frameworks of technology, public policy, and religion.

The presentation delves into the complexities of interpreting UFO encounters, highlighting the limitations of traditional disciplinary boundaries and the need for a multidisciplinary approach. It addresses the challenges posed by the UFO phenomenon to conventional scientific paradigms and suggests avenues for integrating spiritual and apophatic perspectives into the discourse. Ultimately, the talk advocates for a nuanced understanding of the UFO phenomenon that transcends simplistic categorizations and embraces the inherent complexities of human experience and consciousness.

 For All Humanity: Chinese Transvaluations of American Space Rhetoric
Mary-Jane Rubenstein

In the wake of the Soviet launch of Sputnik, Dwight Eisenhower demanded that the US develop a national space program “for the benefit of all mankind.” Answering the call eleven years later, Neil Armstrong dubbed his own small lunar step a “giant leap for mankind.” 

The initially American meme of “all-mankindism” has recently been adopted and redeployed by the Chinese National Space Agency, state media, and popular culture. Insisting it is working “for the benefit of all humanity,” China is offering a self-consciously earth-centered, collective, non-antagonistic alternative to the escapism, individualism, and militarism that generated this phrase in the first place. In other words, China is using US space rhetoric against itself, exposing and refusing cosmic imperialism in favor of an ethos it swears is genuinely collaborative and actually universal.

Biographies of Presenters

Thore Bjørnvig
Thore Bjørnvig is a historian of religion based in Copenhagen. His research focuses on religious aspects of spaceflight, SETI and science fiction. He has contributed to two volumes on European astroculture, edited by Alexander Geppert, and co-edited a special issue of Astropolitics on spaceflight and religion together with Roger Launius and Virgiliu Pop. Thore Bjørnvig’s most recent article is ‘Leaving the Cradle: Apocalypse, Transcendence and Childhood’s End, ’in Andrew M. Butler and Paul March-Russel, eds., Rendezvous with Arthur C. Clarke: Centenary Essays (2022).

Vladimir Brljak
Vladimir Brljak is Associate Professor in the Department of English Studies at Durham University, UK. In addition to his primary specialization in English and comparative literary history, he also works on the literary and cultural history of outer space. His main current project in this field, When Did Space Turn Dark?, examines the shift from bright to dark space in the Western cosmological imagination. He has given invited presentations on this research, including at the NYU Space Talks, and several publications emerging from it are now nearing completion. The project was also the focus of his recent Frances A. Yates Long-Term Fellowship at the Warburg Institute (2022–23), during which he co organized the conference Space in Time: From the Heavens from Outer Space, exploring long perspectives on the subject across the humanities and social sciences. He has held the Thole Research Fellowship at Trinity Hall, Cambridge (2015–18), as well as visiting fellowships and research grants at the Bodleian Library (2017), Huntington Library (2018), and Durham University (2022).

Olga Dubrovina
Olga Dubrovina (olga.dubrovina@unipd.it  ), PhD in Humanities (2015, Modena and Reggio Emilia University) and PhD in Contemporary History (2017, Moscow State University Lomonosov). In 2015-2018 she was an adjunct professor at Modena and Reggio Emilia University where she lectured Russian history and culture. In 2020-2021 she participated in Horizon 2020 project InsSciDE (Inventing a shared Science Diplomacy for Europe) with the case study on Russian Science Diplomacy throughout the Space race during the Cold War. Her current position is Research Fellow at Department of Political Science, Law and International Studies (SPGI), University of Padua. She also lectures on History of international relations at the State University of Milan. Among the latest publications Space diplomacy in the Cold War context: How it worked on the Soviet side, in Mays, Laborie et Griset (eds.), Inventing a Shared Science Diplomacy for Europe: Interdisciplinary Case Studies to Think with History, Zenodo, 2022, pp. 243-250; Russia’s space diplomacy: why we should look back to the Soviet Years, in Histoire, Europe et relations internationales, vol. 2, no. 2, 2022, pp. 39-51; Gorbachev’s policy in the aerospace sector: from stars to earth, in L’Artico e lo Spazio. Le rotte del nuovo Millennio tra storia e innovazione scientifica, Passerino Editore, 2022, pp. 119-152. 

