Join us on Duke’s West campus in January and February for three wonderful FREE & PUBLIC conversations about publishing, fiction and romance:
January 25, 6:30pm – “Marketing Digital Fiction” with HarperCollins Publishers’ Shawn Nicholls, Associate Publisher
February 8, 6:30pm – “Romance, Shakespeare & Popular Appeal” with New York Times bestselling author Eloisa James and Executive in Residence at Duke, John Forlines III
February 15, 6:30pm – “‘Colin Firth in Clingy Pants’: The Romance Appeal of Pride & Prejudice” with New York Times bestselling author Sabrina Jeffries.
More details here: https://sites.duke.edu/unsuitable/events/
Join us this Spring for a lineup of wonderful speakers and conversations about fiction, feminism, masculinity, and diversity in the world of romance fiction. Our events begin on February 3rd with Dabney Grinnan, publisher of the website All About Romance, discussing feminism and the romance blogosphere, and continue on February 24th with New York Times bestselling author Sarah MacLean chatting about “Old School Romance.” Click on this link for the entire Spring 2016 schedule of events.
UNSUITABLE events are free and open to the public.
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Empowered heroines? Great sex? Wildly popular?
IT MUST BE “TRASH”
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If you’re a Duke undergrad or graduate student visiting here for the first time, welcome!
“The Romance Novel” course (HST 248S.01) is for students interested in popular culture, popular fiction, history, literature, questions of race, ethnicity, gender and sexualities (femininity and masculinity), writing, and creative entrepreneurship.
This course explores the history, development, consumption and form of the modern commercial novel through a study of the most popular fiction in the world today: the romance novel. Throughout the semester we investigate the romance novel’s role in popular American culture, its rise to dominate 50% of the U.S. publishing market, and the dramatic changes that have occurred in the past several years in the publishing industry, largely driven by changes in romance fiction. We examine romance in its context in the larger publishing and entertainment industries, how creative projects become commercial products, and the gender politics of both the reception and rejection of romance — a women-driven and controlled industry — in the broader culture. We address issues of female agency as well as models of femininity and masculinity that often seek to define and constrict creative work in the commercial world, and explore questions of race and sexuality in romance fiction and the industry as well. In short, we engage in a critical, active discussion of a massive cultural phenomenon that is often overlooked in university studies.
Additionally, this course teaches the tools to better understand writing as an act of entrepreneurship and how to make a viable, successful career out of creative endeavor. Our studies include the choices a writer must make in shaping her or his career in publishing (publication with a traditional publisher? self-publish? ebook only? print distribution?), marketing (branding, social media, packaging, networking, platform), and the development of an artistic career with conscious intent through the determination of long-term career goals and the establishment of a plan to reach them. Students will work on writing skills as they begin to write their own novels.
This blog belongs to students registered in the class and is a creation of the class as a whole. Additionally, throughout the semester we welcome into the classroom special guests — industry professionals and luminaries, who share and debate with students on topics concerning writing, creative careers, publishing, sexuality, gender, race, history, and literature. Click here for this year’s UNSUITABLE Speakers Series schedule.
The course meets Spring 2016 semester, Mondays and Wednesdays 4:40-5:55pm. Students earn W, ALP, CZ and CCI credit (with EI potential).
You can learn about the course instructors here, and contact them with questions.
I look forward to seeing you in the classroom in January!
– Katharine Brophy Dubois
Women’s activities — both entertainment and employment — are often considered less serious or less important than men’s. Often they’re even deemed unworthy pursuits, unsuitable for women to engage in and enjoy. Women regularly find themselves justifying their choices and preferences at great length or, alternately, hiding them. In the realm of entertainment, nowhere is this more obvious than in the fiction many women choose to read.
UNSUITABLE is a space for open, frank and informed conversation about women and popular fiction historically and today, as well as related topics. We welcome you to join in the conversation both here on the blog and at our events throughout the year.
Regarding comments: All comments are subject to moderator approval. Anonymous comments will not be approved. No slander or hate language is allowed on this site. This is a space for informed, educated conversation. We ask visitors to maintain that level of discussion. We welcome your participation.