Student Report on Archives and History Initiative’s We Rock This City: Live Music Bar Scenes in Urban China – Prof. Andrew Field’s Book Proposal Workshop

By Disty Mahmud (Class of 2026)

On Wednesday, February 12th, DKU’s Archives and History Initiative (AHI) hosted a book proposal workshop featuring Professor Andrew Field, who introduced his upcoming book We Rock This City: Live Music Bar Scenes in Urban China.

The event began with an overview of his book chapter by chapter. The first chapter explores how Filipino musicians serve as intermediaries between Western and Asian societies, demonstrating adaptability by seeking work wherever opportunities are. He then examines the broader phenomenon of globalization and its impact on urban Chinese nightlife and music culture. Field also discusses the clientele, backgrounds, behaviors, and experiences of patrons in China’s live bar scene. He highlights the role of Filipino “cover bands” in shaping the musical landscape of these venues. Another chapter delves into the lives and careers of Filipino musicians, the families they support back home, and the factors that contribute to their success in the industry. It also examines gender differences among performers.

Field also delves into how the pandemic reshaped the live bar scene. The COVID-19 pandemic significantly disrupted the industry, forcing most Filipino musicians to return home, where they had to find alternative livelihoods. Those who remained in China faced job losses and lockdowns. The chapter explores their experiences and efforts to rebuild. He then looks into global networks, and how live music bar scenes in China are connected to global networks of musicians, venues, and audiences. Lastly, the final chapter examines how live bar music culture influences local urban communities and cultural landscapes.

Afterwards, Anjeline de Dois, a guest speaker who joined via Zoom, provided insights and suggestions. She encouraged Field to consider the role of place and musical locality. She also questioned whether Filipino musicians are simply imitating Western music or contributing to its evolution through their performances.

The event concluded with a Q&A session that featured a variety of suggested literature and multimedia resources from the audiences. The workshop attracted a large audience, including both faculty and students. Overall, the workshop saw the attendance of 25 students and 4 members of faculty. They all provided valuable discussions on live music culture in urban China and the significant role of Filipino musicians in this landscape.

Student Report on Reading Group for “Censoring ‘Rainbow’ in China”

By Yaxuan Wang, Class of 2027

On Friday, February 14, 2025, DKU faculty, staff, and students gathered for our first reading group session, which focused on the article “Censoring ‘Rainbow’ in China” by Jamie J. Zhao. We were excited to welcome both returning participants and new faces, including several first-year students.

The session began with an introduction by Professor Zhenjie Weng, who outlined the article’s main themes. The article discusses the censorship of LGBTQ content in Chinese media. Scenes featuring gay romance and LGBT pride symbols were cut, reflecting China’s complex stance on LGBTQ rights, particularly in its media. Professor Weng also introduced the broader context of LGBTQ censorship in China, including state-enforced regulations and the struggles faced by LGBTQ individuals and communities in the country.

Following the introduction, participants engaged in a discussion on the different media censorship policies across various countries, especially with regard to LGBTQ representation. The conversation emphasized the fluid nature of these policies, particularly in China, where censorship practices have shifted over time yet remain influenced by political and ideological factors.

A key point of discussion was the role of Hunan TV, a Chinese media company that, despite its censorship of certain LGBTQ content, has been known for featuring LGBTQ celebrities on its shows in recent years. For example, the 2018 participation of openly queer artist Adam Lambert in the Chinese singing competition Singer was examined as an interesting case of global LGBTQ representation being commercialized for entertainment purposes, despite the Chinese government’s more conservative stance on LGBTQ issues.

Participants also discussed the cultural tensions surrounding LGBTQ representation in China, particularly in relation to how Chinese media balances commercial interests with political control. The group also broadened the conversation to include public opinions on LGBTQ issues in China, referencing popular Chinese television shows like The Untamed (陈情令) and idol-genre dramas (养成系), which often depict LGBTQ themes but avoid directly addressing LGBTQ identities. These shows provide nuanced portrayals of gender and sexuality, but often understate or erase political and social implications, raising questions about how media in China presents LGBTQ culture in a non-threatening, marketable way.

