The Humanities Research Center is pleased to announce the appointment of Eugenie Chao as Senior Program Coordinator. Reporting to co-directors James Miller and Carlos Rojas, Eugenie is responsible for the overall co-ordination and administration of the Center’s programs.
Currently working remotely from New York, Eugenie received her Bachelor’s degree in Music Education and her Master’s degree in Performing Arts Administration both from New York University. In her professional life, Eugenie has focused on making arts accessible. She has taught music in public schools and ceramics in her local community. She also organized antique art fairs, and, most recently, managed public art events for Arts Brookfield. She is excited to bring her broad experiences as an arts educator and arts administrator to the Humanities Research Center. As Senior Program Coordinator, Eugenie will take charge of the Center’s activities by supporting its research programs, labs, workshops, and conferences to foster interdisciplinary research and exchange in the arts, humanities, and interpretive social science at DKU.
Eugenie loves to share the joy of art making and art appreciation with those around her. During her free time, you will likely find her throwing pots in a ceramic studio, playing music, or making pastries and cakes in her kitchen. The photo shows a shallow dish she recently made. You can also find more of her work here: www.eugeniechao.com.
The Women’s, Gender, and Diversity Initiative (WGDI), in collaboration with the Humanities Research Center, is proud to present the first seminar in our pilot event series: Body Liberation and Feminism: A Series. The WGDI is an informal collective of DKU students and faculty who are working together to initiate conversations rooted in contemporary questions of power and inequality and how they connect to intersectional themes like race, gender, and sexuality.
In this series, we hope to engage students in dialogue surrounding the body by organizing a series of academic seminars that focus on the experiences of underrepresented groups in society. The body, apart from its physical experience, is also home to ideas of self and belonging. Discourse on the body transcends appearances as gender, sexuality, race, disability, and other axes of diversity continue to inform and frame the conversation. This includes dialogue on fatness and the fat experience; the beauty construct—especially for women, the experiences of neurodivergent people, the disabled community, and how this diversity is represented in queer spaces. Connecting these distinct topics are notions of beauty, femininity and masculinity, social acceptance, and the systemic and institutional erasure of these communities in broader society. We hope that through engaging with these complex themes and ideas, we can push forth the concept of body liberation by taking an intersectional, feminist approach.
For more information, please contact Honey at email@example.com
You are cordially invited to attend the TSL Brown Bag Lunch Research Talk by Dr. Harper Staples on Mapping and analyzing multilingual student identities in the European context: outcomes and implications for learner engagement and wellbeing atnoon on Friday October 22, 2021 (China Standard Time).
Location: CC 1095. Zoom link will be sent to remote participants. Bring your own lunch and enjoy the talk! Snacks and bubble tea provided.
RSVP by 5 pm China Standard Time Thursday October 21 :
All DKU students are invited to attend the first meeting of the SuperdeepSeminar, DKU’s work-in-progress seminar for philosophically-minded or -interested students and student projects. No prior knowledge of philosophy is required; all students, from all divisions and at all stages of their studies, are invited to join and participate in the seminar.
In our first meeting we will discuss the seminar format, lineup, and ways for students to get involved. Subsequently Nathan Hauthaler (Lecturer in Philosophy) will give a brief sample presentation on his current work on “Reactive Luck”, followed by Q&A with students.
Snacks and refreshments will be served at the meeting.
The Humanities Research Center is pleased to announce its fall conference: The Future of Work and Labor 劳动的未来 / 未来的劳动. The conference features three renowned keynote speakers: multimedia artist Cao Fei; science fiction author Chen Qiufan; and professor of philosophy and business, Wang Jianbao. In addition to the keynote speeches, DKU faculty from a range of disciplines will introduce their research, and various labs from the Humanities Research Center will make presentations about their research over the past year. DKU students may register for the conference by filling in this registration form or scanning the QR code. Please register by October 29 if you would like to attend the dinners. Those who register after October 29 are welcome to attend the sessions, but will not be eligible to attend the dinners.
CAO Fei (b. 1978, Guangzhou) is an internationally-renowned Chinese contemporary artist. Currently living in Beijing, she mixes social commentary, popular aesthetics, references to Surrealism, and documentary conventions in her films and installations. Her works reflect on the rapid and developmental changes that are occurring in Chinese society today.
Cao Fei’s works have been exhibited at a number of international biennales, triennales and art institutions. Cao Fei’s major projects in recent years include a solo exhibition at MoMA PS1, New York (2016), the BMW Art Car Project (2017), the Robert H. N. Ho Family Foundation Chinese Art Initiative at the Guggenheim Museum in New York (2018), a solo show at the Tai Kwun Contemporary, Hong Kong (2018), a retrospective at K21 Düsseldorf (2018), a solo exhibition at the Centre Pompidou, Paris (2019), an Augmented Reality Art Project by APPLE and the New Museum, New York (2019), a solo exhibition Blueprints at the Serpentine Galleries, London (2020). Cao Fei’s recent projects include a major retrospective Staging the Era at the UCCA Center for Contemporary Art, Beijing (2021), and a solo exhibition at the MAXXI, the National Museum of 21st Century Arts, Rome (2021).
