The Humanities Research Center is pleased to announce its fall conference, Ciencia y Caridad 科学与慈善, (“Science and Charity”), based on Picasso’s painting of the same name, exhibited in the Picasso Museum in Barcelona. The conference will be held in person in Barcelona on October 7-8, 2022 and will be accessible to the global DKU community via Zoom. Conference attendees are invited to a private viewing of the painting and a gala reception at the Picasso museum.
Established in 2018, _ao_ao_ing (老妖精) is a Shanghai-based performance ensemble that is continuously morphing and finding its shape. With six core members from different disciplines and backgrounds, the ensemble uses contemporary experimental theatre as their main medium, but their creation also includes participatory performances, city walks, workshops, online interactive programs, and happenings, which revolve around strong action. _ao_ao_ing makes performances that juggles the line between theatre and everyday life and create real happenings that cannot be replicated. Continue reading “Student Report: _ao_ao_ing (老妖精) Working Wonders on DKU Campus”
What’s up people? We have quietly bid farewell to DKU and Beauty Salon has finished its second installment at DKU, full of surprise and laughter. In the three days of its operation, we gathered at the living room in the name of art. Together we shared our stories, for example, choices of our favorite toilet on campus; we explored the definitions of art; we celebrated the birthday for a girl we just met; we knitted sweaters, played electric guitar, then we left the AB lobby and went to the square in front … Through this process we have understood that such a space for creativity and conviviality is not to be found elsewhere on campus; we have also seen the infinite potential this glass room now called “Beauty Salon” has brought and can bring, moving forward. We are asking: how can you continue to inhabit this artistic project and creative space after the so-called artists have left? Will “Beauty Salon” become an autonomous space continuously created and cared for by everyone, which will become an integral part of the DKU campus? Continue reading “A Quiet Farewell to DKU and Beauty Salon from the Artists in Residence”
Superdeep #11: “Leo Strauss and Islamic Political Thought” (Rasoul Namazi) September 22, 2022, 6pm.
The host of tonight’s Superdeep session, Prof. Nathan Hauthaler started this Superdeep session with a warm welcome and introduction towards Prof. Namazi, an intelligent and broadly knowledgeable Iranian educated in France. Prof. Namazi delivered this session based on his recently published book: Leo Strauss and Islamic Political Thought. He started his talk with a brief biography of the German-American philosopher Leo Strauss (1899-1973). Prof. Namazi highlighted Strauss’ experience in training many students during his scholarship career, especially at the University of Chicago (1949-1969). Continue reading “Student Report: Superdeep #11: “Leo Strauss and Islamic Political Thought” (Rasoul Namazi)”
Superdeep is starting into the new academic year on a superhigh note, with Rasoul Namazi (Assistant Professor of Political Theory) sharing with us work from his monograph on “Leo Strauss and Islamic Political Thought”.
As always, everyone is welcome to join; no prior knowledge of philosophy is required. And, as always, snacks and refreshments will be served at the meeting.
The Humanities Research Center and the Division of Arts and Humanities, in collaboration with the Undergraduate Studies program, are pleased to present a lecture and discussion on religion and politics, on Monday 26 September, 2022 via Zoom and in person in Barcelona. The event comprises a guest lecture, which will be presented via Zoom, and a discussion, which will take place in person in the Barcelona student residence. Continue reading “Religion and Politics”
Title: Dreaming of “Heavenly Citizenship”: Religious Conversion to Shincheonji (新天地) Among Korean Youths Project members: Professor Hyun Jeong Ha, Ph.D. (Sociology) and Jiin Kim (Undergraduate student researcher)
Ascension, nominated for an Oscar as best documentary feature, explores the myriad corners of China’s increasingly stratified economic classes. Everything we use every day is the product of someone else’s labor. Cellphones and computers, water bottles and plastic cutlery, soap dispensers and blankets are all items in one interconnected chain of global capitalism that the documentary Ascension explores with curiosity, candor and criticism.