Lance Gharavi
Lance Gharavi is an experimental artist and scholar, professor in the Arizona State University School of Music, Dance and Theatre, and Associate Director of ASU’s Interplanetary Initiative. An early pioneer in the field of digital performance, his work focuses on points of intersection between performance, technology, science, and religion. He specializes in leading transdisciplinary teams of artists, scientists, designers, and engineers to create compelling experiences and advance research. 

Alexander C.T. Geppert
Alexander Geppert is Associate Professor of History and European Studies, and Global Network Associate Professor at New York University, with a joint appointment at NYU New York and NYU Shanghai. From 2010 to 2016 he directed the Emmy Noether research group ‘The Future in the Stars: European Astroculture and Extraterrestrial Life in the Twentieth Century’ at Freie Universität Berlin. He has held the Charles A. Lindbergh Chair in Aerospace History at the Smithsonian National Air and Space Museum in Washington, DC, served as the Eleanor Searle Visiting Professor of History at the California Institute of Technology in Los Angeles, and is currently Scholar-in-Residence at the Deutsches Museum in Munich. Alexander Geppert’s space-related book publications include a trilogy on European astroculture, consisting of Imagining Outer Space: European Astroculture in the Twentieth Century (22018, ed.), Limiting Outer Space: Astroculture after Apollo (2018, ed.), Militarizing Outer Space: Astroculture and Dystopia and the Cold War (22023, co-ed.). Together with the members of his Global Astroculture research group, he is currently at work on a special journal issue on “rocket stars” in the Global Space Age and two monographs, Astroculture: Europe in the Age of Space, and a sequel, Planetizing Earth: An Extra-Terrestrial History of the Global Present. He also runs the ‘NYU Space Talks: History, Politics, Astroculture’ lecture series (space-talks.com).

Ujjwal Kumar
Dr. Ujjwal Kumar, born in 1980, is a distinguished scholar whose academic journey has traversed prestigious institutions, leading to a remarkable career in the field of Pali and Buddhist Studies. He embarked on his educational voyage at Banaras Hindu University, Savitri Bai Phule Pune University (formerly known as Pune University), and the University of Hong Kong. He has authored a total of thirty-four articles, one Occasional Paper, and nine books, each offering valuable insights into various aspects of Pali language and literature. Dr. Ujjwal Kumar is presently involved in a significant research endeavor focused on translating the Aṅguttaranikāya from Pāli to English. This collaborative project is funded by the Department of Religious Affairs, Ministry of Culture, Government of Thailand, and it commenced on June 2, 2022, continuing up to the present day. In addition to his ongoing project, Dr. Kumar is deeply engrossed in researching Pāli Cosmological Literature. In recognition of his outstanding contributions to the field of Pāli, Dr. Kumar received the Maharṣi Bādarāyāna Vyāsa Sammāna in 2016 from the President of India.

Lukáš Likavčan
Lukáš Likavčan is a philosopher. His research focuses on philosophy of science & technology and environmental philosophy. He is a Global Perspectives on Society Postdoctoral Fellow at NYU Shanghai, and a guest researcher at Astronomy & Society Group, Leiden University. Likavčan is an author of Introduction to Comparative Planetology (2019) and a member of More-than-Planet Working Group at Waag Futurelab. More info at likavcan.com.

