Freedom Lab Event Report | Freedom’s Proximity: The Interconnections between American Slavery, British Colonial Abolition, and Slave Ship Revolt

By Sihan Wang

Class of 2023

Click [HERE] to watch the recording

With 50 participants, on February October the 13th, a talk on the Creole Slave-Ship Revolt was carried out via Zoom by Professor Jeffrey Kerr-Ritchie, a prestigious historian whose research interests include slavery, abolition, and post-emancipation societies, especially in North America and the Caribbean during the nineteenth century.

According to Professor Ritchie, the official termination of American participation in the trans-Atlantic slave trade announced in 1807 was marked as an end of seafaring commerce in the black population. However, this scenario ignores the arisen coastal dimensions of the slave trade, with many US slavery ships taking the maritime routes between different parts of America and the Caribbean. Consequently, despite the abolition of slavery in the British Empire and governmental manipulation, captives continued to be transported on US merchant ships in large numbers for decades due to the profit gained from buying and selling slaves as labors. The continuation of slave trading played a critical role within the context of the expansion of the United States as a maritime and territorial empire. Numerous ships transported men, women, and children for the manufacturing of products like tobacco and cotton, to spread commerce and develop new markets. Supported by primary sources, Professor Kerr-Ritchie concluded that between the 1820s and 1850s, more than 50,000 captives were moved from ports in the Upper to Lower South, in which thousands of lives were consumed and countless African-American families were torn apart.

Continue reading “Freedom Lab Event Report | Freedom’s Proximity: The Interconnections between American Slavery, British Colonial Abolition, and Slave Ship Revolt”

Special Forum on Freedom Voices and Struggles Across the Globe

On September 19th, at the Humanities Fall Conference, the Freedom Lab hosted a forum on “Freedom Voices and Struggles Across the Globe.” The forum consisted of presentations and discussions by faculty and student research assistants on their current research projects sponsored by the Freedom Lab. Professor Qian Zhu, along with student researchers Qingyi Yin and Xueyi Liu, presented their ongoing research on the New Village Movement and New Life Movement in Republican China. Professor Jesse Olsavsky as well as Yue Qiu and Henry Stevens presented their work transcribing and editing abolitionist histories of the Haitian Revolution. Professor Bryce Beemer described his new research on the modern history of Burmese temple slaves. Professor Selina Lai Henderson concluded by discussing her work on the Chinese translation of W.E.B. Dubois’s foundational text, The Souls of Black Folk. The Freedom Lab looks forward to the student projects and publications that will emerge from the new research presented at this forum.

Freedom’s Proximity: The Interconnections between American Slavery, British Colonial Abolition, and Slave Ship Revolt

FREEDOM LAB PRESENTS

FREEDOM’S PROXIMITY: THE INTERCONNECTIONS BETWEEN AMERICAN SLAVERY, BRITISH COLONIAL ABOLITION, AND SLAVE SHIP REVOLT

 BY PROFESSOR JEFFREY R. KERR-RITCHIE, HOWARD UNIVERSITY

Opening Welcome by VCAA Scott Maceachern

Tuesday October 13

9:15 PM-10:30 PM Beijing Time

Zoom ID: 261 330 4845

Abstract

In November 1841, 19 rebels seized the US slave ship Creole transporting 139 slaves from Virginia to Louisiana and steered it to the British Bahamas. After a disputatious week between US officials and British colonial authorities, the slaves walked to freedom and scattered through the region. Drawing upon new historical documents, this talk narrates this fascinating story. It further situates this tale within the context of an expanding empire of American slavery and an expanding empire of British colonial abolition during the mid-nineteenth century.

