Join Us for an Engaging Talk with Paolo Visigalli

Time: Saturday, 8 March 2025, 4:00 pm to 6:00 pm

Location: 长乐路325号,近陕西南路 325 Changle Rd, Near Shaanxi South Rd,Shanghai, China

To register, please scan the QR code below.

Marco Polo and the Heresy of Evil: Meeting Yuan dynasty Fuzhou’s secretive religious group

Around 1290 CE, the famed Venetian merchant and adventurer Marco Polo was visiting the Southern Chinese province of Fujian. Only recentlyconquered by the Mongol army and a hotbed of frequent rebellion, this province’s countryside was infested with tigers and unidentified foxlike rodents, while its coastal cities, bustling hubs on the Maritime Silk Road, were among the most cosmopolitan places on earth. In one such city, Fuzhou, Marco and his uncle Maffio ran into what they emotionally identified as fellow Christians. But the Polos were almost certainly wrong. This mysterious religious group were most likely Manichaeans, the easternmost offshoot of a world religion founded by Mani, the third-century mystic from Sasanian Mesopotamia, the self-styled Apostle of Light.

This talk will closely examine this fascinating and unique episode describing the Polos’ encounter with the Fuzhou “Christians”. We will first consider it in relation to Marco’s book’s complex textual history. We will then explore how recent spectacular discoveries of textual and artistic Manichaean artefacts in Fujian shed new light on some salient aspects of Marco’s account. We will finally speculate about Marco’s reaction had he known the religious group he helped gain institutional support from the Mongol Court were not fellow Christians but distantly related coreligionists of the Cathars, Medieval Europe’s Heresy of Evil.

Speaker’s Bio:

PAOLO VISIGALLI

Associate Professor at Shanghai Normal University

Paolo Visigalli is Associate Professor at Shanghai Normal University (SHNU), Department of World History. His main area of research is Indian and Chinese Buddhism, with a burgeoning interest in Chinese Manichaeism. He holds a PhD in South Asian Studies from the University of Cambridge. Prior to joining SHNU within the framework of Thousand Talents Plan, he was a Postdoc at the University of Munich and the Max Plack Institute for the History of Science in Berlin, and taught Sanskrit and South Asian history at the School of Oriental and African Studies in London.

*** Members of the DKU community are invited to attend at a discounted rate of 60 RMB including one drink.

Come explore history and engage in thought-provoking discussions!

DKU Film Society Presents: The Best of Sofia Coppola 


This Thursday at CCTE Theatre, we’re thrilled to present a screening of The Virgin Suicides (“处女之死,” 1999) as part of our “The Best of…” series. This hauntingly poetic debut by Sofia Coppola is a mesmerizing exploration of memory, desire, and the unknowable depths of adolescence.

Set in suburban 1970s America, The Virgin Suicides follows the tragic and mysterious lives of the five Lisbon sisters, whose beauty and isolation captivate the neighborhood boys who narrate the film. Through dreamlike visuals, an ethereal score by Air, and Coppola’s signature delicate touch, the film weaves a melancholic tapestry of youth, repression, and the fleeting nature of innocence.

Time & Location:

Information Session for Spring Conference 2025

Date: March 11th
Time: 9:00 PM – 9:30 PM
Zoom Meeting ID: 647 602 0030
Password: HRC 
 
The HRC Spring Conference 2025, hosted by the Humanities Research Center, will be held on April 18-19 at Duke Kunshan University. This year’s theme is Gender & Sexuality, and the conference will feature keynote lectures, student panels, and  a variety of other exciting events

If you’re a DKU or NYU Shanghai student interested in presenting your work at the conference, we invite you to attend our Information Session to learn more about the application process and what the event has to offer.

This session will provide all the information you need to apply to present your research, discuss potential topics, and explore other opportunities at the conference. Don’t miss out on this chance to contribute your voice to an important conversation in the field!

We look forward to seeing you there! If you have any questions, please feel free to reach out.

DKU Film Society Presents: 情书 Love Letter (1995)

Location: CCTE Theatre
Time: This Thursday, 6:30 PM

Tonight at CCTE Theatre, we’re excited to present a screening of Shunji Iwai’s Love Letter, as part of our “The Best of…” series. This emotionally evocative film is a masterpiece of modern Japanese cinema, renowned for its exquisite portrayal of love, grief, and the passage of time.