Lu Liu
Dr. Lu Liu (Ph.D. 2019, University of Wisconsin-Madison) has been an Assistant Professor of Chinese at the School of Modern Languages, Georgia Tech since 2021, after two years as a visiting Assistant Professor. A scholar of modern Chinese literature and media, her research examines the interplay of science, technology, and medicine with media and visual cultures. Her first book project, Pestering Modern China: Animal, Socialist Subjectivity, and Biosocial Abjection, theorizes the pivotal role of the “pest” in shaping critical issues such as trans-species relationships, public health, and nation-building in modern Chinese history. Her second book project, Viral Cinema: Virology and the Body in Modern China, examines how virological knowledge constitutes the imagination of a Chinese body from the 1930s to the COVID-19 pandemic. She is also developing a collaborative project on China’s space endeavors and the making of Qian Xuesen, the father of Chinese spaceflight.

Ding Ma
Ding Ma’s broad research interests are climate variability, weather extremes, and atmospheric dynamics. The essential motivation for his research is to better understand and predict the behavior of the climate system, which has led to his focus on the variability of the large-scale atmospheric circulation and the related weather extremes. His teaching interests at Duke Kunshan include environmental science and physics. He has had papers published in leading academic journals including Nature Communications, Journal of Climate, and Journal of Atmospheric Sciences. He is a member of American Geophysical Union and American Meteorological Society. Ma has a B.A. in physics for Peking University and a Ph.D. in climate dynamics from Harvard University. After receiving his Ph.D., he joined Columbia University as an Earth Institute Fellow.

Evander Price
Evander Price is assistant professor teaching environmental humanities at the Chinese University of Hong Kong. He received his PhD in American Studies from Harvard University in 2019 and was the postdoctoral fellow from 2020-2022 at the Center for Religion and the Human at Indiana University, Blooomington.

Tonio Savina
Tonio Savina, PhD in “Civilizations of Asia and Africa” at Sapienza University, Rome, with a thesis on The Chinese Space Program in Perspective: Domestic and International Narratives (2022). He is currently a Post- doc Fellow at the University of Siena, Italy. In 2023 he was selected as a MOFA Taiwan Fellow for a visiting research period at Academia Sinica, Taipei, and in 2022 he received a Post-doc Research Grant in History from the European Space Agency (ESA). During his PhD studies, he carried out research at the main libraries in Mainland China and Taiwan, where he was also a visiting PhD Candidate at National Chengchi University. He is a member of the Italian Association for Chinese Studies (AISC) and of the European Society for the History of Science (ESHS). His research interests include the history of Chinese space exploration, Chinese astroculture, narrative theories, space diplomacy, and the international relations of the PRC. On these topics he published several essays and two monographs in Italian: I rapportitra Cina e Stati Uniti dagli anni Settanta agli anni Duemila: una prospettiva astropolitica (2020) [trans. US-China Astropolitical Relations (1970s-2000s)] and Tra storia e narrazione: il programma spaziale della Repubblica Popolare Cinese (2023) [trans. The Chinese Space Program: Between History and Narrative].

Brad Tabas
Brad Tabas is a philosopher. He is an Assistant Professor in the Department of Social and Human Sciences at the ENSTA, a grande école for engineers located in Brest, France. His recent work has particularly focused on the question of historicizing outer space, and in particular thinking critically about how the dawning of the Space Age challenges inherited conceptual categories, above all those relating to ideas about secularity, language, place, life, and the future. His recent work has appeared in Terrain, Cosmos and History, Society + Space, and elsewhere.

Erin Wilkerson
Guerilla gardener, turned guerilla filmmaker, Erin Wilkerson is interested in anti-colonial ecologies, as an expansion of early professional work in landscape architecture, which instilled in her a passion to fight for the natural world. Her solo films have screened at Prismatic Ground (New York), INTERSECCION (Spain), FICUNAM and Untra Cine (Mexico), and DOKUFEST (Kosovo). Since 2010, she has worked collaboratively as Creative Agitation, with her partner, filmmaker Travis Wilkerson, best known for their co-directed and co-written film, Nuclear Family¸ which documents a 2019 road trip to nuclear missile silos of the American West, that premiered at the Berlin Forum, was awarded Mencion Especial at Mar del Plata IFF, and went on to screen at 20+ festivals including the Viennale. She is also known for her mixed media art which was featured in the Slovenian Pavilion of the Venice Biennale (2014). She has published critical texts and poetry, and as the Managing Editor of the online newsreel, NOW Journal, has curated programs on urgent praxis, in response to world events. She is currently working towards a PhD in Research and Practice from Liverpool John Moores University, in partnership with the TransArt Institute, on expanding ideas of Invasive Species, alongside an accompanying film, Strange Flower (little sister to the poor).