The session concluded with a lively group activity where participants brainstormed strategies for creating more inclusive spaces in Chinese media and education. The activity allowed participants to reflect on the complexities of LGBTQ representation in China, particularly in light of the political climate and the evolving relationship between global pop culture and state censorship.

The event was organized by Dr. Zhenjie Weng, Assistant Professor of English Language Education, and Dr. Yanan Zhao, Senior Lecturer of English for Academic Purposes, from the Language and Culture Center, and was sponsored by the Humanities Research Center. Student worker Yaxuan Wang also contributed to the success of the event. Our next reading group session will be held on March 28, 2025.

Student report on the DKU-Duke joint seminar:Exile, Diaspora and Empathy

By Ruixiang (Claire) Hu (class of 2027), Felipe Silvestri (class of 2026), and Philip Yanakiev (class of 2027)

On January 24, 2025 on the Duke University campus, the “Diaspora, Exile and Interreligious Dialogue” Bass Connections project at Duke University teamed up with the DKU Humanities Research Center “Para-politics of Empathy” project for a joint seminar. The seminar was led by Professor Kolleen Guy and Professor Jay Winter and the Bass Connections interdisciplinary project team-lead Professor Malachi Hacohen, Professor of History and Religion, and Director of the Religions and Public Life Initiative at the Kenan Institute for Ethics.

The seminar explored the limits and possibilities of empathetic action as a form of para-politics by looking at case studies of stateless refugees in Asia and the Pacific during the period of the Second World War. The case studies emerged from a project initiated in 2022 and funded by the HRC that engaged faculty, student-researchers, and eventually led to Signature Work projects. This collaborative work culminated in a book entitledStatelessness after Arendt: European Refugees in China and the Pacific during the Second World War, which focuses on the stateless using Arendt’s ideas and applying them to the Asia and the Pacific. Nine DKU students participated in the project as research assistants. Their research shows that stateless people weren’t powerless—they often created their own ways of living and organizing, even without official recognition. In Asia, the project shows that being stateless was not a uniform experience, but a variety of possibilities reflecting the political structure of the states and cities in which refugees found shelter. The book, scheduled for publication in May 2025, highlights how these individuals found ways to shape their own futures.

The joint Duke and DKU seminar at Duke extended key arguments from the book to examine how different actors — “agents of empathy”— assisted the stateless in reclaiming their rights. Through grass-roots initiatives from below, these actors used empathy to bring those politically exiled, who have been pushed to the margins of society, back into the political realm. Professor Guy and Winter argued that empathy is key to understanding their actions. Drawing on ideas from cultural theorist Raymond Williams, they argue that empathy can combine emotion and thought to drive meaningful change. Two key concepts emerged in the seminar: the realm of parapolitics, a term usedby Professor Winter that describes political actions by the stateless in order to gain back their rights; and Professor Guy’s agents of empathy, outsiders who acted as catalysts of parapolitical life by mobilizing refugees’ efforts to regain the pathway back to the political. These were not just individuals who constructed parapolitics, but those who aided the stateless; those who mixed thought and action in an effort to highlight and transcend the tragedy of the stateless.

With the 8:30 a.m. sun casting a glow over Duke’s stunning Gothic architecture, Professor Winter began with an excerpt of Hannah Arendt’s poem on exile. Addressing an audience of Duke professors, graduate students, and undergraduates from both Duke and DKU, he pointed out the stanza’s inherent oxymoron: how can one long for a state that has rejected them? This is the paradox that faced Hannah Arendt, who wrote seminal worksOn TotalitarianismOn Revolution, and Eichmann In Jerusalem. As an Aristotelian, she presents a bifurcated worldview; the rise of the totalitarian state did not come suddenly, it was a process that had been gathering momentum for a long time and culminated in the interwar period. Arendt sees their despair as pariahs, where their exclusion from the political realm is the gravest consequence and compassion and empathy are useless emotions. The thesis Winter advanced is that Arendt’s rejection of emotion in political action, especially in light of the plight of refugees and the failure of the interwar nation-state system, is a flawed reflection of her own despair at being a pariah in a world of nation states that had no place for her and for millions like her.