Bio

Jeffrey Kerr-Ritchie

Born in London, United Kingdom, Jeffrey Kerr-Ritchie earned his first history degree at Kingston University. He completed his doctorate at the University of Pennsylvania and went on to teach at Wesleyan, Columbia, Penn, SUNY-Binghamton, and UNC-Greensboro. He has been teaching the African Diaspora field at Howard University since 2006. He has been Director of Graduate Studies since 2015. His research interests include slavery, abolition, and post-emancipation societies, especially in North America and the Caribbean during the nineteenth century. He has spoken on these topics in numerous countries, including Cuba, the Netherlands, Egypt, and Vietnam. Alongside numerous articles, he is author of the books Freed People in the Tobacco South (2003); Rites of August First: Emancipation Day in the Black Atlantic World (2011); Freedom Seekers: Essays in Comparative Emancipation (2014); and most recently Rebellious Passage: The Creole Revolt and America’s Coastal Slave Trade (2019)

Recovering Histories of the Haitian Revolution

By Yue Qiu and Henry Stevens

Haiti, known prior to 1804 as St. Domingue, was once the wealthiest colony in the French empire. African slaves worked the vast sugar plantations to enrich the powerful French Monarchy and Empire. On August 22nd, 1791, slaves on the northern plain of Haiti revolted against their masters, burned the plantations, and thrust themselves into the turmoil of the French Revolution. Out of the slave revolt came an alliance between the self-liberated Black people of Haiti and the revolutionary government of France.[1] The slaves, who were ultimately led by Toussaint L’Ouverture, were betrayed when Napoleon Bonaparte seized power in France and attempted to reinstate slavery in the Caribbean colonies. Despite imprisoning and killing L’Ouverture, while sending 50,000 soldiers to Haiti under his brother-in-law Leclerc, Bonaparte found that freed people would fight to the death to defend their liberty. Leclerc died in the fighting, and his successor Rochambeau retreated from a newly-freed Haiti, which Black leader Dessalines formally declared an independent nation in 1804.

Thirty years after Haitian independence, an American movement against slavery sprang into life. As with France, slave labor enriched the economy of the United States. In 1831, the slave Nat Turner led a revolt against slavery in Virginia, and in the same year, William Lloyd Garrison published the first edition of The Liberator, an abolitionist newspaper, which openly declared American abolitionists’ resolution: “I am in earnest — I will not equivocate — I will not excuse — I will not retreat a single inch — AND I WILL BE HEARD.”[2]  From the 1830’s to the end of the Civil War, the Underground Railroad helped Southern slaves escape to the Northern free states where many became radical abolitionists. However, the slaveholding Southern states showed the institution’s resilience by creating slave territories out of the land seized in the Mexican-American war and extending their legal authority in the 1850 Fugitive Slave Act, which required all citizens of America to assist federal authorities in capturing runaway slaves The height of the tensions between slave-owners and abolitionists came in 1859 when abolitionist John Brown led an unsuccessful raid on Harper’s Ferry in an attempt to ignite a mass slave revolution, signaling an embrace of violence. Continue reading “Recovering Histories of the Haitian Revolution”

Freedom Lab Event Report on “Art Equals Politics: Vignettes of Culture, Decolonization, and Black and Brown Liberation”

By Huang Bihui (Honey)

Class of 2022

On the 20th of July 2020, the Freedom Lab invited the famous Afro Yaqui Music Collective—an award-winning group of Jazz musicians based in Pittsburgh, for a live music performance and a conversation. There were five artists present for the occasion: Ben Barson, Charlotte Hill O’Neal (also known as “Mama C”), Gizelxanath Rodriguez, Nejma Nefertiti, and Peggy Myo-Young Choy. They are experts in different fields of art, and it was a pleasure seeing and hearing about their work on liberation and fights against global injustices. Professor Jesse Olsavsky and Professor Selina Lai-Henderson, co-directors of the Freedom Lab, hosted this event. We had a diverse group of approximately 65 attendees scattered around different parts of the world to share the love and knowledge that the Afro Yaqui artists gave.

