On the 20th of July 2020, the Freedom Lab invited the famous Afro Yaqui Music Collective—an award-winning group of Jazz musicians based in Pittsburgh, for a live music performance and a conversation. There were five artists present for the occasion: Ben Barson, Charlotte Hill O’Neal (also known as “Mama C”), Gizelxanath Rodriguez, Nejma Nefertiti, and Peggy Myo-Young Choy. They are experts in different fields of art, and it was a pleasure seeing and hearing about their work on liberation and fights against global injustices. Professor Jesse Olsavsky and Professor Selina Lai-Henderson, co-directors of the Freedom Lab, hosted this event. We had a diverse group of approximately 65 attendees scattered around different parts of the world to share the love and knowledge that the Afro Yaqui artists gave.
Duke’s Asian American & Diaspora Studies (AADS) and Duke Kunshan’s Freedom Lab Present Transpacific Connections Collaboratory. TCC is a vertically-integrated transnational collaboration among faculty, graduate and undergraduate students at Duke, DKU, and beyond. Our goal is to build a platform to innovate methodologies and technologies to explore together divided and forgotten transpacific histories and their transcontinental legacies between Asia and the Americas as well as other regions such as Europe and Africa across the Pacific.
From July 24-31, TWN will present four films about the Korean War and its legacies on the organization’s Vimeo Channel:
Grandmother’s Flower, Jeong-hyun Mun, 2008, 89 min
“Combining substantial interviews with archival photos, Grandmother’s Flower offers invaluable insights into contemporary Korea’s struggle to move beyond the dark periods of Japanese colonial rule, the Korean War, and subsequent division of the country. Highly recommended.”
Congratulations to Professor Qian Zhu as well as DKU students Qingyi Yin and Xueyi Liu! Their collaborative research project, sponsored by the Freedom Lab, was recently awarded the Summer Research Scholars Grant. Below you will see a report composed by them describing their work. We look forward to the conference papers and publications that will arise from this new research!
Report by Qian Zhu, Qingyi Yin, and Xueyi Liu
As a part of DKU Freedom Lab projects, I am working with Qingyi Yin and Xueyi Liu, two DKU rising juniors in Global China Studies major-Chinese History track in the spring and the summer of 2020 on the two historical projects: New Life Movement and New Village Movement in Republican China (1900-1949). Initially funded by the Freedom Lab, in the spring when the face-to-face faculty-student research collaboration and physical accession to archives were restricted under the impact of the Covid-19, we switched to online. Qingyi and Xueyi started to familiarize the online archival databases and academic scholarship search engines and learned to use bibliography compiling tools. While the two movements discursively overlapped with each other on the conceptualization of freedom/emancipation, new man and citizenship, the new life and the new village were two nationwide governmental and social movements carried out by both the central government and the local advocates in the first half of the 20th century. We have been excited to locate, yet overwhelmed by, the large amount of archives housed in major Chinese online databases. While building two research databases in Duke Box (see the reports below), Qingyi and Xueyi have equipped with historical research skills of data collecting, data processing, and textual analysis.
In April, our project has been generously awarded with the DKU Summer Research Scholars (SRS) grant offered by the DKU undergraduate program. This fund has been supporting Qingyi to advance the archival research on the new life movement and Xueyi on the new village movement. In the following research reports, they have detailed their progress in compiling primary materials and second literature on the subjects. More importantly, in the past two and half months, they have generated interests on specific topics, which will eventually develop into potential signature work toward their major. Furthermore, the SRS allows us to advance the research to the next step in the summer. We will start the independent study on the scholarship of the two research subjects, the goal of which is to produce research conference papers and publications. Qingyi and Xueyi will present their research in the Humanities Center’s Annual Scholarship Conference in the fall. The revised papers will be submitted to Asian studies conferences and later to an undergraduate academic journal in the spring of 2021. I will include an amount of archives in my book manuscript and in a new research article manuscript, seeking for publication in the fall of 2020 and the summer of 2021. Continue reading “Research Report: Emancipation, “New Man”, and Citizenship in Republican China”
The recent nationwide protests against the police killing of African American man George Floyd has brought again to the fore the urgent political question of America’s long history of racism. Such racism effects African Americans in Particular, but also Indigenous Nations, Latinos, and Asians and hinders the path to a peaceful, egalitarian, and decolonized world.
