Superdeep Nighthawks: Eraserhead (Lynch 1977) | Jan 23, 8:08pm

8:08pm  |  IB 1008

The Nighthawks are bidding Superdeep farewells to one of the Greats: David Lynch. Not our first Lynch screening but the first in our David Lynch Retrospective, come join us this week for his 1977 Eraserhead (…& food & drink).
Thu Jan 23, 8:08pm IB 1008.

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Superdeep Nighthawks meet on Thu eve (~9pm till late); more info here. To propose a screening, follow this link; for more info on Superdeep generally, follow this one.

Superdeep is sponsored by DKU’s Humanities Research Center.

Harmony Lab Event Report: Round Table Discussion

Written by Effy Bat-Erdene, Class of 2025. 

On December 6th, 2024, the DKU Harmony Lab, in collaboration with the Gender Studies Lab, hosted an engaging roundtable event titled Confucianism, Family, and Women. This event brought together faculty members and students for a thought-provoking discussion on the intersections of Confucian philosophy, family structures, and gender roles. With a particular focus on the pressing birth rate crises in East Asian nations, the discussions explored Confucian values as both a lens to critically examine these challenges and a potential framework for innovative solutions.

The event began with an introductory presentation by Professor Roger Ames from Beijing University, a distinguished scholar in Confucian philosophy. Professor Ames reframed Confucianism not as a static “Eastern religion” but as a dynamic tradition of relational ethics rooted in intergenerational connectivity. Drawing on the tradition’s origins in ancestral sacrifices, he underscored the moral duties that bind past, present, and future generations. His keynote set the stage for participants to reconsider Confucianism’s relevance in addressing modern societal dilemmas, such as shifting family dynamics and demographic transitions.

Professor Sor-hoon Tan from Singapore Management University delved into the Confucian concept of family, describing it as a relational and hierarchical unit distinct from today’s nuclear family. She critically examined the centrality of the father-son relationship in traditional Confucianism while identifying its limitations in addressing broader familial and gender dynamics. This prompted a lively dialogue on whether Confucianism inherently perpetuates patriarchy or whether its core principles can be reinterpreted to support gender equality and inclusivity.

Professor Qian Zhu from DKU provided a historical overview of gender norms in modern China, tracing their evolution from the late Qing dynasty through the Mao era. Highlighting movements like the Tianzu (Heavenly Feet) campaigns and the emergence of the “new woman” in the 1920s, Zhu illustrated how women’s liberation was closely tied to nationalism and revolutionary ideals. Drawing connections to global influences such as Ibsen’s A Doll’s House, she underscored how feminist movements in China were both uniquely situated within Confucian traditions and globally resonant.

Professor Yu Wang, also from DKU, examined East Asia’s demographic crisis, including declining fertility rates, increasing divorce rates, and cultural stigmas surrounding premarital births. She discussed how generational shifts in attitudes toward marriage and parenthood reflect tensions between modern individualism and traditional Confucian values, which prioritize familial continuity and intergenerational obligations. Professor Wang’s presentation provided a sociological lens for understanding these trends and their implications for policy and culture.

The roundtable concluded with responses from DKU faculty members Professor Hwa Yeong Wang and Professor James Miller, alongside Wuhan University faculty members Professor Qin Liu and Professor  Yong Li. They offered critical reflections on the key themes from the presentations and emphasized Confucianism’s potential to contribute to global dialogues on gender and family dynamics.

The discussions were followed by a Q&A session, where attendees actively participated by raising questions and sharing their thoughts on the current implications. The event was a huge success, inspiring meaningful conversations about the historical significance and contemporary relevance of Confucianism in addressing pressing contemporary social issues.

History Through a Student’s Eyes: Research Assistant&SW

Reported by Sydney Brown, class of 2026 & Yuruo Zhang, class of 2027

On Wednesday, December 4th the Archives and History Initiative hosted its final event for the semester. Senior Haiyi Guo presented his experience as a student research assistant for Professor Zach Fredman, and discussed his Signature Work project. About 19 students and Professors Jan Hua-Henning, Titas Chakraborty, Jesse Olsavasky, Bryce Beemer, Joseph Giacomelli, Andrew Field, as well as Archivist Ryder Kouba were in attendance.