Before the event started, Mama C lit up a bundle of sage to prepare for the event. This was done so to honor our ancestors and those who fought hard for the future that we now have. Even though we could not smell it from our Zoom screens, we could see it. Just as how it might be hard to live through our ancestors’ lives vicariously, we can see and live through what they have sacrificed for us. Continue reading “Freedom Lab Event Report on “Art Equals Politics: Vignettes of Culture, Decolonization, and Black and Brown Liberation””

The Unended Korean War: 70 Years Exhibition – Presented by Third World Newsreel

Duke’s Asian American & Diaspora Studies (AADS) and Duke Kunshan’s Freedom Lab Present Transpacific Connections Collaboratory. TCC is a vertically-integrated transnational collaboration among faculty, graduate and undergraduate students at Duke, DKU, and beyond. Our goal is to build a platform to innovate methodologies and technologies to explore together divided and forgotten transpacific histories and their transcontinental legacies between Asia and the Americas as well as other regions such as Europe and Africa across the Pacific.

 Upcoming Event:

The Unended Korean War: 70 Years Exhibition – Presented by Third World Newsreel

by Roselly Torres

I’m writing to announce The Unended Korean War: 70 Years, part of Third World Newsreel’s Organizing and Filmmaking: Then and Nowseries of free virtual screenings followed by Zoom conversations with filmmakers and activists.

From July 24-31, TWN will present four films about the Korean War and its legacies on the organization’s Vimeo Channel:

Grandmother’s Flower, Jeong-hyun Mun, 2008, 89 min

“Combining substantial interviews with archival photos, Grandmother’s Flower offers invaluable insights into contemporary Korea’s struggle to move beyond the dark periods of Japanese colonial rule, the Korean War, and subsequent division of the country. Highly recommended.”

-Video Librarian Magazine Continue reading “The Unended Korean War: 70 Years Exhibition – Presented by Third World Newsreel”

Research Report: Emancipation, “New Man”, and Citizenship in Republican China

Congratulations to Professor Qian Zhu as well as DKU students Qingyi Yin and Xueyi Liu! Their collaborative research project, sponsored by the Freedom Lab, was recently awarded the Summer Research Scholars Grant. Below you will see a report composed by them describing their work. We look forward to the conference papers and publications that will arise from this new research!

Report by Qian Zhu, Qingyi Yin, and Xueyi Liu

As a part of DKU Freedom Lab projects, I am working with Qingyi Yin and Xueyi Liu, two DKU rising juniors in Global China Studies major-Chinese History track in the spring and the summer of 2020 on the two historical projects: New Life Movement and New Village Movement in Republican China (1900-1949). Initially funded by the Freedom Lab, in the spring when the face-to-face faculty-student research collaboration and physical accession to archives were restricted under the impact of the Covid-19, we switched to online. Qingyi and Xueyi started to familiarize the online archival databases and academic scholarship search engines and learned to use bibliography compiling tools. While the two movements discursively overlapped with each other on the conceptualization of freedom/emancipation, new man and citizenship, the new life and the new village were two nationwide governmental and social movements carried out by both the central government and the local advocates in the first half of the 20th century. We have been excited to locate, yet overwhelmed by, the large amount of archives housed in major Chinese online databases. While building two research databases in Duke Box (see the reports below), Qingyi and Xueyi have equipped with historical research skills of data collecting, data processing, and textual analysis.

In April, our project has been generously awarded with the DKU Summer Research Scholars (SRS) grant offered by the DKU undergraduate program. This fund has been supporting Qingyi to advance the archival research on the new life movement and Xueyi on the new village movement. In the following research reports, they have detailed their progress in compiling primary materials and second literature on the subjects. More importantly, in the past two and half months, they have generated interests on specific topics, which will eventually develop into potential signature work toward their major. Furthermore, the SRS allows us to advance the research to the next step in the summer. We will start the independent study on the scholarship of the two research subjects, the goal of which is to produce research conference papers and publications. Qingyi and Xueyi will present their research in the Humanities Center’s Annual Scholarship Conference in the fall. The revised papers will be submitted to Asian studies conferences and later to an undergraduate academic journal in the spring of 2021. I will include an amount of archives in my book manuscript and in a new research article manuscript, seeking for publication in the fall of 2020 and the summer of 2021. Continue reading “Research Report: Emancipation, “New Man”, and Citizenship in Republican China”