Professor Winter, drawing on Arendt’s work on statehood and totalitarianism, describes how there is no arguing against her logic until the conclusion.She leaves us with only silence when she describes the plight of the stateless.  She was unable to draw on the political sophistication of the stateless and their tendency to come together in social and religious groups to perform their statelessness.  Arendt was completely “deaf to religious life”, and the core religious concept of paradox was unacceptable for her. Professor Winter explained the clear push towards the secular in Arendt’s work; noting she renounced everything specifically Jewish and European and became overly American in the process, with no record of ever having gone to a synagogue or other religious activity at any point in the US. Arendt was in the dual position of both philosopher and stateless. Approaching the stateless, she was both an insider and an outsider, and left out the rich social and cultural world she herself knew at the time. And in particular, for her, emotion played no role in achieving any political program. What Guy and Winter term ‘parapolitics’ was outside of her political thought. 

Professor Kolleen Guy then presented Laura Margolis’ case study, as an agent of empathy. Her story illustrates what[how] Parapolitics looks like, not as merely political action, but also as emotional commitment. She argues that it is precisely emotion that makes these agents effective, a rejection of Arendtian conception of the dangers of empathy. Laura Margolis was a transnational agent of empathy. She toiled tirelessly all over the world, helping the stateless in Shanghai between 1941 and 1943. The case study focused on her work in Shanghai with Jewish refugees arriving in the treaty port. Angered at the situation of those who had lost their statehood, Laura Margolis channeled this into effective action and thus became a force against bureaucratic restrictions facing the refugees. In Shanghai, she was responsible forfeeding about 20,000 Jewish refugees. To ensure the soup kitchens under her supervision remained open, she employed “cocktail dress diplomacy” while combining pragmatic commitment and emotional engagement. Her case shows how empathy informs political action; how one can be empathetic and drive social change; how one can offer refugees a pathway out of their isolation and indignity. 

Professor Winter concluded the meeting with the story of the Mir Yeshiva. Originally a Lithuanian yeshiva in Byelorussia, it was the most esteemed place for studying the Torah in Europe. With the Soviet advance, its members fled to Lithuania in 1940. Caught between Nazi Germany and the Soviet Union, the yeshiva turned to Rabbi Chaim Ozer Grodzinksy, an esteemed religious figure, for a reading of the Torah and Talmud to guide them through these troubling times. He found no clear answer in these texts, and concluded that it was best to wait the war out in Lithuania. The students at the yeshiva, however, believed that survival trumped everything else and started making arrangements to flee to the Far East. A key figure in the process was the Japanese consul in Lithuania, Chiune Sugihara. He provided all 350 students with transit visas, and with them. They had little food and freedom of movement, especially at the start of their sojourn. They lived in a synagogue built by the crooked businessman Silas Aaron Hardoon that no other Jewish resident or refugee in Shanghai would touch. At last, in 1947, all Jewish refugees were expelled from Shanghai by the Nationalist government and the students of the yeshiva re-settled in Israel and the US. Their deep-rooted spiritual life was such that none was willing to recount their escape to the East, as it contravened the teachings of their holy leader. The Mir Yeshiva’s example thus offers an alternative perspective on parapolitics: it is not confined solely to those within the political sphere who can reintegrate outsiders, but it can also empower those on the margins in reclaiming their full political identity.

After Professor Guy and Professor Winter presented the two case studies, the floor was open. A lively discussion ensued. Professor Malachi Cohen and graduate student Avital Schkolnik observed that Arendt herself maintained a complex relationship with faith, particularly Judaism, and noted significant internal debate within the Jewish community at that time. Postdoctoral Associate Reut Israela Ben-Yaakov also added to the discussion, bringing forwardthe Frankfurt School’s view on religion, especially Walter Benjamin and Horkheimer’s conceptions of religion. Former DKU student Muhammad Usama (Class of 2023), now pursuing a doctoral degree in History at Duke University, also participated in the dialogue.

We would like to extend our warm thanks to the Diaspora, Exile and Interreligious Dialogue Bass Connections project at Duke University for hosting the joint seminar. We would also like to thank the Humanities Research Center at DKU for their continuous support for scholarly research.

Harmony Lab Event Report: Round Table Discussion

Written by Effy Bat-Erdene, Class of 2025. 

