What is a thing? What is an object? These seemingly simple yet profoundly complex ontological questions have been explored by artists and thinkers across culture and time. In the specific setting of contemporary exhibition making (a specialty of MACHANG for almost a decade with the booming contemporary art scene in Shanghai and in China at large), what matter matters in an art exhibition? What does not? What matters before the installation of an exhibition and after its show time is over? What do we do with the materials left behind an art exhibition – the frames, pigments, dry walls, etc. – other than throwing them in the garbage and turning them into waste? How might we archive these things before and after their use value has been exploited?
CALL FOR PROPOSALS
2. Bring your projects back and show them on DKU campus at the “Beauty Salon (AB)” or elsewhere (to be discussed with the curatorial team)
3. Write a report on the residency experience (max. 1000 words)
About DKUNST Art on Campus
DKUNST Art on Campus is led by Duke Kunshan University’s professor Zairong Xiang in close collaboration with the Humanities Research Center and the Division of Arts and Humanities, aiming at bringing professional art practitioners to DKU and have direct engagement with the students and the university community at large. It also aims at enhancing conviviality on campus through artistic interventions, while encouraging artistic exploration and collaboration within and beyond DKU.
Initiated by M Art Foundation and MACHANG, Art Materials Collaborative (AMC) tries to recycle, research, restore, and redistribute the materials used and generated from contemporary art production. AMC invites creators to act on and discuss the issues of sustainability, value, and economic pattern in contemporary art and beyond.
Established in Jiading, Shanghai, 2020, MACHANG aims to support the artistic production and practices of youth artists by providing materials, technique and transportation assistance. As a new-born art group, MACHANG hopes to form close connections with artists, and further transforms the factory setting into a space in which various discourses about material experiments, labors, and artistic practices can happen.