Helping us to explore such issues and others on a global scale through a series of musical performances, discussions, and reflections, are the Afro Yaqui Music Collective, an award-winning group of artists, who are also scholars and participants in movements for social justice.
THE AFRO YAQUI MUSIC COLLECTIVE
is an award-winning group of Pittsburgh-based Jazz musicians. Their style is rooted in an expansive vision of Jazz, mixing musical styles, languages, and instrumentation from American Jazz and Hip-Hop, as well as Chinese, Indigenous, Caribbean, and African traditions. Their music explicitly communicates themes of decolonization, and band members, young and old, have been active participants in movements, from the Black Power Movement (1960s) to the contemporary Movement for Black Lives. The Afro Yaqui Music Collective has won multiple awards from the American Society of Composers, Authors, and Publishers (ASCAP). They have performed globally at social movement spaces, such as at the US-Mexican border and the Mesopotamian Water Forum in Iraq, and have also performed at significant US venues as the Kennedy Center, the Lincoln Center, as well as the venerable Red Rooster in Harlem. The Collective is committed to education and innovative pedagogies, mixing musical and visual art along with history.
Meet the artists
This event is co-sponsored by the Arts and Humanities Division, the Freedom Lab, and the Office of Undergraduate Studies.
On June 11, 2020, The Freedom Lab invited Professor Sandeep Banerjee from McGill University to lead a discussion on “The Utopianism called Decolonization: Thinking with Tagore“. The Freedom Lab co-directors, Professors Jesse Olsavsky and Selina Lai-Henderson hosted the lecture. Professor Titas Chakraborty and around 20 students attended the conference.
Professor Chakraborty introduced the guest speaker. Professor Banerjee is a literary theorist, cultural critic, and historian who studies the literatures and histories of decolonization, particularly in India. Besides writing on colonialism and liberation, he also writes on a wide range of topics such as travel narrative and photography. He published the book Utopia and Indian Decolonization: Literary Pre-figurations of the Postcolony last year. Continue reading “Freedom Lab Event Report on “The Utopianism called Decolonization: Thinking with Tagore””
In this talk I aim to situate decolonization as a kind of the utopianism. I contend that decolonization is not, as is typically understood, simply a set of political events from the twentieth century; not only a utopian desire that was actualized through the dismantling of European political regimes through the course of the twentieth century. Rather, the utopianism called decolonization is more processual in nature. It seeks to transcend the rule of capital that forms the condition of possibility of colonialism while also seeking to decolonize the minds of the colonized.
In this talk, I draw on the creative as well as critical corpus of colonial India’s pre-eminent literary figure and public intellectual, Rabindranath Tagore, to think about the imbrication of decolonization and utopianism. These works show not only the relentless attempt to imagine the lineaments of the postcolony freed from the depredations of capital and nationalism but also stress the cultural labor undergirding the process of decolonization. Tagore’s writings, then, gesture towards a materialist theorization of decolonization that aligns him with theorists of culture and colonialism such as Antonio Gramsci, Frantz Fanon, and Ngũgĩ wa Thiong’o.
Sandeep Banerjee is a literary critic, theorist, and translator and Associate Professor of English at McGill University, Canada. He is the author of Space, Utopia and Indian Decolonization: Literary Pre-figurations of the Postcolony (Routledge, 2019). His articles have appeared (or will appear) in Modern Fiction Studies, Utopian Studies, Modern Asian Studies, Victorian Literature and Culture, and Mediations, in addition to several anthologies. A General Editor of the Routledge Series in the Cultures of the Global Cold War, he is currently working on his book project that examines the question of aesthetics in an uneven world.
*This talk is co-sponsored by the Arts and Humanities Division and the Freedom Lab