Travis Wilkerson
A chance meeting in Havana with the legendary Cuban filmmaker Santiago Alvarez changed the course of Travis Wilkerson’s life. His internationally recognized body of filmmaking crosses boundaries with documentary and fiction, performance, and activism. At the epicenter of his work is the ongoing search for meeting points of aesthetic eloquence and political engagement, produced with an absolute modesty of material resources, as self-sufficiently as possible. In 2015, Sight & Sound called Wilkerson “the political conscience of American cinema.” His films have screened at hundreds of venues and festivals worldwide, including Berlin, Sundance, Toronto, and Locarno. The New Yorker called Did You Wonder Who Fired the Gun? one of the “Sixty-Two Films That Shaped the Art of Documentary Filmmaking.” An Injury to One, was named one of the best avant-garde films of the decade by Film Comment and a “political-cinema landmark” by the LA Times. His latest work, Through the Graves the Wind is Blowing, is a tribute to the Yugoslavian Black Wave. His writings on film have appeared in Cineaste, Kino!, and Senses of Cinema. He is Associate Professor of Documentary Practice, Duke Kunshan University.

Haoqin Zhong
Haoqin Zhong got her Ph.D. at the Center of Buddhist Studies at the University of Hong Kong. She received her BS and MS in China from Peking University and Tsinghua University, respectively. Her research interests include Buddhist narrative literature, Feminist Buddhism, Chinese Buddhism, early Buddhism, Vinaya Studies, and comparative religions etc.

Mohamad Zreik
Mohamad Zreik, a Postdoctoral Fellow at Sun Yat-sen University, is a recognized scholar in International Relations, specializing in China’s Arab-region foreign policy. His recent work in soft power diplomacy compares China’s methods in the Middle East and East Asia. His extensive knowledge spans Middle Eastern Studies, China-Arab relations, East Asian and Asian Affairs, Eurasian geopolitics, and Political Economy, providing him a unique viewpoint in his field. Dr. Zreik is a proud recipient of a PhD from Central China Normal University (Wuhan). He’s written numerous acclaimed papers, many focusing on China’s Belt and Road Initiative and its Arab-region impact. His ground-breaking research has established him as a leading expert in his field. Presently, he furthers his research on China’s soft power diplomacy tactics at Sun Yat-sen University. His significant contributions make him a crucial figure in understanding contemporary international relations.

 

 

Exploring the “Superdeep”: The third DKU Undergraduate Humanities Research Conference

By Junyan Li, class of 2026

The Humanities community at Duke Kunshan University recently hosted its third annual Undergraduate Humanities Research Conference on April 26th and 27th at the Academic Building. Co-hosted by Professor James Miller from DKU, and Professor Carlos Rojas from Duke, the event served as a platform for researchers and students from diverse backgrounds across China and abroad to share their insights and research findings. More than 120 individuals registered for the conference.

This year’s theme, “Superdeep,” was inspired by an ecosystem of activities at DKU designed by Professor Nathan Hauthaler, which aimed to stimulate philosophical thinking in its most expansive sense.

Vice Chancellor for Academic Affairs Scott MacEachern addressed the conference, highlighting that this annual gathering has evolved into a significant event that strengthens the bonds within the humanities community.

The conference schedule included four keynote lectures and twelve parallel sessions featuring contributions from students not only from DKU but also from universities across China. The discussions covered a broad spectrum of topics, ranging from literature and art to gender and power, and extending to beliefs, philosophy, and globalization.