Cao Fei is a professor and a master advisor of the School of Experimental Art at the Central Academy of Fine Arts. She was also on the jury of The Selection Committee for the Curatorship of the 8th Berlin Biennale (2014), the jury of The Bonnefanten Award for Contemporary (2016), and the jury of Hugo Boss Asia Art Prize (2019). Cao Fei is the nominator of the Rolls-Royce Art Program Muse (2019) and the winner of the Deutsche Börse Photography Foundation Prize (2021).
Chen Qiufan (a.k.a. Stanley Chan) is an award-winning Chinese speculative fiction author, translator, creative producer, and curator. He is honorary president of the Chinese Science Fiction Writers Association, and has a seat on the Xprize Foundation Science Fiction Advisory Council. His works include the novel Waste Tide and, co-authored with Kai-Fu Lee, the book AI 2041: Ten Visions for Our Future. He currently lives in Shanghai and is the founder of Thema Mundi Studio.
WANG Jianbao is the Director of the Center for the Humanities and Business Ethics at Cheung Kong Graduate School of Business (CKGSB), since 2017. He is also a Research Fellow at CKGSB and Associate Researcher at Peking University.
His research focuses on Confucianism as well as developing new business models. Most of his research papers and articles were published in Chinanews, Chuanshan Journal (CSSCI), Legein Society, Financial Times Chinese Edition, Global Times, Caijing, China Minutes and People’s Daily. His article, On Shengyi (Business), was accepted by the 24th WCP and was published in the book Humanistic Spirit in the Third Age of Confucianism: Essays in Honor of Tu Weiming’s 80th Birthday.
With his expertise in the areas of philosophy and business, Dr. Wang is the leader of curriculum design for Humanities and Business Ethics. His courses include The First Class on Humanities, Who Are Confucian Entrepreneurs and What Can Confucian Entrepreneurs Do?, Entrepreneurial Spirit, New Era, New Business, New Civilization, Cultural Identity and Dialogue among Civilizations, On Business: Belief, Behaviour and Business etc.
Prior to joining CKGSB, Dr. Wang had a long career in corporate group management, public company management, and supply chain management. He was the Chief Representative at Pakistan Railway (1999-2000). He also successfully built a National R&D Center (2011). Dr. Wang received his baccalaureate degree in mechanical engineering from Xi’an Jiaotong University, EMBA from Cheung Kong Graduate School of Business, and his doctoral degree in Philosophy from Peking University. His dissertation, Wealth and the Way: A Mencian Perspective, pioneered the understanding of Confucian Entrepreneurs, under the supervision of Prof. TU Weiming, fellow of American Academy of Arts and Sciences and Academia Sinica.
All plenary events take place in the IB Auditorium. Parallel sessions take place in rooms as noted below. An asterisk indicates an online or prerecorded presentation. All other presentations will take place live.
Thursday, November 11
Pre-Conference Film Screening, introduced by Zairong Xiang, 1900-2120.
The HRC will show two of Cao Fei’s films about the future of work and labor, which were partially shot in Kunshan.
1900-2010 11.11 (2018) 11.11 is a documentary that records the work overload of the entire JD.com logistics system before and after the “double eleven” shopping day in China (the equivalence of America’s Black Friday). From goods being sorted at JD.com’s gigantic sorting centre in the outskirts of Beijing and the double eleven national command centre at JD.com’s headquarter, to the numerous delivery points spread across Beijing’s entire commercial and traditional districts, and the mission and individual existence of the couriers working at online shopping terminals. All of the above sketch out the landscape of a system of consumption driven by the powerful Internet economy (JD alone achieved 120 million rmb total sales on that single day). How will this situation lead us into a future social ecosystem?
2015-2120 Asia One (2018) Asia One envisions a scene in 2021, when a young female worker, a male worker and a cute AI robot (who is the daily companion of the female worker) are working in a large automated logistics centre “Asia One Unmanned Warehouse.” After long periods of loneliness and repetitious labour in the factory, the young workers start to have a special feeling for each other. In a humdrum day-to-day work-life, they seem to have fallen in an emotional entanglement between the “unmanned” (intelligentised production), “human” and “non-human” (robot).
From Prophecy to Pharmakon: AI Trends in Chinese Science Fiction
AI as a theme has been developed rapidly in Chinese science fiction narratives in recent years. It reflects the dynamic changes of the state on encouraging the tech innovation and the anxiety of being strangled by the west. However, the genre and the theme itself was imported from the west and remarkably leaving the traces of imitation and thought heritage. From the varying attitudes towards AI in different period of time, science fiction as an imaginary narrative allows us to reflexively discuss the relationship between humans and technologies and go beyond the binary thinking of “favor or fear.”
