Bill Fick is a printmaker and Lecturing Fellow in the Department of Art, Art History and Visual Studies at Duke University, where he teaches drawing, printmaking, comics and zines. He is also Co-Director of Super G Print Lab and Director of the Zine Machine Printed Matter Festival also in Durham. His work has been exhibited from New York City to Seoul, South Korea and can be found in the collections of the St. Louis Art Museum, Harvard’s Fogg Art Museum, The New York Public Library and the Zimmerli Art Museum, Rutgers University. In 1993 Fick was awarded a National Endowment for the Arts Visual Artist Fellowship and in 1995 a North Carolina Arts Council Artist Fellowship. Fick is also co-author with Beth Grabowski of Printmaking: A Complete Guide to Materials and Processes published by Laurence King Publishing, London.
Adam Rosenblatt is Professor of the Practice in International Comparative Studies and Cultural Anthropology at Duke University and, beginning July 1, the Faculty Director of the Duke Human Rights Center. He is the author of Digging for the Disappeared: Forensic Science after Atrocity (Stanford University Press, 2015) and Cemetery Citizens: Reclaiming the Past and Working for Justice in American Burial Grounds (Stanford University Press, 2024). Adam is a cartoonist, graphic ethnographer, and graduate of the Sequential Artist’s Workshop’s Year-Long Comics certificate who has been published in multiple anthologies. He teaches a community-engaged graphic ethnography course and a course called “How to Know Things with Comics.”
Stephanie Anderson is Assistant Professor of Literature and Creative Writing at Duke Kunshan University. She is the editor of Women in Independent Publishing: A History of Unsung Innovators, 1953–1989 (University of New Mexico Press, 2024), the co-editor of All This Thinking: The Correspondence of Bernadette Mayer and Clark Coolidge (University of New Mexico Press, 2022), and the author of several poetry books and chapbooks, most recently Bearings (New Michigan Press, 2024). Her latest scholarly and creative work has appeared or is forthcoming in Annulet, Fence Steaming, Gulf Coast, Post45, and Textual Practice.