Set in the scenic beauty of Hokkaido, Love Letter follows the story of a woman who, after the death of her fiancé, uncovers a letter he wrote to her years earlier. As she delves into the past, the film explores themes of loss, memory, and the enduring power of love. With Iwai’s signature delicate style, Love Letter is a beautifully crafted meditation on human connection and the ways in which we cope with the loss of those we love.

Join Professor Davis and the Film Society in experiencing this beautiful film. Professor Davis will give a brief talk before the screening so please make sure to come early and grab a seat! Immerse yourself in this profound and visually stunning story of love and remembrance. See you there!

Professor Stephanie Anderson featured in Publishers Weekly with her new volume: Women in Independent Publishing: A History of Unsung Innovators, 1953-1989

On February 17th 2025, DKU Assistant Professor of Literature and Creative Writing Dr. Stephanie Anderson was featured in American magazine Publishers Weekly for her new edited volume: Women in Independent Publishing: A History of Unsung Innovators, 1953-1989.

Hot off the press with the University of New Mexico Press, Dr. Anderson’s work showcases an intimate yet thorough oral history that includes interviews with women and nonbinary editors, all of whom injected new voices and perspectives into the literary landscape and approached the publishing process on their own terms. See full details of the interview here.

Purchase the book here.

We are incredibly proud of Dr. Anderson’s achievement and thrilled to see her work receive such well-deserved recognition. We eagerly anticipate the ongoing influence of her scholarship within both academic and literary communities. Let’s all take a moment to celebrate her remarkable accomplishments.

The LilyPad is Recruiting

Gain experience in news writing, editing, interviewing, graphic design, social media marketing, and more. Join the team of DKU’s only student-led newspaper!

Open Positions:

  • Associate Editors
  • Staff Writers
  • Social Media and Design

Applications open until February 28.

Apply here!

Student Report on Archives and History Initiative’s We Rock This City: Live Music Bar Scenes in Urban China – Prof. Andrew Field’s Book Proposal Workshop

By Disty Mahmud (Class of 2026)

On Wednesday, February 12th, DKU’s Archives and History Initiative (AHI) hosted a book proposal workshop featuring Professor Andrew Field, who introduced his upcoming book We Rock This City: Live Music Bar Scenes in Urban China.

The event began with an overview of his book chapter by chapter. The first chapter explores how Filipino musicians serve as intermediaries between Western and Asian societies, demonstrating adaptability by seeking work wherever opportunities are. He then examines the broader phenomenon of globalization and its impact on urban Chinese nightlife and music culture. Field also discusses the clientele, backgrounds, behaviors, and experiences of patrons in China’s live bar scene. He highlights the role of Filipino “cover bands” in shaping the musical landscape of these venues. Another chapter delves into the lives and careers of Filipino musicians, the families they support back home, and the factors that contribute to their success in the industry. It also examines gender differences among performers.

Field also delves into how the pandemic reshaped the live bar scene. The COVID-19 pandemic significantly disrupted the industry, forcing most Filipino musicians to return home, where they had to find alternative livelihoods. Those who remained in China faced job losses and lockdowns. The chapter explores their experiences and efforts to rebuild. He then looks into global networks, and how live music bar scenes in China are connected to global networks of musicians, venues, and audiences. Lastly, the final chapter examines how live bar music culture influences local urban communities and cultural landscapes.

Afterwards, Anjeline de Dois, a guest speaker who joined via Zoom, provided insights and suggestions. She encouraged Field to consider the role of place and musical locality. She also questioned whether Filipino musicians are simply imitating Western music or contributing to its evolution through their performances.

The event concluded with a Q&A session that featured a variety of suggested literature and multimedia resources from the audiences. The workshop attracted a large audience, including both faculty and students. Overall, the workshop saw the attendance of 25 students and 4 members of faculty. They all provided valuable discussions on live music culture in urban China and the significant role of Filipino musicians in this landscape.