1300 Faculty Panel 1A: Philosophy, Politics and Ethics | IB1050
Quinlan Bowman: Governing the Barbarians: Considerations on Mill’s Defense of Despotism
Nathan Hauthaler: Practical Metaphysics
Nisa Claudia*: Moving toward a Cruelty-free China
1300 Faculty Panel 1B: Literary and Virtual Realities | IB1051
Ben Van Overmiere: Zen and the Art of Detective Fiction: the Case of Janwillem van de Wetering (1931-2008)
Stephanie Anderson: Slip Ups and Smallnesses: Daisy Aldan and the Forgotten Legacy of Folder
Xin Tong: Virtual Reality as an Empathy Machine for Vulnerable Populations
1430 Faculty Panel 2A: Global China | IB1050
Nellie Chu: From the Runway to the Platform (and Back): The Politics of In-Authenticity in an Era of Global Fast Fashion and China’s E-Vendor Economy
Andrew Field: Jazz Communities in Shanghai, 1920s-2020s
Jinyu Liu: Discovering Buddha
Megan Rogers: Social Risk and Religious Identity Formation in a Non-Religious Environment: Gender and Religious Conversion among China’s Urban Professionals
1430 Faculty Panel 2B: Politics, Policies and Environments | IB1051
Jason Douglas Todd: Electoral Timing or Districted Elections? Maximizing Black Descriptive Representation in County Legislatures
Irina Soboleva*: Personality Origins of Pandemic Policy Compliance
Wanggi Jaung: Urban green space and environmental injustice in popular culture: a machine learning approach
Joseph Giacomelli: Climate and capitalism in the late 1800s American West
1430 Student Seminar with CHEN Qiufan (pre-registration required) | IB1055
1600 Tea Break
1630 Humanities Research Center Labs and Student Research Projects
Student members of HRC labs and projects present short reports on their research accomplishments over the past year.
Third Space Lab: Chunyuan Sheng and Aya Lahlou*
Shanghai Refugee Project: Leiyuan Tian
Health Humanities Lab
Knowledge Networks: Xiaoliang Yang and Wanying He
PETAL: Yuchen Cao and Elva Yu
1800 Onsite Dinner
Saturday, November 13
1000 Keynote Lecture: WANG Jianbao
The Confucian Entrepreneur: Past, Present, Future
My lecture focuses on the figure of the “Confucian entrepreneur” (rushang 儒商) as a real-world embodiment of the Confucian ideal of self-cultivation. On one hand, the Confucian sagely ideal, however, is a transcendental one, which few (if any) individuals truly attain; moreover, exemplary entrepreneurs who might be thought to qualify as rushang have typically refrained from self-identifying as such. On the other hand, Wang Yangming’s famous dictum that “scholars, farmers, artisans and merchants pursue different occupations, but share a common Dao” (yiye er tongdao 異業而同道) reminds us that the Confucian Way is open to all, businesspeople and non-businesspeople alike. In this talk I investigate some models of Confucian entrepreneursfrom axial age to the second millennium and now with an outlook for more ethical and more effective new business civilization in the future by rediscovering the core value of Confucius i.e. humanity (ren 仁) with a perspective of spiritual humanism rather than secular humanism.
1300 Student Seminar with CAO Fei (pre-registration required) | IB1050
1300 Student Seminar with WANG Jianbao (pre-registration required) | IB1051
1430 Freedom Lab Plenary Panel on Scholarship in COVID Era
Initiated in 2020, The Freedom Lab has always worked under the restrictions created by the Covid 19 Pandemic. In this panel, we will discuss the work and research projects conducted by the freedom lab during the pandemic. We will further discuss the implications of the pandemic for research. With archives closed and travel for fieldwork limited, students and researchers must find innovative new ways to conduct research, that is to create new forms of intellectual “freedom,” in the midst of the “unfreedoms” created by Covid.
1530 Launch of Doc Lab
Professors Kolleen Guy, Seth Henderson and Kaley Clements introduce the Humanities Research Center’s newest lab focusing on documentary.
1600 Tea Break
1630 Keynote Lecture: CAO Fei
Behind the Scenes: Cao Fei in conversation with Zairong Xiang. NB this conversation will take place in Chinese. An English interpretation will be available via Zoom.
