Prof. Benjamin Bacon and Prof. Vivian Xu from the Media and Arts program are inviting leading Chinese media art practitioners to speak about their work and practice, and engage with students and faculty. Outside guests are also welcome.
This short series focuses on three artists whose work can give students an understanding of the broader scope of media art and its present-day manifestation within the Chinese context.
Hosted by the Lab’s faculty and student researchers, the launch will introduce the Lab, its objectives and research projects, as well as a series of exciting events for 2020.
The launch will conclude with a Keynote by Professor Geoffrey Harpham (Senior Fellow, Kenan Institute on Ethics, Duke University) on “Freedom and the Character of Scholarship,” followed by a Question and Answer session. This event will be recorded and posted on the Freedom Lab Website for all to view. Continue reading “Freedom Lab: Launch Event”
On Tuesday March 3, Duke Kunshan University Humanities Research Center in partnership with the Franklin Humanities Institute created a panel on the human, social and political implications of the coronavirus (COVID-19).
The panel consisted of two sessions. The first was an online Zoom presentation to DKU students, with nearly 200 total participants.
Spirituality is the new cultural buzzword. Increasingly, North Americans prefer to call themselves “spiritual but not religious.” Yoga studios, and mindfulness programs, offering people help along their spiritual paths, are popping up left and right, and discussions of ‘spiritual intelligence’ are increasingly the norm. This talk will delineate and historicize the religious tradition that informs what goes by ‘spirituality’ today— a ‘religion of the heart’ that has ties to a religious legacy that has longstanding North American roots. Why is this religion of the heart so popular in late modernity, and what implications does its recent rise have for questions of community and societal wellbeing in liberal democracies? Continue reading “The Religion of the Heart: Spirituality in 21st Century North America”
On Friday January 10, the Humanities Research Center welcomes Professor Mark Larrimore from the New School, New York City to give a presentation on Religious Texts in the Anthropocene and to enter into a conversation with HRC Co-Director James Miller.
The Humanities Research Center at Duke Kunshan University is pleased to announce a three day event Africa: Migration, Culture & Conflict featuring three keynote scholars:
Fati Abubakar Gangaran, Duke University
Shamil Jeppie, University of Cape Town
Charles Piot, Duke University.
Wednesday 15 January, 7-9pm
Opening Reception and Photography Exhibition, “Bits of Borno,” with Fati Abubakar Gangaran.
Welcome by Professor Scott MacEachern, Vice Chancellor for Academic Affairs.
IB Lobby. Light refreshments provided.
Thursday 16 January, 6:30-8:30pm
Student Discussion Panel with keynote speakers hosted by the Society of Black Global Scholars: What Does It Mean to Be A Migrant?
Water Pavilion. Light refreshments provided.
Friday 17 January, 10am-2:30pm
Keynote Lectures in AB1087
10am: Shamil Jeppie, University of Cape Town
Introduced by Professor Selina Lai-Henderson
The great Malian writer, Amadou Hampaté Bá, is reported to have said that, “In Africa, when an old man dies, it’s a library that burns.” But what happens when a library really disappears, especially in the world from which this writer has emerged? In recent years this has become an actuality in some places and remains a possibility in various parts of Africa as conflicts entail destruction of lives and things like books. This should take us back to the history of writing and books, in this case in West Africa. How and when did writing spread and libraries get formed? This talk will reflect on the question of writing as a technology and book learning and collecting as cultural forms of expression in the region around Timbuktu in West Africa.
11am: Coffee Break
11:30am: Fati Abubakar Gangaran, Duke University
Introduced by Professor Kaley Clements
Bruised, Not Broken
Since Boko Haram, literally meaning ‘Education is Forbidden,’ a terrorist group, launched its first attack on a quiet morning in 2009 in Maiduguri, Borno State, North East Nigeria, there has been a media frenzy. From 2009 till date, there have been attacks, suicide bombing, abductions, silent killings. And mainstream media covered everything as ‘Breaking News’. There were no other stories besides the numbers, the blasts. The state is currently being plagued by the images of turmoil and despair with a total neglect of its resilience. Our hometown has been reduced to statistics: 20,000 died, 400,000 malnourished. We have become numbers. There are no faces to the conflict. No survivors. And it is as importance to document death as it is resilience. What is life like for the people left behind? What is like after the breaking news and bombs?
Bits of Borno is a photography project that chronicle the lives of people in the communities around Borno. It is the faces of the people who have survived Boko haram. An everyday life. It is a story of a resilience people who are thriving in the midst of adversity. The project which has been ongoing for three years has also been documenting the humanitarian crisis in the state.
