Freedom Lab is thrilled to announce the following 9 recipients of the 2022 Shirley Graham and W.E.B. Du Bois Award. The Award (5000 rmb per recipient) will help with our DKU juniors on their Signature Work projects, including book purchasing, art installations, photo printing and exhibits, archival research, and field work.
The Freedom Lab is excited to announce that it will support two to four faculty-student research projects. All faculty members are welcome to apply.
Research projects should relate very broadly to the Lab’s theme of “freedom” and “unfreedom.” Please see the Freedom Lab Website for a sense of the kind of work the lab does https://sites.duke.edu/dkuhumanities/category/labs/freedom-lab/freedom-lab-events/. All research projects must include student researchers, as the funding will be primarily allocated in the form of student research assistantships. Apart from maintaining their research agendas, Faculty and student RA’s must actively participate in the lab’s activities.
To apply, please send a one-page proposal briefly describing your project, the kind of research it requires, and the kind of work student RAs will do.
So far, the Freedom Lab has funded four faculty projects and eight student RA’s, leading to conference presentations, student Signature Work projects, and publications. We hope to continue this support of student and faculty research!
Freedom Lab is excited to announce the W.E.B. and Shirley Graham Du Bois Award to DKU juniors whose Signature Work projects examine themes related to Freedom Lab. The Lab will fund up to ten projects, 5000rmb each, in order for students to explore their work in the spirit of WEB Du Bois and his wife, Shirley Graham Du Bois—two of the most consequential figures of US history who had left behind a legacy of human freedom and justice across the globe.
Students who pursue projects in relation to notions of freedom and unfreedom on any of the topics below are encouraged to apply: Continue reading “Freedom Lab Calls for Student Signature Work”
The recording is now available here:
Presented by HRC Freedom Lab
February 22, 2022 @ 10am Beijing Time
Speaker: Michio Arimitsu (Keio University）
For the publishers, translators, and general readers of kokujin bungaku [black literature] in post-WWII Japan, African American struggle for freedom and autonomy and their resilient cultural production have served as a provocative mirror, a self-reflexive textual space through which they have explored the interrelated questions of race and national identity. This talk will examine the historical and cultural significance of the formation of the Association of Negro Studies [the A. N. S., now renamed as Japan Black Studies Association] in the Western port city of Kobe in 1954 and the compilation and publication of the 13-volume Kokujin bungaku zenshu [The Complete Anthology of Black Literature] in Tokyo from 1961 to 63.
Congratulations to all of the winners of the Essay and Creative Writing Competition (Spring 2021)!
To read their work, please click on each title.
1. “The Queer Movement in Palestine” by Anisha Joshi
2. “#Hashtag Activism and its impact on the BLM Movement as a Counternarrative Tool” by Rachel Darius
3. “Modern Indian Economy and Inequality” by Yue Qiu
All the entries have gone through a rigorous review process. Thanks are due for Professor Stephanie Anderson and Professor Caio Yurgel who were the honorary judges for the creative writing category.
This event has passed. You can now watch the recording here:
Presented by Freedom Lab
Friday, December 3rd
Time: 9PM (China Time)
Zoom: 261 330 4845
Speaker: Elizabeth Walcott-Hackshaw
Elizabeth Walcott-Hackshaw is a Professor of French Literature at The University of the West Indies (St. Augustine, Trinidad and Tobago). She is both an award-winning fiction writer as well as widely-known scholar of the French Caribbean. Her fiction books include such titles as Four Taxis Facing North (2007) and Mrs. B (2014). She has edited such books as Border Crossings: A Trilingual Anthology of Caribbean Women Writers (2011), Echoes of the Haitian Revolution (2008), and Reinterpreting the Haitian Revolution and Its Cultural Aftershocks (2006). In 2021, she published a biography of the poet Aime Cesaire.