On December 6th, 2024, the DKU Harmony Lab, in collaboration with the Gender Studies Lab, hosted an engaging roundtable event titled Confucianism, Family, and Women. This event brought together faculty members and students for a thought-provoking discussion on the intersections of Confucian philosophy, family structures, and gender roles. With a particular focus on the pressing birth rate crises in East Asian nations, the discussions explored Confucian values as both a lens to critically examine these challenges and a potential framework for innovative solutions.

The event began with an introductory presentation by Professor Roger Ames from Beijing University, a distinguished scholar in Confucian philosophy. Professor Ames reframed Confucianism not as a static “Eastern religion” but as a dynamic tradition of relational ethics rooted in intergenerational connectivity. Drawing on the tradition’s origins in ancestral sacrifices, he underscored the moral duties that bind past, present, and future generations. His keynote set the stage for participants to reconsider Confucianism’s relevance in addressing modern societal dilemmas, such as shifting family dynamics and demographic transitions.

Professor Sor-hoon Tan from Singapore Management University delved into the Confucian concept of family, describing it as a relational and hierarchical unit distinct from today’s nuclear family. She critically examined the centrality of the father-son relationship in traditional Confucianism while identifying its limitations in addressing broader familial and gender dynamics. This prompted a lively dialogue on whether Confucianism inherently perpetuates patriarchy or whether its core principles can be reinterpreted to support gender equality and inclusivity.

Professor Qian Zhu from DKU provided a historical overview of gender norms in modern China, tracing their evolution from the late Qing dynasty through the Mao era. Highlighting movements like the Tianzu (Heavenly Feet) campaigns and the emergence of the “new woman” in the 1920s, Zhu illustrated how women’s liberation was closely tied to nationalism and revolutionary ideals. Drawing connections to global influences such as Ibsen’s A Doll’s House, she underscored how feminist movements in China were both uniquely situated within Confucian traditions and globally resonant.

Professor Yu Wang, also from DKU, examined East Asia’s demographic crisis, including declining fertility rates, increasing divorce rates, and cultural stigmas surrounding premarital births. She discussed how generational shifts in attitudes toward marriage and parenthood reflect tensions between modern individualism and traditional Confucian values, which prioritize familial continuity and intergenerational obligations. Professor Wang’s presentation provided a sociological lens for understanding these trends and their implications for policy and culture.

The roundtable concluded with responses from DKU faculty members Professor Hwa Yeong Wang and Professor James Miller, alongside Wuhan University faculty members Professor Qin Liu and Professor  Yong Li. They offered critical reflections on the key themes from the presentations and emphasized Confucianism’s potential to contribute to global dialogues on gender and family dynamics.

The discussions were followed by a Q&A session, where attendees actively participated by raising questions and sharing their thoughts on the current implications. The event was a huge success, inspiring meaningful conversations about the historical significance and contemporary relevance of Confucianism in addressing pressing contemporary social issues.

History Through a Student’s Eyes: Research Assistant&SW

Reported by Sydney Brown, class of 2026 & Yuruo Zhang, class of 2027

On Wednesday, December 4th the Archives and History Initiative hosted its final event for the semester. Senior Haiyi Guo presented his experience as a student research assistant for Professor Zach Fredman, and discussed his Signature Work project. About 19 students and Professors Jan Hua-Henning, Titas Chakraborty, Jesse Olsavasky, Bryce Beemer, Joseph Giacomelli, Andrew Field, as well as Archivist Ryder Kouba were in attendance.

Haiyi Firstly introduced his previous research experience, as a history research assistant. “New Book: The Tormented Alliance” is Professor Fredman’s new book project, it was a study about the cooperation between the US Army and the Nationalist Government in China during World War II. Guo reviewed and collated reference information for writing. “Rest and Recreation (R&R) program” is a research program about the US Army’s vacation program (R&R) during the Vietnam War. He helped to collect related resources from online archives.

Guo’s signature work project, “A History of Gender in the Vietnam War,” was influenced by the work he did with Prof. Fredman. Guo utilises interviews conducted with former Donut Dollies for his primary sources, and conducted historical research into the chronology of the Vietnam War, and on gender issues. His project has three main focuses: American and Allied women in military and support roles; Vietnamese Women’s Experiences During the Vietnam War; and Women’s leadership in post-war recovery.