Prof. Tang’s lecture: Attention and Practical Knowledge

DKU was more than delighted to welcome four keynote lecturers. (Chenshan Tian) discussed the Confucian philosophy of family feeling (qinqing), exploring Confucian philosophy as a potential resource for a new geopolitical order. Associate Professor Ru Ye from Wuhan University delivered a thought-provoking lecture titled “Can Rational Beliefs Be Arbitrary?” This sparked deep contemplation among the audience about the possibility of multiple rational responses to the same body of evidence. Hao Tang, Professor of Philosophy from Tsinghua University, led a discussion on attention and practical knowledge, enriching the concept of practical knowledge as a form of self-knowledge or self-consciousness. Seth Jaffe, Associate Professor of the History of Political Thought at LUISS, provided a unique interpretation of Thucydides’ account of the causes of war, delving into debates surrounding the “inevitability” of conflict between America and China.

The central premise of this conference is that while not everyone may be a professional philosopher, we can all benefit from engaging more deeply with the intellectual tools that philosophers are developing.

Jackson Li, a sophomore at DKU, found inspiration in the diverse topics presented, particularly resonating with Jaffe’s perspective. He commented, “Applying ancient Greek stories to modern international relations offers a compelling way to consider the complexity of relations between great powers. It suggests that cooperation between China and the United States is a crucial prerequisite for a mutually beneficial situation.”

In addition to the keynote speakers, student presentations in the parallel sessions also brought fresh insights to the conference. Xi Xiong, a junior majoring in philosophy from Wuhan University, expressed her pleasure in exploring topics that have previously been overlooked or unnoticed, with the aim of eliminating hidden evaluative bias within the field of philosophy.

Xi Xiong was participating in a heated discussion.

Renyuan Zhang, another DKU sophomore, reflected on his journey from being a participant last year to a presenter this year, stating, “My role in the HRC may have changed, but the spark of enlightenment remains.” 

Renyuan Zhang presented his research about Shanghai Lockdown in 2022

The conference was not solely about academic discussions; it also incorporated social events such as a gala dinner, a music and dance night, and student film festival, creating a relaxed atmosphere after a day of intellectual engagement.

Professor Miller expressed pride in what the HRC has achieved, not only fostering intense academic discussions in humanities but also providing “a warm and rich social atmosphere with food and wine to help build a shared community of learning.” He noted that over the years, DKU students have formed friendships with their peers at other universities through these conferences, which he described as “beautiful to see.”

Echoing Miller’s sentiments, DKU sophomore Yuequ Dou said, “It’s amazing to hear all the interesting thoughts that people brought up and to make connections with friends all over China.”

The conference indeed served to reinforce Duke Kunshan University’s (DKU) brand identity as China’s premier global liberal arts university. The mission of the Humanities Research Center is to advance interdisciplinary research in the arts, humanities, and interpretive social sciences, contributing to DKU’s goal of becoming one of the world’s leading cross-cultural, research-intensive liberal arts universities.

This year’s event was particularly notable for the launch of the Nexus Journal, a humanities and social science journal created by and for undergraduates at DKU and Duke. This initiative not only strengthens DKU’s brand identity but also fosters a platform for intellectual discourse and exchange in the arts, humanities, and interpretive social sciences. It’s a testament to DKU’s commitment to advancing interdisciplinary research and contributing to its mission of being a leading global liberal arts university.

The launch ceremony of the journal, Nexus

Miller expressed his appreciation for everyone’s enthusiasm, adding, “Hosting the conference with my co-director from Duke, Carlos Rojas, was a bittersweet experience for me, as this is my last semester as co-director. I wish the center every success in the future.”