Haiyi Firstly introduced his previous research experience, as a history research assistant. “New Book: The Tormented Alliance” is Professor Fredman’s new book project, it was a study about the cooperation between the US Army and the Nationalist Government in China during World War II. Guo reviewed and collated reference information for writing. “Rest and Recreation (R&R) program” is a research program about the US Army’s vacation program (R&R) during the Vietnam War. He helped to collect related resources from online archives.

Guo’s signature work project, “A History of Gender in the Vietnam War,” was influenced by the work he did with Prof. Fredman. Guo utilises interviews conducted with former Donut Dollies for his primary sources, and conducted historical research into the chronology of the Vietnam War, and on gender issues. His project has three main focuses: American and Allied women in military and support roles; Vietnamese Women’s Experiences During the Vietnam War; and Women’s leadership in post-war recovery.

His first focus on American and Allied Women looks at the Donut Dollies, women who volunteered with the Red Cross to provide relaxation and comfort for male soldiers in Vietnam. Guo also looks at how consequently, former Donut Dollies developed PTSD from sex violence. The next focus (Vietnamese Women’s Experiences During the Vietnam War) looks at how the war destroyed rural comunities and forced women to move and go into sex work. Here, Guo looks at bar girls and the intersection with sex work. He also looks at how the perception of American soldiers being generous and willing to marry provided the hope for better futures for Vietnamese women. The final focus, Women’s Leadership in Post-War Recovery, addresses the story of one Vietnamese woman who was separated from her family, and in the United States, started a support group called “Families of Vietnamese Prisoners Association.” The group worked to reunite families who were separated during the Vietnam War.

In the end, participants asked about the research content and context, including the societal and cultural implications of the Vietnam War on women’s roles. The Discussion highlighted how wartime experiences reshaped traditional gender expectations and led to the stigmatisation of women involved in non-conventional roles, such as entertainment or support services. Comparisons were drawn to other historical instances, such as Korean “comfort women,” which emphasised shared struggles and the complexities of addressing historical narratives. The audience also reflected on how these roles influenced post-war integration and the lingering perception of women who worked in such capacities. Moreover, participants also inquired about the challenges of sourcing and analysing materials. Questions centred on how primary sources were accessed and evaluated, especially those from Vietnamese archives or oral histories. The speaker explained the reliance on English-language interviews and newspaper reports due to the difficulty of accessing Vietnamese-language resources. Thus, the audience suggested the potential for incorporating oral histories to provide richer, more personal insights into women’s experiences. The audience also raised points about the ethical considerations of interpreting sensitive topics, such as trauma and stigma, through historical research.

Before the dismiss of the event, Professor Jan Hua-Henning quickly mentioned a research assistant opportunity open for all students. Student workers on the team will help Professor Hua-Henning create a website and database for the Global Histories of Risk (GLOHRI) project and will be the first ones to contribute to the database. If interested, please contact Professor Hua-Henning at jan.huahenning@dukekunshan.edu.cn for furthur information.

RAS HISTORY CLUB JAN 18: ARCHAEOLOGY OF THE SELF IN FRANCOPHONE LITERATURE

Asian and North African francophone literatures share not only a common language but are both fertile grounds where writers explore the experiences of the self, families, and society at large. In these literatures, writing functions as an archaeological device to make sense of the obstructive social processes that make life excessively demanding and complex. This orientation positions Asian and North African francophone narratives as some the most significant archives of the individual’s journey in and out of the private or public sphere in the modern era.

This talk will introduce novels written by Aki Shimazaki, Tahar Ben Jelloun, Linda Lê, Mohammad Berrada, Kim Thuy, Abdallah Laroui, Marguerite Duras and Pham Duy Khiem, and will invite us into these two literary and cultural traditions, bringing North Africa and Asian societies and literatures into close conversation with each other.

Location

Garden Books
长乐路325号,近陕西南路
325 Changle Rd, Near Shaanxi South Rd
Shanghai, China

About the speaker

Adrien Pouille is an Assistant Professor of African Literature at Duke Kunshan University. He holds a Ph.D. in Comparative Literature from Indiana University Bloomington, and has taught at St. Mary’s College of Maryland, Wabash College, and Indiana University Bloomington. He is the author of Human Journeys and the Quest for Knowledge in African Writing, published in 2021, and contributed to the Saafi-Saafi & English/French Dictionary (2016), among other publications.