His first focus on American and Allied Women looks at the Donut Dollies, women who volunteered with the Red Cross to provide relaxation and comfort for male soldiers in Vietnam. Guo also looks at how consequently, former Donut Dollies developed PTSD from sex violence. The next focus (Vietnamese Women’s Experiences During the Vietnam War) looks at how the war destroyed rural comunities and forced women to move and go into sex work. Here, Guo looks at bar girls and the intersection with sex work. He also looks at how the perception of American soldiers being generous and willing to marry provided the hope for better futures for Vietnamese women. The final focus, Women’s Leadership in Post-War Recovery, addresses the story of one Vietnamese woman who was separated from her family, and in the United States, started a support group called “Families of Vietnamese Prisoners Association.” The group worked to reunite families who were separated during the Vietnam War.

In the end, participants asked about the research content and context, including the societal and cultural implications of the Vietnam War on women’s roles. The Discussion highlighted how wartime experiences reshaped traditional gender expectations and led to the stigmatisation of women involved in non-conventional roles, such as entertainment or support services. Comparisons were drawn to other historical instances, such as Korean “comfort women,” which emphasised shared struggles and the complexities of addressing historical narratives. The audience also reflected on how these roles influenced post-war integration and the lingering perception of women who worked in such capacities. Moreover, participants also inquired about the challenges of sourcing and analysing materials. Questions centred on how primary sources were accessed and evaluated, especially those from Vietnamese archives or oral histories. The speaker explained the reliance on English-language interviews and newspaper reports due to the difficulty of accessing Vietnamese-language resources. Thus, the audience suggested the potential for incorporating oral histories to provide richer, more personal insights into women’s experiences. The audience also raised points about the ethical considerations of interpreting sensitive topics, such as trauma and stigma, through historical research.

Before the dismiss of the event, Professor Jan Hua-Henning quickly mentioned a research assistant opportunity open for all students. Student workers on the team will help Professor Hua-Henning create a website and database for the Global Histories of Risk (GLOHRI) project and will be the first ones to contribute to the database. If interested, please contact Professor Hua-Henning at jan.huahenning@dukekunshan.edu.cn for furthur information.

Unbound: A Journey Through Flow and Resistance

By Chengxi Yin, class of 2026, Photo by Ruixiang Hu, class of 2027

On December 3, 2024, Duke Kunshan University Humanities Research Center, Gender Studies Lab, Dr. Crystal Kwok, and her students unveiled their collaborative exhibition, Unbound: Flow and Resistance, in the HUM Space. The event was a landmark occasion for the university, blending art, activism, and academic inquiry into a thought-provoking exploration of the human body and its intersections with gender, vulnerability, and resistance.

The ceremony began with welcome speeches from HRC Co-director Dr. Selina Lai-Henderson and Vice Chancellor for Academic Affairs Dr. Scott MacEachern. Both leaders emphasized the importance of interdisciplinary initiatives like Unbound, celebrating the dedication of all who contributed to the exhibition’s realization. Gender Studies Lab Co-directors Dr. Hyun Jeong Ha, Dr. Megan Rogers, and Dr. Jesse Olsavsky also delivered opening remarks, reflecting on the exhibition’s capacity to inspire deeper conversations about gender, identity, and societal expectations.

Student curators Sue Wang and Davit Kavkasyan provided an overview of the exhibition’s concept, highlighting its focus on the body as a site of perpetual transformation and tension. Through multimedia works featuring symbols like eyes, hands, and faces, the exhibit delves into themes of perception, identity, menstruation, fluidity, and healing. It reflects on the body’s role as a battleground shaped by personal struggles and societal forces, celebrating its resilience and capacity for change. The exhibition invites viewers to reconsider their relationship with their bodies and the world.