 

The 2nd Gender Studies Initiative Student Conference Program

Date: Friday, April 19th, 9 AM – 3 PM

Venue: AB 2107

9-9:15 AM: Keynote Speech by Professor Selina Lai Henderson

Session 1 – Challenges to Heteronormativity

9:15-10:15 AM Presentations and faculty discussions

10:15-10:45 Q&A

Heteronormativity in Korean Boys Love Comics: A Case Study of Chinese Queer Women’s Gender Discourse – Shuzhe Wang

Faculty discussant: Keping Wu (Zoom)

Masters tools: Oppression, Representation, Stereotype, and Heteronormativity – Sadey Dong

Faculty discussant: Hwa Yeong Wang

A Queer Metamorphosis: Animal Narratives and Lesbian Love in Contemporary Chinese Cultures – Ruohan Wang

Faculty discussant: Nathan Hauthaler

Session 2 – Gendered Economy and Environmental Challenges

10:50-11:50 AM: Presentations and faculty discussions

11:50-12:20 PM: Q&A

The ‘Invisible’ Female Riders in Food Delivery: Exploring the Impact of Platform Algorithms on Female Workers in the Gig Economy – Hanyang Zhou and Yixin Gu

Faculty discussant: Megan Rogers

Gender, Health, and Catastrophe: The Impact of Patriarchal Gender Dynamics on Tribal Women’s Health Outcomes amidst Pakistan’s 2022 ‘Superfloods’ – Arabela Iggesen Valenzuela

Faculty discussant: Hyun Jeong Ha

Gendered Dimensions of Climate Change: A Critical Analysis of Women’s Vulnerability and Representation in Global Environmental Governance – Manal Bidar

Faculty discussant: Jaehee Choi

12:20-13:30 PM: Lunch

Session 3 – Feminist Critiques to Culture and Society

1:30 – 2:30 PM: Presentations and faculty discussions

2:30 – 3 PM: Q&A

A Feminist Triumph or Flop?: Exploring Public Perceptions of Barbie- Yihan Chen, Ni Zheng, and Hsuan-kai Liao

Faculty discussant: Lindsay Mahon Rathnam

The Ornamental Personhood: A Reparative Reading of K-Pop Femininity – Vicky Yongkun Wu

Faculty discussant: Titas Chakraborty

Navigating Ideologies Rifts in the Digital Age: Understanding Relationship Dynamics Amidst Gender Discourse Polarization in China – Wenjing Xu

Faculty discussant: Qian Zhu

Register for the 2024 Undergraduate Humanities Research Conference

The Humanities Research Center is pleased to announce its annual Undergraduate Humanities Research Conference, Superdeep, which will be held in person at Duke Kunshan University from April 26-27, 2024. The conference will feature approximately 40 undergraduate research papers and 4 keynote addresses. Students who register for the conference may attend an exclusive seminar with one of the keynote speakers, as well as a gala dinner with all the presenters.

Register to attend the conference here by April 19

View the draft program here

Keynote Speakers

Roger T. Ames 安樂哲 is Humanities Chair Professor at Peking University, Senior Academic Advisor of the Peking University Berggruen Research Center, and Professor Emeritus of Philosophy at the University of Hawai’i. He is former editor of Philosophy East & West and founding editor of China Review International. Ames has authored several interpretative studies of Chinese philosophy and culture, and his publications also include translations of the Chinese philosophical classics. His most recent monograph is Human Becomings: Theorizing ‘Persons’ for Confucian Role Ethics (2021). He has most recently compiled the new Sourcebook in Classical Confucian Philosophy with its companion A Conceptual Lexicon for Classical Confucian Philosophy, and is committed to writing articles promoting a conversation between pragmatism and Confucian philosophy.

Ru YE is an associate professor at Wuhan University. She works on epistemology, more specifically, epistemic permissivism, higher-order evidence, and pragmatic encroachment. She is also interested in formal epistemology and the intersection between ethics and epistemology.  She received her PhD from Cornell University in 2016, and before that, she did undergraduate work at Wuhan University. 