Superdeep Nighthawks: The Sword in the Stone (Reitherman 1963) | Dec 12, 8:08pm

8:08pm  |  IB 1008

Finals week, end of semester, preparations for the well-deserved break… Get your last ducks & books & spells in a row in enchanting Superdeep fashion, with the Nighthawks & Wolfgang Reitherman’s Sword in the Stone (…& food & drink).

Thu Dec 12, 8:08pm IB 1008.

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Superdeep Nighthawks meet on Thu eve (~9pm till late); more info here. To propose a screening, follow this link; for more info on Superdeep generally, follow this one.

Superdeep is sponsored by DKU’s Humanities Research Center.

Unbound: A Journey Through Flow and Resistance

By Chengxi Yin, class of 2026, Photo by Ruixiang Hu, class of 2027

On December 3, 2024, Duke Kunshan University Humanities Research Center, Gender Studies Lab, Dr. Crystal Kwok, and her students unveiled their collaborative exhibition, Unbound: Flow and Resistance, in the HUM Space. The event was a landmark occasion for the university, blending art, activism, and academic inquiry into a thought-provoking exploration of the human body and its intersections with gender, vulnerability, and resistance.

The ceremony began with welcome speeches from HRC Co-director Dr. Selina Lai-Henderson and Vice Chancellor for Academic Affairs Dr. Scott MacEachern. Both leaders emphasized the importance of interdisciplinary initiatives like Unbound, celebrating the dedication of all who contributed to the exhibition’s realization. Gender Studies Lab Co-directors Dr. Hyun Jeong Ha, Dr. Megan Rogers, and Dr. Jesse Olsavsky also delivered opening remarks, reflecting on the exhibition’s capacity to inspire deeper conversations about gender, identity, and societal expectations.

Student curators Sue Wang and Davit Kavkasyan provided an overview of the exhibition’s concept, highlighting its focus on the body as a site of perpetual transformation and tension. Through multimedia works featuring symbols like eyes, hands, and faces, the exhibit delves into themes of perception, identity, menstruation, fluidity, and healing. It reflects on the body’s role as a battleground shaped by personal struggles and societal forces, celebrating its resilience and capacity for change. The exhibition invites viewers to reconsider their relationship with their bodies and the world.

A major highlight of the exhibition opening was the screening of The Stain: Unshaming Menstruation, a short documentary by Dr. Crystal Kwok and her students. Dr. Kwok, an award-winning filmmaker, actress, writer, and academic, is renowned for her work addressing socially sensitive topics surrounding women, sexuality, and the body. Her previous documentary, Blurring the Color Line, has received numerous accolades, including Best Documentary at the Silicon Valley Asian Pacific Film Festival. Speaking about The Stain, Dr. Kwok elaborated on her inspiration for the project: “Menstruation is a universal experience, yet it is often shrouded in shame and secrecy. The film confronts deeply ingrained cultural stigmas around menstruation, challenging taboos and amplifying voices that are often silenced.” By normalizing the conversation, this documentary seeks to create a space for healing and empowerment.

The Stain weaves together intimate interviews, modern dance, music, and poetry, exploring diverse experiences with menstruation. From the anxiety of staining clothing to the stigma of discussing menstruation openly, the documentary sheds light on the complex emotions and societal pressures surrounding this natural process. Stories range from a participant recalling the embarrassment of staining a white prom dress to reflections on intergenerational taboos and cultural misconceptions. One particularly striking moment in the film features a modern dance sequence symbolizing the pain and resilience of menstruating bodies.

The exhibition also included a live poetry reading by members of the DKU Poetry Club, whose works echoed the themes of stain, vulnerability, and resilience. Their performances added another layer of emotional depth, creating a multisensory experience that resonated with attendees.

Through its combination of visual art, film, and live performance, Unbound underscores the potential of creative expression to challenge societal norms and foster understanding. The success of Unbound: Flow and Resistance reflects the power of interdisciplinary collaboration at Duke Kunshan University. This exhibition is not just an end, but a beginning. It exemplifies what can be achieved when students, faculty, and researchers come together to address critical issues through the lens of art and scholarship.

The clip for The Stain: Unshaming Menstruation, a short documentary by Dr. Crystal Kwok and her students, is available here:

https://youtu.be/xefrIxhmKHU

Get Your Free Copy of The LilyPad Fall 2024 Magazine!