Art Equals Politics: Vignettes of Culture, Decolonization, and Black and Brown Liberation

Time:  Monday July 20th, 2020. 9PM-11PM China Time, 9AM-11AM US Time

Zoom ID: 344-318-9585

DESCRIPTION

The recent nationwide protests against the police killing of African American man George Floyd has brought again to the fore the urgent political question of America’s long history of racism. Such racism effects African Americans in Particular, but also Indigenous Nations, Latinos, and Asians and hinders the path to a peaceful, egalitarian, and decolonized world.

Helping us to explore such issues and others on a global scale through a series of musical performances, discussions, and reflections, are the Afro Yaqui Music Collective, an award-winning group of artists, who are also scholars and participants in movements for social justice.

THE AFRO YAQUI MUSIC COLLECTIVE

is an award-winning group of Pittsburgh-based Jazz musicians. Their style is rooted in an expansive vision of Jazz, mixing musical styles, languages, and instrumentation from American Jazz and Hip-Hop, as well as Chinese, Indigenous, Caribbean, and African traditions. Their music explicitly communicates themes of decolonization, and band members, young and old, have been active participants in movements, from the Black Power Movement (1960s) to the contemporary Movement for Black Lives. The Afro Yaqui Music Collective has won multiple awards from the American Society of Composers, Authors, and Publishers (ASCAP). They have performed globally at social movement spaces, such as at the US-Mexican border and the Mesopotamian Water Forum in Iraq, and have also performed at significant US venues as the Kennedy Center, the Lincoln Center, as well as the venerable Red Rooster in Harlem. The Collective is committed to education and innovative pedagogies, mixing musical and visual art along with history.

Meet the artists

Nejma Nefertiti is a Hip Hop artist, sound designer, streetwear architect, and creator of natural perfumes. Her revolutionary matriarchal legacy is to create awareness, inspiration, and social change throughout the entire world, for all oppressed peoples, through Hip Hop culture and art. In addition to Afro Yaqui Music Collective, she collaborates with artists from La Bruja, to Napoleon Da Legend, to several international artists.
Gizelxanath Rodriguez is a singer, cellist, urban farmer and activist at the intersection of Indigenous rights, ecosocialism and migrant justice. An award-winning soprano, in the past six years Rodriguez has been integrating her Indigenous advocacy and Yaqui ancestry into her musical work. In October of 2018, she helped produce a new work, Mirror Buttefly: Migrant Liberation Movement Suite, which included text in Yoeme-Yaqui and narrated a sacred butterfly currently facing extinction amongst the Yaqui people.
Charlotte Hill O’Neal aka Mama C is an internationally known writer/poet/visual artist, musician, performance artist, filmmaker of nearly three decades of experience. As an artist she is a practitioner of the Nyatiti, Obokano, Kamalen Ngoni, and frequently collaborates with Hip-Hop artists in Tanzania and across the world. She is a longtime community activist, former member of the Kansas City Chapter of the Black Panther Party, and Director of the United African Alliance Community Center (UAACC) based in Tanzania, and is also a Cultural Warrior and Egungun Priest. She was born in Kansas City, KS in 1951 and has lived in Africa with her husband Pete O’Neal since 1970.
Ben Barson is an ASCAP award-winning composer and protégé of the late baritone saxophonist and composer, Fred Ho. He has been unrelenting is his commitment to making music to overthrow colonialism, capitalism, and prepares us for climate change. His work has been called “utterly compelling” (I Care if You Listen), “fully orchestrated and magnificently realized” (Vermont Standard) and “pushing boundaries in a well-conceived way.” (Midwest Review).
Peggy Myo-Young Choy is a dancer, choreographer, and founder of The Ki Project, Inc., supporting creative thinking and intercultural performance for future generations. A master of Korean and Javanese dance forms, certified in Chinese Dayan Qigong, and creator of Ki-Flow™ dance technique, Choy is Associate Professor of Dance & Asian American Studies at the University of Wisconsin-Madison, where she teaches Asian American Movement and Afro-Asian Improv: From Hip-Hop to Martial Arts Fusion.
Peggy Choy Dance forges a fresh Afro-Asian dance fusion that gives voice to women’s stories, and calls for environmental and social justice through revolutionary transformation. Choy’s New York premieres include “Seung Hwa: Rape/Race/Rage/Revolution”, “THE GREATEST! Hip Dance Homage to Muhammad Ali”, “THIRST” and “FLIGHT”.
Website: www.peggychoy.com
Facebook: Peggy Choy Dance
Photo by JP Yim