A major highlight of the exhibition opening was the screening of The Stain: Unshaming Menstruation, a short documentary by Dr. Crystal Kwok and her students. Dr. Kwok, an award-winning filmmaker, actress, writer, and academic, is renowned for her work addressing socially sensitive topics surrounding women, sexuality, and the body. Her previous documentary, Blurring the Color Line, has received numerous accolades, including Best Documentary at the Silicon Valley Asian Pacific Film Festival. Speaking about The Stain, Dr. Kwok elaborated on her inspiration for the project: “Menstruation is a universal experience, yet it is often shrouded in shame and secrecy. The film confronts deeply ingrained cultural stigmas around menstruation, challenging taboos and amplifying voices that are often silenced.” By normalizing the conversation, this documentary seeks to create a space for healing and empowerment.

The Stain weaves together intimate interviews, modern dance, music, and poetry, exploring diverse experiences with menstruation. From the anxiety of staining clothing to the stigma of discussing menstruation openly, the documentary sheds light on the complex emotions and societal pressures surrounding this natural process. Stories range from a participant recalling the embarrassment of staining a white prom dress to reflections on intergenerational taboos and cultural misconceptions. One particularly striking moment in the film features a modern dance sequence symbolizing the pain and resilience of menstruating bodies.

The exhibition also included a live poetry reading by members of the DKU Poetry Club, whose works echoed the themes of stain, vulnerability, and resilience. Their performances added another layer of emotional depth, creating a multisensory experience that resonated with attendees.

Through its combination of visual art, film, and live performance, Unbound underscores the potential of creative expression to challenge societal norms and foster understanding. The success of Unbound: Flow and Resistance reflects the power of interdisciplinary collaboration at Duke Kunshan University. This exhibition is not just an end, but a beginning. It exemplifies what can be achieved when students, faculty, and researchers come together to address critical issues through the lens of art and scholarship.

The clip for The Stain: Unshaming Menstruation, a short documentary by Dr. Crystal Kwok and her students, is available here:

https://youtu.be/xefrIxhmKHU

Student Report on Migratory Ghost Reading Event

Pictured left to right: Maya Peak ‘25, Juli Min, Sidney Brown ‘26, and Zhou Sivan.

By Rebecca Combs

On September 22nd, 2024, the HRC welcomed authors Juli Min and Zhou Sivan, along with Migratory Ghost DKU student winners Maya Peak ‘25 and Sidney Brown ‘26, to read their award-winning works in an immersive session. About 20 students and 8 faculty members attended.

The event began with the announcement of both student winners: Maya Peak, Class of 2025 Global Cultural Studies – Literature Track Major, and Sidney Brown, Class of 2026 Global Cultural Studies – Literature Track Major. This was promptly followed by each of them reading their submitted work to the attendees.

First, Maya read her short story titled Metamorphoses: Homunculus, a frankenstein-esque telling of a scientist, their life-given experiment, the gruesome steps of the process, and the emotionally painful reality of their creation having autonomy: “it’s a whole person who treats me like a mystery for not knowing what it is”.

Next, Sidney read her four poetry pieces titled “I Believe I Can Fly”, “Lost at Sea”, “Tempest”, and “The Great Escape”. Each explored the complexities of negative emotions and captured themes of transformation, change, and letting go: “for this moment I am airborne, looking down at this swath of land and empty bodies limping with their strings sewn up”. (“I Believe I Can Fly”)

Following the student winners, Shanghai-based Korean-American author and Harvard University graduate Juli Min read a section of her book Shanghailanders. Published in May of this year, Min’s work of fiction covers Shanghai cosmopolitans told backwards in time. In light of the theme of migratory ghosts, New York Times reviewer Jean Kwok states: “having knowledge of these characters’ futures before we know about their past makes stumbling on their bygone days all the more touching”.

Finally, Hong-Kong-based Malaysian poet and author Zhou Sivan read from his book of poems “The Geometry of Trees”. Published in 2022, Sivan details themes of queer desire through the trees, their trunks, and language, revealing how their growth has stayed with  him throughout his entire life. Much like the lurking nature of ghosts, Sivan emphasizes how “in the background, trees dramatize the architectural displays of empire”.

Faculty, authors, and student-winners were treated to a dinner. The event was a complete success, student and faculty attendees alike having been immersed in prose which illuminated the starkly different facets of migratory ghosts–whether fear, folklore, our pasts, or periods of transition and change.