Winner of the Deutsche Börse Photography Foundation Prize (2021) among other prestigious awards, Cao Fei is an internationally-renowned Chinese contemporary artist. Her works reflect on the rapid and developmental changes that are occurring in Chinese society today and consistently focus on the question of labor in them through film, video, photography, and other media. The keynote conversation between artist Cao Fei and DKU professor Zairong Xiang, will discuss the questions raised in her art and take us on a journey “behind the scenes” of her artistic practice to her filming in the “world factories” of the Pearl River Delta area for her film Whose Utopia (2006); and to the intricate world of logistics that recent Sci-Fi film Asia One and documentary 11.11 focuse on. These two 2018 films were filmed in Kunshan itself and will be shown on Thursday, November 11th 2021 on campus (IB Auditorium).
1800 Onsite Dinner
1930 Post-Conference Film and Discussion: That’s Not How I Remember It
That’s Not How I Remember It is a one-night event celebrating Akira Kurosawa’s 1951 film Rashomon, which is widely credited for “introducing Japanese cinema to the West.” On the occasion of the seventieth anniversary of its release, join us for a discussion of Rashomon’s outsized impact on global filmmaking norms and foreign perceptions of Japanese culture. That’s Not How I Remember It will involve a public screening of Rashomon (in Japanese with English subtitles), followed by a roundtable discussion with scholars Yan Ni (Japan Institute of the Moving Image), Paul Anderer (Columbia University), and Richard Davis (DKU).
This project examines aesthetic features supporting therapeutic urban green space in Shanghai. Urban green space promotes public health by providing a therapeutic opportunity in nature, and its therapeutic impacts have been identified in many cities. Although aesthetic beauty contributes to therapeutic impacts of green space, however, we still know little about features of aesthetic and therapeutic urban green space. Thus, this research analyzes these features by eliciting public preferences in Shanghai and applying a machine learning approach. This research would help policymakers to promote public health by identifying potential features of therapeutic urban green space. Continue reading “Aesthetic analysis of therapeutic urban green space in Shanghai”
This project has two stages, where the philosophical portion of the literature review is done prior to beginning the next stage. Research through literature review, participating in discussions regarding the readings, potential research questions that are applicable to COVID-19 pandemics, and will complete a research paper for publication or presentation. The paper will focus on the historical and ethical dimensions of disease controls, such as quarantine and contact tracing during the COVID-19 pandemics from the aspects of individual liberty, state power, and the general welfare. The diversity of disease controls across the countries from different political systems, as well as different approaches and steps of enforcing the controls offer a great area of exploring its ethical and legal implications. We hope to investigate areas within public health ethics, which often emphasizes the state’s obligation to protect the health and general welfare of the population at hand. This would lead to further exploration of biopolitics, and how much individual liberty is valued by the various states. Continue reading “Student-lead Public Health Ethics Research Project”
Ovarian cancer, known to be the most lethal gynecologic cancer, is the leading type of cancer death in women worldwide. However, the most recent year in the study saw more decreases in funding for research on ovarian cancer than for research on other cancers. In addition, there is a huge critical knowledge discrepancy between patients and health professionals, and therefore raising public awareness of ovarian cancer is important. We aim to raise public awareness and highlight the need of more scientific research funds on ovarian cancer by filming a documentary. The documentary will include interviews that would mainly focus on how ovarian cancer influences patients’, doctors’ and scientific researchers’ lives. Meanwhile, we are looking into potential solutions by conducting scientific research in both Professor Tsigou and Professor Zhang-Negriere’s lab. Under the professional guidance of Professor Henderson, the documentary will showcase the tangible experiences of the patients involved and how each stakeholder plays an important role in this issue. The end of the day, the public will be informed on the ongoing issues with ovarian cancer and in turn support on relevant initiatives. Continue reading “Ovarian Cancer Documentary”
Facial expression is a crucial nonverbal channel of pain communication that is often incorporated in clinical assessment and treatment. It is known that underestimation of minorities’ facial expressions of pain would lead to further racial disparities in pain care. However, research so far has been mainly conducted in Western countries. Little is known about how pain is assessed through facial expressions in other sociocultural contexts and the influences of race. Therefore, the primary aim of this research is to address this gap by focusing on how foreign patients’ facial expressions of pain are decoded in Chinese society. An online experiment will be conducted to examine Chinese participants’ evaluation of foreigners’ pain intensity and authenticity through their facial expressions. An additional aim of the project is to investigate possible underlying mechanisms by studying the Chinese participants’ pain beliefs and empathy. Such data will show the racial-related propensity of the decoding of pain expressions, which will reduce the risk of misunderstanding foreign patients’ pain and improve cross-cultural pain assessment and treatment. Continue reading “Can Chinese accurately recognize pain from foreigners’ facial expressions?”
Public Square 2.0 is a video-based multi-projection installation about people’s interactions within the public space, as a reflection of people’s relationships within a community in Beijing under the COVID-19 context. The videos screened within are documentations of human interactions in a community in Beijing during the COVID-19 outbreak from March to August in 2020. Each video highlights different parts of a communal square, documenting individuals and their daily activities within it at different times. Continue reading “Public Square 2.0”