To celebrate International Women’s Day, the DKU Gender Studies Initiative invites student papers that address various questions in gender and sexuality studies. The conference seeks to explore a wide range of topics that examines gender, sexuality, feminism, or queer theories as a primary focus of discussions. Interested students, regardless of their major and division, are welcome to submit their abstracts. GSI faculty affiliates will discuss student papers to offer constructive feedback.
Deadlines are as follows:
2-300-word abstract: January 12, 2024
Finalist notification: February 2, 2024
8-15 double-spaced page paper submission: March 1, 2024
The Artist-in-Residency program is organized by DKUNST Art on Campus curated by prof. Zairong Xiang, co-sponsored by the Division of Arts and Humanities and the Humanities Research Center.
On Tuesday April 11th, internationally renowned artist Ho Rui An will give a public lecture on his artistic practice; together with his collaborator Zian Chen they will also introduce their current research project titled “Drawing the Lines: Politics and Technology in China’s Industrial History.” Students will have opportunity to join their team as research assistants. Curious about how artists do research and what is a “research-based artistic practice”? Interested in the history of textile industry in our own Yangtze River Delta region? Join us on Monday!
Time: 3:45 to 5:50 Tuesday, April 11th 2023
Location: AB 3107
Ho Rui An is an artist and writer working in the intersections of contemporary art, cinema, performance and theory. Across the mediums of lecture, essay and film, his research examines systems of governance in a global age. He has presented projects at the Bangkok Art Biennale; Asian Art Biennial; Gwangju Biennale; Jakarta Biennale; Sharjah Biennial; Kochi-Muziris Biennale; Haus der Kulturen der Welt, Berlin; Kunsthalle Wien; Singapore Art Museum; Van Abbemuseum, Eindhoven; and Yamaguchi Center for Arts and Media, Japan. In 2019, he was awarded the International Film Critics’ (FIPRESCI) Prize at the International Short Film Festival Oberhausen, Germany. In 2018, he was a fellow of the DAAD Artists-in-Berlin Program.
Zian Chen collaborates with artists and writers to develop alternative frameworks for thinking and speculation. He is one of the founding members of Pailang Museum of Settler Selves (2022–), an editor-in-residence for Compost in ICA NYU Shanghai (2021–2022), as well as one of the editors for Made in Public (2022) and Arrow Factory: The Last Five Years (2020). He has also curated Production Fever 2008: Study Materials in Nida Art Colony, Nida (2022). In 2020–21, he was one of the founding editors for Heichi Magazine, an online journal for contemporary art published weekly in Chinese and English.
PART I: Ho Rui An’s Artist Talk (3:45 – 4:45 pm)
Title: Ways of (Not) Seeing “the Economy”
In recent years, the projects of Ho Rui An have sought to understand what it means to observe the thing we call “the economy”. Through works that have examined such seemingly abstract and expansive phenomena as financial capitalism and the so-called socialist market economy in Reform-era China, his artistic practice seeks to produce knowledge and make arguments that returns them to the body. This presentation explores the ways that economic abstractions come to be embodied and proposes embodied modes of observation that question what it is exactly we talk about when we talk about “the economy”.
PART II: Presentation of the Research-based Art Project at DKU (5:00 – 5:50 pm) Title: Drawing the Lines: Politics and Technology in China’s Industrial History
Since 2018, Ho Rui An and Zian Chen have collaborated across various projects researching the material networks and geopolitical imaginaries that have animated the regions of East and Southeast Asia. Expanding the narrative developed in Ho’s recent film, Lining (2021), which examines the rise and decline of the textile industry in Hong Kong, their residency at Duke Kunshan focuses on the development of the industry within the Yangtze River Delta before its displacement to Hong Kong in the late 1940s as well as the subsequent “return” of industrial capitalism to the mainland following the launch of China’s economic reforms.