1:30pm: Charles Piot, Duke University
Migration Stories: The US Visa Lottery and Global Citizenship
Introduced by Professor Jesse Olsavsky
More Togolese per capita apply for the US Diversity (Green Card) lottery than those from any other African country, with winners attempting to game the system by adding “spouses” and dependents to their dossiers. The US consulate in Lomé knows this gaming is going on and constructs ever-more elaborate tests to attempt to decipher the authenticity of winners’ marriages and job profiles – and of their moral worth as citizens – tests that immediately circulate to those on the street. This presentation explores the cat-and-mouse game between street and embassy, situating it within the post-Cold War conjuncture – of ongoing crisis, of an eviscerated though-still-dictatorial state, of social death and the emptiness of citizenship under such conditions, of a sprawling transnational diaspora and the desires and longings it creates, of informationalism and its new technologies, of surveillance regimes and their travails, and of the way in which mobility/immobility and sovereignty are newly entangled and co-constitutive in the contemporary moment.
Fati Abubakar Gangaran
Fati Abubakar Gangaran is a documentary photographer, photojournalist, public health humanitarian health worker from Nigeria was born and raised in Maiduguri, Borno State. She has a Bachelors degree in Nursing and a Masters degree in Public health and Health Promotion. She specializes in documenting cities, towns highlighting both the positives and negatives of each location. She focuses on health perspectives, using photography as a medium to highlight the problems at community level. She also has an interest in documenting cultures, conflict, urban poverty, rural development and humanitarian issues. She has a special interest in counter narratives for underrepresented communities. In 2015, she embarked on a personal project to showcase her hometown of Borno State, Nigeria at the time of Bokoharam. A project which has been titled ‘Bits of Borno’ on social media has gained critical acclaim and has been published in media outlets including The New York Times, BBC, Reuters, CNN, Voice of America, Newsweek Europe, Africa is a Country blog, Nigerian newspapers such as ThisDay and the Blueprint. She has been commissioned to work with UNICEF, International Alert, Action Aid and more.
Shamil Jeppie received his PhD from Princeton University and is currently is Associate Professor of History at the University of Cape Town, South Africa. He has worked on aspects of the social history of Cape Town and Durban, South Africa, and 19th-century Sudan. Shamil founded The Tombouctou Manuscripts Project in which he explored the formation of a culture of collecting in Timbuktu. He also led a National Research Foundation study group on history and the humanities in South Africa today. He has been the chairperson of the South-South Exchange Programme in the History of Development (Sephis), and is now the Director of HUMA, Institute for Humanities in Africa. Shamil serves on various platforms concerned with the development of the humanities, history and heritage in Africa and the global South.
Charles Piot is Professor of Cultural Anthropology at Duke University, where he has a joint appointment in African and African American Studies. His area of specialization is the political economy and cultural history of rural West Africa. His first book, Remotely Global: Village Modernity in West Africa (1999) attempted to re-theorize a classic out-of-the-way place as within the modern and global. His second book, Nostalgia for the Future: West Africa after the Cold War(2010), explored shifts in Togolese political culture and sovereignty during the 1990s, a time when the NGOs and charismatic churches take over the bio-political, organizing social and political life in the absence of the state. His recently-published book, The Fixer: Visa Lottery Chronicles, is about Togolese who apply for and attempt to game the US Diversity Visa lottery.
Journey of the Universe is an award-winning one hour documentary film and education project produced by Mary Evelyn Tucker and John Grim from Yale University. Uniting cosmology, astronomy, astrobiology and evolutionary theory, It narrates the story of the universe from the Big Bang to the present day in a visual, poetic and evocative manner. The film seeks to give the viewer a sense of wonder at the cosmic history that has enabled life on earth to develop, and a sense of responsibility toward all forms of life in the face of environmental devastation and climate change. The film will be shown in the IB auditorium on Thursday October 10, starting at 7pm, and there will be a Q and A with the film-makers afterwards.
Preceding the film will be the first world-premiere mass participation artproject at DKU. Designed by student researchers in the Planetary Ethics and Artificial Intelligence Lab (PETAL) of the Humanities Research Center, and led by DKU sophomores Rudy Lu and Ryan Trombly, the art work will trace seven stages of the story of the universe, from the Big Bang to the present day, in the form of the constellation of the Big Dipper mapped out on the inner campus of DKU.
For this art project to occur, we need approximately two hundred DKU students, with their phone or other flashlights to process through the campus of DKU from the Student Residence Hall, via the Water Pavilion and the Conference Center to the Innovation Building. The phone-light procession will symbolize the unity of the DKU community with the guiding presence of the Big Dipper and with the 14 billion years of cosmic evolution that have brought us together to this place. The art project will be filmed by eight cameras and a drone that will capture the formation of the Big Dipper constellation on the DKU campus.
The Big Dipper, known in Chinese as the seven stars of the northern dipper (Beidou qixing 北斗七星) has great significance in Chinese culture and science. Beidou points towards Polaris, the northern point around which the heavens were thought to rotate. In Chinese mythology, the personification of the dipper is known as Doumu 斗姆, or Mother of the Dipper, an important goddess in Daoist religion. In modern China, Beidou is the name of the Chinese GPS system that was the life’s work of former DKU Chancellor Liu Jingnan. Through history, culture, mythology and science Beidou continues to provide orientation and meaning for human beings within a universe of immense possibility.
To participate in the art project, register online, and bring your phone or other flashlight to the student residence halls at 615pm on Thursday, October 10.