Seth Jaffe is Associate Professor (Research) of the History of Political Thought at Luiss Guido Carli University, Rome (LUISS). His PhD is from the University of Toronto, his MSc from the LSE, and his BA from Bowdoin. He has worked on U.S. foreign policy, been a postdoc at FU Berlin, and is a regular Senior Associate of the American School of Classical Studies at Athens. He has research interests in Greek and Roman political philosophy, the history of international political thought, and how classical frameworks can enrich contemporary debates. His first book, Thucydides on the Outbreak of War, was published in 2017 by Oxford UP, and he is working on a book on Polybius. He recently co-edited (with Guillermo Graíño Ferrer) a double special issue of The Review of Politics on populism in the history of political thought.

Hao TANG is Professor of Philosophy at Tsinghua University. He received his MA and PhD from the University of Pittsburgh after graduating with a BSc in Material Science from Fudan University. He is interested in Wittgenstein, philosophy of language, philosophy of mind, and philosophy of action.

Undergraduate Humanities Research Conference 2024 Information Session

The deadline for submitting abstracts for the Undergraduate Humanities Research Conference is March 22, 2024. To help students prepare their abstracts, Professor James Miller, co-director of the Humanities Research Center, will give a information session on Tuesday, March 19, from 8-9pm (Zoom 6952900771).

In the information session you will learn

  • advantages of participating in the conference
  • advantages of presenting a paper at the conference
  • the rules for which types of papers will be accepted and which will be rejected
  • how the selection process works
  • how to write a good title and a good abstract

All students who are considering participating in the conference are strongly encouraged to attend.

Undergraduate Humanities Research Conference, April 26-27, 2024

The Humanities Research Center is pleased to announce its annual Undergraduate Humanities Research Conference, Superdeep, which will be held in person at Duke Kunshan University from April 26-27, 2023. The conference will feature approximately 40 undergraduate research papers and 4 keynote addresses. Students who are selected for the conference will also attend an exclusive seminar with one of the keynote speakers.

Continue reading “Undergraduate Humanities Research Conference, April 26-27, 2024”

中西太空探索的精神 The Spirit of Space Exploration in China and the West

昆山杜克大学人文研究中心荣幸地宣布,我们将于202466日至8日在中国江苏省昆山市以线上线下相结合的方式举办关于中西太空探索的精神的学术会议,并向各界人士诚征提案

English

本次会议旨在探讨不同文学、文化、宗教传统中的思想、人物、世界观和叙事如何与当代中外对太空空间的探索研究相联系我们诚邀来自不同学术领域和背景的科学家以及作家、文学家等人文学者加入我们,参与到这场中外对话之中

本次会议将围绕跨学科研究的前沿领域 太空文化(Astroculture) 旨在理解太空时代的文化历史Geppert 2012)。虽然目前的宇宙文化研究侧重于欧美,但近年来对俄罗斯太空时代的研究也有所增加。然而,尽管中国对地外空间有着悠久的文化和科学研究史,对中国方面的太空文化研究却相对较少。我们的会议将致力于填补这一知识上的空缺,将对中国太空探索的文化研究与西方学术界联系起来

各国对太空探索的持续投入证明了太空竞赛不只是为了展示科技实力或体现军事的领先。在西方,征服太空的追求表现了更深层的与太空中神圣存在相遇的欲望,而近来宇宙文化中的宗教因素也吸引了更多学术关注。例如,基于基督教启发的叙事我们的星球描述为一个需要逃脱的堕落之地,亦或者是亟待开拓的新疆。这样的叙事深刻地影响了杰夫·贝佐斯、伊隆·马斯克等致力太空探索的企业家的言辞(Rubenstein 2022)。同样的,学者们也指出太空竞赛在某些新的宗教运动——比如雷尔主义或科学教——的形成中扮演了起到了重要作用

然而,学界对西方世界以外的太空计划以及其潜在的与亚洲文化、宗教、哲学传统和背景的关联却关注甚少。中国或印度的太空探索背后是哪些更深层的宇宙观?当亚洲的太空探索者遭遇地外生命时,他们将遵循怎样的价值观和伦理法则?哪一种探索和理解宇宙的角度可以避免我们的地球陷入环境危机之中?全球化时代的太空探索要求学者们用跨学科和跨文化的方式思考这一系列问题