In this presentation, they will share their preliminary observations gathered from their ongoing archival and field research. In considering the shifting historical relations between labor, technology, and capital in China, they identified a recurrent theme especially present in the textile industry: the politicization and depoliticization of technology. From the import of Western machinery as a means of national salvation in the early twentieth century to Maoist-era experiments in collapsing the distinction between manual and technical labor to the restructuring of state-owned enterprises under the pressures of technological displacement during the Reform era, the lines of politics and technology continually meet and part along a historical trajectory that has culminated in China’s deeply unsettled postsocialist condition.
The speakers will also share details for an open call for participants to join their research between August and September this year.
The Gender Studies initiative at DKU will be hosting a workshop on student papers as part of a series of events of the Women’s History Month. We invite student papers in any discipline which addresses the questions and concerns of gender studies broadly. For consideration, please submit an abstract of 150-200 words demonstrating the relevance of gender in the paper. We are particularly interested in the following themes:
Gender representation across media
Gender and inequality, gender and exploitation, gender and oppression
Sexuality and gendered identity formation
Upon acceptance, participants will be required to submit finished papers of around 2000 words prior to the workshop. Each student paper will be paired with a faculty commentator.
Are you interested in contemporary art and want to gain relevant experience? Do you want your writing to be exposed to international audiences?
The Department of Culture and Education of the German Consulate General in Shanghai and Professor Xiang Zairong, Assistant Professor of Comparative Literature and Associate Director of Art at Duke Kunshan University, are currently working on a joint art project with the artist collective Ci Zhi 刺纸. In two workshops that will be held in Shanghai and Kunshan in February and March, the artists will work on a printed publication and the production of a drifting book bag reflecting stories and matters of trust in our society. Their artistic contributions will be part of the Kultursymposium Weimar 2023 (https://www.goethe.de/prj/ksw/en/index.html).
Application Deadline: 12 February, 2023 by 23:59 BJT
Planet X Recruitment Want to be a member of a whole new world? Our game project “Planet X” awaits!
Applications due Jan 29, 2023.
Details of the Project
The project is supported by the Humanities Research Center.
We adopt the model of a strategy game to create an “alternative world”, in which one plays as a leader of a state on “Planet X”, thus separated from his/her real-life identity & socioeconomic status, and explore people’s possible ethical choices facing the dilemma between development and the need of countering environmental crisis. Continue reading “HRC’s Planet X is Recruiting!”
Workload: Project based, and up to 10hrs/week (40 RMB/hour) Starting date: Immediately
Main Duties and Responsibilities: Assisting the Lab co-directors with Lab-related research activities. This may include, but is not limited to, identifying potential guest speakers; assisting the lab directors with bibliographic research for citizenship-related publications; and identifying case studies and other materials for inclusion in article and book manuscripts written by the Lab co-directors or affiliates. Continue reading “HRC Citizenship Lab is Seeking a Research Assistant”
THE CITIZENSHIP LAB
RESEARCH ASSISTANT Job Description
Student Job Title: Research Assistant for The Citizenship Lab at the Humanities Research Center Start date and end date: December 2022 – May 2023 (start and end dates flexible depending on student schedule) Number of Students to Hire: 1 (open to students from any track) Stipend: 40 RMB/hour Workload: Project based, 1-5 hours per week (flexible depending on student schedule) Reports to: Professor Alice Xiang
Please send CV and cover letter to firstname.lastname@example.org by November 30, 2022.
Student researcher job description: This project seeks a research assistant with the ability to read Russian. The student researcher would focus on identifying and translating 1950s Russian sources relating to the Turkish poet Nazım Hikmet, as well as commentary on China’s literary initiatives (in particular its push for ‘yafei wenxue’, or ‘Asiafrican literature’). Examples of such sources include major newspapers and periodicals. This project may be of particular relevance to students with a background in literature, history, or international relations, but is open to any student with advanced Russian reading ability and an interest in the topic.
Student Job Title: Research Assistant for The Citizenship Lab at the Humanities Research Center Number of Students to Hire: 1 (open to students from any track) Stipend: 40 RMB/hour Workload: Project based, and up to 10hrs/week Starting date: Immediately