Teng Tong 疼痛: Female + Pain Reading Group

Date: 2/20 (Thursday) 6:30-7:30 pm

Location: AB1075A(HUM Space)

Introduction:

Pain, both physical and psychological, is one of the most complex emotions and experiences. In late imperial China (17th to 19th century), shaped by cultural and historical contexts such as Confucian hierarchy and the practice of footbinding, women experienced pain in ways distinct from their male counterparts and from contemporary understandings. This created a unique discourse around gender, the body, and historical conditions. In this reading event, we will begin by exploring two books by historian Dorothy Ko: Teachers of the Inner Chambers: Women and Culture in Seventeenth-Century China and Cinderella’s Sisters: A Revisionist History of Footbinding. Following the reading, we will open up a discussion on the intersection of female experience, pain, and the gendered body.

All are welcome. Pizza and refreshments will be provided on-site. Scan the QR code to join the group and stay updated on future events.

Student Report on Reading Group for “Censoring ‘Rainbow’ in China”

By Yaxuan Wang, Class of 2027

On Friday, February 14, 2025, DKU faculty, staff, and students gathered for our first reading group session, which focused on the article “Censoring ‘Rainbow’ in China” by Jamie J. Zhao. We were excited to welcome both returning participants and new faces, including several first-year students.

The session began with an introduction by Professor Zhenjie Weng, who outlined the article’s main themes. The article discusses the censorship of LGBTQ content in Chinese media. Scenes featuring gay romance and LGBT pride symbols were cut, reflecting China’s complex stance on LGBTQ rights, particularly in its media. Professor Weng also introduced the broader context of LGBTQ censorship in China, including state-enforced regulations and the struggles faced by LGBTQ individuals and communities in the country.

Following the introduction, participants engaged in a discussion on the different media censorship policies across various countries, especially with regard to LGBTQ representation. The conversation emphasized the fluid nature of these policies, particularly in China, where censorship practices have shifted over time yet remain influenced by political and ideological factors.

A key point of discussion was the role of Hunan TV, a Chinese media company that, despite its censorship of certain LGBTQ content, has been known for featuring LGBTQ celebrities on its shows in recent years. For example, the 2018 participation of openly queer artist Adam Lambert in the Chinese singing competition Singer was examined as an interesting case of global LGBTQ representation being commercialized for entertainment purposes, despite the Chinese government’s more conservative stance on LGBTQ issues.

Participants also discussed the cultural tensions surrounding LGBTQ representation in China, particularly in relation to how Chinese media balances commercial interests with political control. The group also broadened the conversation to include public opinions on LGBTQ issues in China, referencing popular Chinese television shows like The Untamed (陈情令) and idol-genre dramas (养成系), which often depict LGBTQ themes but avoid directly addressing LGBTQ identities. These shows provide nuanced portrayals of gender and sexuality, but often understate or erase political and social implications, raising questions about how media in China presents LGBTQ culture in a non-threatening, marketable way.

The session concluded with a lively group activity where participants brainstormed strategies for creating more inclusive spaces in Chinese media and education. The activity allowed participants to reflect on the complexities of LGBTQ representation in China, particularly in light of the political climate and the evolving relationship between global pop culture and state censorship.

The event was organized by Dr. Zhenjie Weng, Assistant Professor of English Language Education, and Dr. Yanan Zhao, Senior Lecturer of English for Academic Purposes, from the Language and Culture Center, and was sponsored by the Humanities Research Center. Student worker Yaxuan Wang also contributed to the success of the event. Our next reading group session will be held on March 28, 2025.

Queer Visual Culture in Advertising: Amaryllis du Japon

You’re Invited! Join us for a thought-provoking talk at HRC’s Gender Studies Lab!

Date: March 25, 2025
Location: IB 1047

Time:• 4:30–5:30 PM – Student Workshop • 5:30–7:00 PM – Talk

Speaker: Professor Hyounghee Kong
Topic:Scenting Sapphic Elegance and Queer Promises: Advertisements for Amaryllis du Japon (1891-94)

This talk explores the advertising campaign for Amaryllis du Japon, a fin-de-siècle fragrance by Delettrez, as a case study of homoerotic visual culture targeting middle-class women. Professor Kong will analyze the campaign beyond heteronormative frameworks, revealing both its homoerotic appeal and the contemporary anxieties surrounding such desires.

Plus, rumor has it… PIZZA & BOBA will be provided!