Student Report on Forum and Exhibition on Multimodality in Multilingual and Intercultural Education

Report by Delfin Kaplan, class of 2027 

On November 1st, 2024, Dr. Xin Zhang, assistant professor of Chinese and Intercultural Communication from the Langauge and Culture Center at Duke Kunshan University(DKU), and Dr. Peiru Tong, associate professor of International Education at Wuhan University (WHU) co-hosted the Forum and Exhibition on Multimodality in Multilingual and Intercultural Education. A collaboration between DKU and WHU, the forum and exhibition took place in-person at DKU, though it was also attended by audience online through Zoom and on Spot, the latter being a metaverse exhibition. The one-day forum consisted of invited talks, workshops, and faculty lightning talks by professors across multiple acclaimed universities beyond DKU and WHU, including Duke, University of Sydney, the Ohio State University and University of HongKong, and a student-led artwork exhibition.

The forum started with a welcome speech by the senior director of Language and Culture Center (LCC) Dr. Don Snow, followed by Dr. Peiru Tong’s introducation of the “Multimodal Intercultural Education Interdisciplinary Innovation Platform”, co-funded by the WHU and DKU Joint Research Platform Seed Funding and the Kunshan Municipal Government Research Funding, and the DKU HRC Small Event Grant.

The talks and workshops on Multimodality in Multilingual and Intercultural Education were led by nine accomplished professors: Dr. Francis Troyan from Ohio State University and Dr. Zhenjie Weng from Duke Kunshan spoke about the development of language teacher identity through photo-elicitation in TESOL teacher education, which is a reflection technique used to explore the connection between emotions and the teachers’ identities. They also shared some reflections from participating teachers. Dr. Yan Liu gave a speech on the multimodal approaches to teaching Chinese, focusing on the power of visual arts, followed by a collaborative presentation between Dr. Xin Zhang from Duke Kunshan University and Dr. Peiru Tong from Wuhan University on the visual narratives of international students’ multilingual identity (co)construction during their long-term studies abroad in China. After that, Dr. Hongzhi (Veronica) Yang from the University of Sydney shared her insights on the use of generative AI to create multimodal language learning resources.

After a lunch break to allow participants to explore the exhibition and discuss the contents of the morning presentations, Dr. Mari Noda and Dr. Galal Walker from the Ohio State University led a pedagogy workshop on applying performance watch tasks in language and culture classrooms. Dr. Tai, Kevin W.H. from the University of Hong Kong, led the a second workshop on research methodology for understanding the construction of translanguaging spaces in multilingual classrooms, focusing on insights from combining multimodal conversation analysis with interpretative phenomenological analysis. Another highlight of the forum was the faculty-led lightning talks which showcased various teaching and research projects by faculty in the Language and Culture Center at DKU, and faculty from peer institutions including Wuhan University and University of Sydney.

The student artwork exhibition consisted of artwork and reflections created by DKU, WHU, and University of Sydney (USYD) students, as part of a collaborative research project between Dr. Xin Zhang and Dr. Peiru Tong. Student participants were asked to reflect on their identity as international students in an intercultural student cohort and their experiences with multilinguality over two months with weekly check-ins, which were then processed through an extensive selection process and displayed by two student workers, Delfin Kaplan and Davit Kavkasyan, supervised by Dr. Xin Zhang. Both students responsible for the exhibition were also part of the preliminary artwork collection process in 2023.

Throughout the weeks leading up to the exhibition, Delfin and Davit individually inspected every single one of the dozens of artworks and the accompanying reflection and chose around 30 final artworks to be presented in the exhibition. The forum attendees could view these posters on the day of the exhibition, and they will remain visible in the foyer outside Performance Cafe in CCTE for another month. The artwork can also be viewed virtually via a metaverse exhibition.

In curating the exhibitions, the two student workers independently handled the budget, acquired the materials, communicated with the creators of the artworks, set up the exhibition, and they gave a short speech in the forum to talk about their experience and what they’ve learned. Both students reported that seeing the perspective of other international students was ‘eye-opening’ and that this exhibition was especially important to them due to both of them being the only students from their countries.