Date: December 4 & 5
Time: 11-1:30 pm
Location: CCTW 1st floor outside Family Mart
 

The LilyPad is releasing our Fall 2024 Magazine this week! This magazine is a collection of the editors’ favorite LilyPad stories published by DKU students this semester, with sections including Student Life, Environment, Health & Wellness, Arts & Literature, Global Politics, Travel & Culture, and the Opinion Column. Stop by CCTW 1st floor outside Family Mart from 11-1:30 on Wednesday and Thursday to get a FREE copy and help support student-led journalism at DKU! Read even more incredible student-written stories at sites.duke.edu/thelilypad and follow our Instagram for story updates at @thelilypad.dku.

Superdeep Nighthawks: Dead Poets Society (Weir 1989) | Dec 5, 9:08pm

9:08pm  |  IB 1008

Come alive again this week 7 with the Nighthawks & Peter Weir‘s 1989 Dead Poetry Society (…& food & drink).

Thu Dec 5, 9:08pm IB 1008.

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Superdeep Nighthawks meet on Thu eve (~9pm till late); more info here. To propose a screening, follow this link; for more info on Superdeep generally, follow this one.

Superdeep is sponsored by DKU’s Humanities Research Center.

Student Report on Migratory Ghost Reading Event

Pictured left to right: Maya Peak ‘25, Juli Min, Sidney Brown ‘26, and Zhou Sivan.

By Rebecca Combs

On September 22nd, 2024, the HRC welcomed authors Juli Min and Zhou Sivan, along with Migratory Ghost DKU student winners Maya Peak ‘25 and Sidney Brown ‘26, to read their award-winning works in an immersive session. About 20 students and 8 faculty members attended.

The event began with the announcement of both student winners: Maya Peak, Class of 2025 Global Cultural Studies – Literature Track Major, and Sidney Brown, Class of 2026 Global Cultural Studies – Literature Track Major. This was promptly followed by each of them reading their submitted work to the attendees.

First, Maya read her short story titled Metamorphoses: Homunculus, a frankenstein-esque telling of a scientist, their life-given experiment, the gruesome steps of the process, and the emotionally painful reality of their creation having autonomy: “it’s a whole person who treats me like a mystery for not knowing what it is”.

Next, Sidney read her four poetry pieces titled “I Believe I Can Fly”, “Lost at Sea”, “Tempest”, and “The Great Escape”. Each explored the complexities of negative emotions and captured themes of transformation, change, and letting go: “for this moment I am airborne, looking down at this swath of land and empty bodies limping with their strings sewn up”. (“I Believe I Can Fly”)

Following the student winners, Shanghai-based Korean-American author and Harvard University graduate Juli Min read a section of her book Shanghailanders. Published in May of this year, Min’s work of fiction covers Shanghai cosmopolitans told backwards in time. In light of the theme of migratory ghosts, New York Times reviewer Jean Kwok states: “having knowledge of these characters’ futures before we know about their past makes stumbling on their bygone days all the more touching”.

Finally, Hong-Kong-based Malaysian poet and author Zhou Sivan read from his book of poems “The Geometry of Trees”. Published in 2022, Sivan details themes of queer desire through the trees, their trunks, and language, revealing how their growth has stayed with  him throughout his entire life. Much like the lurking nature of ghosts, Sivan emphasizes how “in the background, trees dramatize the architectural displays of empire”.

Faculty, authors, and student-winners were treated to a dinner. The event was a complete success, student and faculty attendees alike having been immersed in prose which illuminated the starkly different facets of migratory ghosts–whether fear, folklore, our pasts, or periods of transition and change.

Migratory Ghost Series Finale with Pulitzer Prize-winning author Viet Thanh Nguyen : Screening of The Sympathizer,Episode 01 & QA Section

Time: Thursday, Dec. 5 @ 6:30 PM
Location: CCTE Theater

Food and drink will be provided.

Date: December 6
Time: 11:15 AM
Location:  IB Lecture Hall

About Viet Thanh Nguyen:
Viet Thanh Nguyen’s novel The Sympathizer won the Pulitzer Prize for Fiction and was adapted into an HBO series. A recipient of Guggenheim and MacArthur fellowships, his most recent publication is A Man of Two Faces: A Memoir, A History, A Memorial.

Organized by:Stephanie Anderson, Ye Odelia Lu