This event has passed. You can watch the recording here:
Presented by Freedom Lab
Friday, November 26, 2021
Time: 7:30 PM
Zoom: 261 330 4845
Speaker: Prof. Adom Getachew
Adom Getachew is the Neubauer Family Assistant Professor of Political Science at the University of Chicago. She has published numerous academic articles on topics related to political sovereignty, the Haitian Revolution, Pan-Africanism, and postcolonial/anti-colonial thought. Her work has also appeared in such famous periodicals as Dissent, Boston Review, the Nation. Her most recent book is titled World Making After Empire: The Rise and Fall of Self-Determination (2019). A highly acclaimed rethinking of the Pan-African movement, the book won the W.E.B. Du Bois Distinguished Book Award from the National Council of Black Political Scientists as well as the Best Theory Book Award from the International Studies Association.
To celebrate the end of an incredibly challenging, and nonetheless fruitful, academic year, the Freedom Lab is inviting DKU students to submit essays or creative writing pieces for consideration of various prizes with topics related to the themes of the Lab (more information about the lab and its research themes can be found here https://sites.duke.edu/dkuhumanities/projects/freedom-lab/).
Topics could range from the recent conversations on Covid-19/Black Lives Matter/Anti-Asian Hate, the legacies of slavery and imperialism, Afro-Asian engagements in the age of Cold War, feminist voices, the histories of women suffrage, labor and migration, environmental history and settler colonialism, to any other forms of inequality that have continued to inform and shape our human experience.
Students are invited to submit writing pieces of a maximum length of 5000 words to Chi Zhang (firstname.lastname@example.org) by May 25. There will be two competition categories: essays and creative writing. Essays can take a variety of forms; they can be papers from classes or based on signature work projects. Creative writing pieces can be poems, personal reflections, short stories, or a mix of multiple forms.
Three essays and three creative writing pieces will be selected for a first prize of 500 RMB, a second prize of 450RMB, and a bronze prize of 400 RMB respectively.
Results will be announced by the end of May.
Venue: IB 1010 / Zoom: 261 330 4845
Time & Date: Friday April 30th, 6-7:30 PM China
Speaker: Yun Kyoung KWON, email@example.com
Yun Kyoung KWON (PhD, University of Chicago) is an Assistant Professor in the Department of Western History at Seoul National University, South Korea. Her research focuses on the histories of the French and Haitian Revolutions, slavery and abolition in the French Empire, as well as postcolonialism and the politics of memory. Her work has appeared in such journals as Social History and Atlantic Studies, as well as such edited volumes as France’s Lost Empires and Abolitionist Places.
Today, when the extreme right’s racism and anti-racist struggles are simultaneously intensifying, the memory of slavery is a subject of sharp debate around the world. France had long suppressed this memory to maintain its national identity as the “Republic of liberation.” Now that the repressed memory of slavery has returned at the head of the French “war of memories” (guerre de mémoires), I would like to think about how the descendants of slavery and colonialism now living as French citizens are processing this painful memory. Based on my research trip in 2020, this presentation overviews the landscape of memory on the two islands of the French West Indies, Martinique and Guadeloupe. It analyzes the various mnemonic strategies found in the places of slavery memory and examines how new monuments have challenged the dominant national discourse of ‘liberty granted by France’ and the myth of ‘Schoelcher, the Liberator.’
Zoom ID: 987 7209 8000
Join us for a talk by award-winning and internationally acclaimed artist Sonny Liew, on the underlying language of comics —from composition to text-image interaction and the representation of time— as well as his personal journey and career choices as a comics creator.
Optional: Interested in creating your own comic, and receiving feedback from master of the medium Sonny Liew himself? No prior experience required. Select one of the attached prompts to respond to, and email your comic to firstname.lastname@example.org by 3pm (China time) on Thursday April 22nd.
Sonny Liew’s multi-Eisner winning The Art of Charlie Chan Hock Chye was a New York Times and Amazon bestseller, and the first graphic novel to win the Singapore Literature Prize. Other works include The Shadow Hero (with Gene Luen Yang), Doctor Fate (with Paul Levitz) and Malinky Robot, as well as titles for Marvel Comics, DC Comics, DC Vertigo, Boom Studios and Disney Press.