Event Report: Lecture on “Western Feminism and Its Analytics in Neoliberal Times”

On November 7th 2024 Professor Anna Krylova delivered a zoom lecture for the Gender Studies Lab titled “Western Feminism and Its Analytics in Neoliberal Times.” Prof. Krylova is a professor of History and Gender, Feminist and Sexuality Studies at Duke University. She is a specialist on the history of gender and feminism, with a particular emphasis on the Soviet Union. She is author of the award winning book, Soviet Women in Combat: A History of Violence on the Eastern Front. Around 25 faculty and students were present, both in person and online.

 

Prof. Krylova’s lecture was based upon the current book she is writing, tentatively titled History-Writing or Sleepwalking Through History in Neoliberal Times. The lecture assessed the ways that “post-structural” forms of thinking, despite having many generative elements, were disarming both for feminist activism and feminist history writing in the west. As Krylova explained it, post-structuralism, broadly speaking, was politically disabling for feminism because it privileged discourse over structure, micro-level analysis over analysis of larger formations of economic power. As a result, post-structuralism focused more on localized and “everyday” forms of individual resistance and neglected, or even condescended towards, organized forms of resistance to power.  This neglect, she argued, ultimately aligned post-structuralism, perhaps unwittingly, with western economic neo-liberalism and Cold War political imperatives. Krylova made her case by focusing particularly on James Scott’s highly influential work Weapons of the Weak as a case study. Scott is widely known for showing the ways peasants in Southeast Asia engaged in everyday forms of spontaneous, often individual resistance in order to survive and determine their own lives. Krylova provocatively suggested that Scott’s work overrates the effectiveness of everyday resistance while ignoring that “organized forms of power” requires “organized forms of resistance.”  For Scott, “organized forms of resistance” are themselves repressive and thus his own framework of thought is a dissuasion from systematically organizing against structural injustices such as patriarchy.

 

The lectured lasted for roughly 35 minutes and was concluded with 40 minutes of discussion between Krylova and her audience. Questions by faculty and students were various. One faculty questioner asked about the recent elections and whether the Democrats had made a mistake by emphasizing identity politics over class-based issues. Another faculty questioner noted that not all aspects of Scott’s work were disarming, but truly generative, while yet student questioner noted (correctly) that Scott had worked for the CIA, and was a thinker devoted to “counterinsurgency” and not to emancipation. A number of other questions were also asked as part of the discussion.

Student Report on Reading Group for “Stretched Kinship: Parental Rejection and Acceptance of Queer Youth in Chinese Families”

Report by Yaxuan Wang, class of 2027 & Photo by Ruixiang Hu, Class of 2027

On Friday, November 8, 2024, DKU faculty, staff, and students gathered for our last reading group session in this semester. This time, the focus was on John Wei’s Stretched Kinship: Parental Rejection and Acceptance of Queer Youth in Chinese Families(2023), an insightful exploration of the challenges faced by queer youth and their families in China.

The session began with an overview of the reading’s key themes, led by Dr. Zhenjie Weng and Dr. Yanan Zhao. Participants discussed the concept of “stretched kinship” as Wei defines it, particularly how parental expectations and societal pressures complicate family relationships for queer youth in China. The discussion highlighted the emotional and social challenges both parents and queer youth experience, especially under the pressure of filial duties and cultural norms.

The main highlight of the event was a talk by Guest Speaker Professor Andrew Wortham, Visiting Assistant Professor of Cultural Anthropology, who shared his experiences conducting research on LGBTQ+ groups in China, with a focus on gender and sexuality. Prof. Wortham also reflected on his time in Chengdu, providing personal insights into the complexities of queer identity and kinship within Chinese society. His experiences resonated with many attendees and brought additional depth to the themes of Wei’s work.

Following Prof. Wortham’s talk, participants were encouraged to ask questions. The Q&A segment saw a high level of engagement, with questions addressing various aspects of LGBTQ+ life in China, the influence of cultural expectations, and the academic challenges of studying sensitive topics in this field.

The event concluded with an open discussion, allowing participants to share their reflections and consider ways to foster greater inclusivity and understanding within their own communities.

The reading group session was organized by DKU’s Humanities Research Center and facilitated by Dr. Zhenjie Weng and Dr. Yanan Zhao, with the support of student worker Yaxuan Wang.