主题演讲嘉宾

陈楸帆

陈楸帆是中国重要的科幻作者创意制作人。他是耶鲁大学的研究员,并在博古睿研究院担任研究员。他与前谷歌大中华区总裁李开复合著了《AI2041:预见个未来新世界》

Jeffrey Kripal

Jeffrey Kripal博士在莱斯大学担任哲学和宗教研究部门的主席。具有代表性的基本著作有:《伊沙兰:美国与无宗教的宗教》和《蛇的礼赠:诺斯底主义关于宗教研究的思考》。他被公认为宗教、超自然和不可能性方面的领先理论家

Mary-Jane Rubenstein

Mary-Jane Rubenstein是一位科学和宗教哲学家,著有多本作品,最著名的是Astrotopia: The Dangerous Religion of the Corporate Space Race她在描绘的太空探索的愿景中探讨了摒弃地球殖民此类暴行的可能性,而她的研究也提倡科幻故事更多地关注宇宙自身而非宇宙探索的潜在利益

苏萌

苏萌,作为起源太空的创始人兼CEO,是当今最重要的太空科学家之一。苏萌教授本科毕业于北京大学物理学院,并于哈佛大学获天体物理学博士,他也是麻省理工学院Pappalardo Fellowship和NASA Einstein Fellowship的获得者。凭借对银河系的泡状结构的发现,他于2014年成为了美国天文学会高能天体物理学最高奖Bruno Rossi Prize最年轻的共同得主。

文章主

我们接受不同主题的文章。文章的主题包括但不限于

  • 中外宗教、哲学或文化中的对太空科学家和宇航员的想
  • 中外科幻作品的对未来太空世界的构
  • 外星人与亚洲人/作为外星人的亚洲
  • 亚洲传统思想与文化、以及其对于行星文明和太空文化内涵的影响  
  • 与本次会议主题相关的艺术干预

本次会议语言为英语

截止时

请于20231231日前将文章题目,200英文字摘要,以及一份简短的个人信息发送至邮箱<ben.van.overmeire@dukekunshan.edu.cn,并于2024131日前告知我们您是否会线下或程参加会议

我们鼓励学者尽可能亲临现场参加。昆山紧邻苏州与上海,并可通过机场和高铁轻松抵达。在昆山市的花销将由昆山杜克大学人文研究中心承担,但我们将无法资助差旅费用。请与组织者联系以获取更多有关差旅的信息

本次会议结束时,我们将探讨以期刊特刊或编辑书籍的方式出版本次会议上的文章的可能性

如有任何问题,请通过邮件联系James Miller <jem122@duke.edu> Ben Van Overmeire <ben.van.overmeire@dukekunshan.edu.cn>

The Spirit of Space Exploration in China and the West 中西太空探索的精神

Duke Kunshan University Humanities Research Center is pleased to announce a call for proposals for a conference on “The Spirit of Space Exploration in China and the West,” to be held in person and virtually in Kunshan, Jiangsu, China, from June 6-8, 2024.

中文

This conference will explore how ideas, characters, worldviews, and narratives from literary, cultural, and religious traditions engage with contemporary space exploration in China and the West. It will do so by inviting scholarly and creative contributions from a wide variety of disciplines, bringing humanities scholars, scientists and authors from China and the west in dialogue with each other.

The conference theme is located in the cutting-edge interdisciplinary field of astroculture, which aims to understand the cultural history of the space age (Geppert 2012). Though research on astroculture has mainly focused on America and Europe, there is a growing body of research on Russia as well. Much less has been done on China, despite its long history of cultural and scientific inquiry into outer space. Our conference aims to address this gap in our knowledge and to bring it into conversation with scholarship from the West. Continue reading “The Spirit of Space Exploration in China and the West 中西太空探索的精神”