This event is co-sponsored by the Arts and Humanities Division, the Freedom Lab, and the Office of Undergraduate Studies.

Freedom Lab Event Report on “The Utopianism called Decolonization: Thinking with Tagore”

By Yue Qiu

Class of 2022

On June 11, 2020, The Freedom Lab invited Professor Sandeep Banerjee from McGill University to lead a discussion on “The Utopianism called Decolonization: Thinking with Tagore“. The Freedom Lab co-directors, Professors Jesse Olsavsky and Selina Lai-Henderson hosted the lecture. Professor Titas Chakraborty and around 20 students attended the conference.

Professor Chakraborty introduced the guest speaker. Professor Banerjee is a literary theorist, cultural critic, and historian who studies the literatures and histories of decolonization, particularly in India. Besides writing on colonialism and liberation, he also writes on a wide range of topics such as travel narrative and photography. He published the book Utopia and Indian Decolonization: Literary Pre-figurations of the Postcolony last year. Continue reading “Freedom Lab Event Report on “The Utopianism called Decolonization: Thinking with Tagore””

Arts and Humanities Division and Freedom Lab Presents | The Utopianism called Decolonization: Thinking with Tagore

Thursday June 11, 9am EST / 9pm China Time

Zoom Meeting ID: 2613304845

Speaker: Sandeep Banerjee, Associate Professor, Department of English, McGill University

Click [HERE] to watch the recording

Abstract:

In this talk I aim to situate decolonization as a kind of the utopianism. I contend that decolonization is not, as is typically understood, simply a set of political events from the twentieth century; not only a utopian desire that was actualized through the dismantling of European political regimes through the course of the twentieth century. Rather, the utopianism called decolonization is more processual in nature. It seeks to transcend the rule of capital that forms the condition of possibility of colonialism while also seeking to decolonize the minds of the colonized.

In this talk, I draw on the creative as well as critical corpus of colonial India’s pre-eminent literary figure and public intellectual, Rabindranath Tagore, to think about the imbrication of decolonization and utopianism. These works show not only the relentless attempt to imagine the lineaments of the postcolony freed from the depredations of capital and nationalism but also stress the cultural labor undergirding the process of decolonization. Tagore’s writings, then, gesture towards a materialist theorization of decolonization that aligns him with theorists of culture and colonialism such as Antonio Gramsci, Frantz Fanon, and Ngũgĩ wa Thiong’o.

Bio-note:

Sandeep Banerjee

Sandeep Banerjee is a literary critic, theorist, and translator and Associate Professor of English at McGill University, Canada. He is the author of Space, Utopia and Indian Decolonization: Literary Pre-figurations of the Postcolony (Routledge, 2019). His articles have appeared (or will appear) in Modern Fiction Studies, Utopian Studies, Modern Asian Studies, Victorian Literature and Culture, and Mediations, in addition to several anthologies. A General Editor of the Routledge Series in the Cultures of the Global Cold War, he is currently working on his book project that examines the question of aesthetics in an uneven world.

*This talk is co-sponsored by the Arts and Humanities Division and the Freedom Lab