ESSAYS

“Amériques prémodernes? Départ pour le grand Nord” in Poétiques de Paul Zumthor, éds. Idelette Muzart-Fonseca dos Santos, Jean-René Valette, Garnier, 2019: 275-288.

“Another Land’s End of Literature: Honorat Bovet and the Timbuktu Effect” in Founding Feminisms in Medieval Studies, Boydell & Brewer, 2016: 153-168.

“Aimer un pays tout autre: Christine de Pizan, Alain Chartier, & Compagnie” in Mélanges Jacqueline Cerquiglini-Toulet, éds. Sylvie Lefèvre, Christopher Lucken, Estelle Doudet, Champion, 2015: 769-782.

“Fortunes scéniques au XXe siècle” with Véronique Dominguez in Le Théâtre du XIIe au XVIe siècles, éds. Gabriella Parussa, Darwin Smith, Olivier Halévy, L’Avant-Scène, 2014: 85-93; 175, 179.

“Parcours d’un militant de théâtre: Moussa Abadi” in Le texte critique: expérimenter le théâtre et le cinéma aux XXe-XXIe siècles, éds. Valérie Vignaux et Marion Chénetier, Presses universitaires François-Rabelais, 2013: 207-220.

Jouer le Moyen Âge: Gustave Cohen et la troupe théophilienne” in Les Pères des études médiévales: examen critique de la constitution d’un savoir académique, éds. Marie Bouhaïk-Gironès, Véronique Dominguez, Jelle Koopmans. Presses Universitaires de Rennes, 2010: 255-281.

“Theater and Theatricality” in The Cambridge Companion to Medieval French Literature,  eds. Sarah Kay and Simon Gaunt, Cambridge University Press, 2008: 181-194.

“Making Names, Breaking Lives: Women & Injurious Language at the Court of Isabeau of Bavaria and Charles VI” in Cultural Performances in Medieval France: Essays in Honor of Nancy Freeman Regalado, eds. Eglal Doss-Quinby, Roberta L. Krueger, E. Jane Burns, Boydell & Brewer, 2007: 203-232.

“Gustave Cohen at Pont-Holyoke: The Drama of Belonging to France“ Artists, Intellectuals and World War II, eds. Christopher Benfey, Karen Remmler, Univ. of Massachusetts Press, 2006: 145-61.

“Debate Literature” “Defenses of Women” in Women and Gender in Medieval Europe, ed. Margaret Schaus, Routledge, 2006: 195.

La Belle Dame sans Merci” in Medieval Women: An Encyclopedia, eds. Katharina M. Wilson, Nadia Margolis, Greenwood Press, 2004: 80-84.

“The Freedoms of Fiction for Gender in Pre-modern France” in Gender in Debate from the Early Middle Ages to the Renaissance,eds. Thelma S. Fenster and Clare A. Lees, Palgrave, 2002: 135-163.

Le Jeu de Robin et Marion,” “Le Jeu de la Feuillée,” “La Farce de Maître Pathelin, “Mystères et Moralités,” “Le Mystère de la Passion d’Arnoul Gréban”articles on medieval theater in the French digital encyclopedia, Encarta (2001).

“Fiction versus Defamation: The Quarrel over the Romance of the RoseThe Medieval History Journal 2, no. 1 (1999): 111-141.

Performer le passé. Rencontre avec Paul Zumthor” in Paul Zumthor ou l’invention permanente: Critique, histoire, poésie,éds. Jacqueline Cerquiglini-Toulet et Christopher Lucken, Droz, 1998: 117-59.

“States of Siege: Gender, Violence, and Place, Paris around 1400” New Medieval Literatures 2 (1997): 95-132.

Performing Pasts: A Dialogue with Paul ZumthorJournal of Medieval and Early Modern Studies 27: 3 (Fall 1997): 595-640.

Introduction,”JMEMS 27: 3 (Fall 1997): 349-51.

“Jouer les morts: Gustave Cohen et l’effet théophilien,” Equinoxe 15 (1996): 81-96.

The Waking of Medieval Theatricality, Paris 1935-1995New Literary History 27, no. 3 (Summer 1996): 257-90.

“Feminism and the Discipline of Old French Studies: ‘Une Bele Disjointure” co-authored with E. Jane Burns, Sarah Kay and Roberta L. Krueger, in Medievalism in a Modernist Temper: The Discipline of Medieval Studies, eds. R. Howard Bloch and Stephen G. Nichols, Johns Hopkins University Press, 1995: 225-66.

“Revivals: Paris 1935” Alphabet Cityno. 4 (1995): 76-82.

Flaming Words: Verbal Violence and Gender in Premodern ParisRomanic Review 86, no. 2 (May 1995): 357-78.

Seeing, Hearing, Tasting Woman: The Senses of Medieval Reading”  Comparative Literature 46: 2 (Spring 1994): 129-45.

“At the Bottom of Mirage: The Roman de la Roseof Jean Renart” in Feminist Approaches to the Body in Medieval Literature, ed. Linda Lomperis and Sarah Stanbury. University of Pennsylvania Press, 1993: 213-233.

Dismembering, Remembering the Châtelain de Couci” Romance Philology 45, no. 2 (November 1992): 103-124.

Figures for Female Militancy in Medieval FranceSigns: Journal of Women in Culture & Society 16, no. 2 (Spring 1991): 522-49.

“Letter-Writing & Picture Reading: Medieval Textuality and the Bestiaire d’amourWord and Image 5 (1988): 131-47.

Sermo et Juglar: Language Games in Flamenca” in The Spirit of the Court, ed. Glyn Burgess, Manchester: Frances Cairns, 1985, 330-8.

Conter le terme de cest brief: Inscriptions dans La Mort le Roi Artus,” in Actes du 14Congrès International  Arthurien, Rennes, 1985, t. 2, 63-75.

« Le Bel Semblant, Faus Semblants22 Semblants romanesques, » Médiévales 6 (1984): 26-36.

 

REVIEWS

Strange or Elegant or Foul MatterExemplaria, 25, no. 1 (2013): 79-92.

Jody Enders, Murder by Accident: Medieval Theater, Modern Media, Critical Intentions H-France Review 10 (October 2010), no. 156.
http://www.h-france.net/vol10reviews/vol10no156Solterer.pdf

Carol Symes, A Common Stage: Theater and Public Life in Medieval ArrasTheatre Survey 51, no. 1 (2010): 135-37.

Jody Enders, The Medieval Theater of Cruelty: Rhetoric, Memory, Violence Studies in Chaucer, vol. 22 (2000): 474-78.

Sarah Kay and Miri Rubin, eds. Framing Medieval Bodies Speculum, vol. 71, no. 2 (April 1996): 504-08.

Kathryn Gravdal, Ravishing Maidens: Writing Rape in Medieval French  Literature and Law in Medieval Feminist Newsletter 17 (Spring 1994): 16-18.

Marie-Louise Ollier, éd. Masques et déguisements dans la littérature médiévale Speculum 65, no. 2 (April 1990): 472-6.

“A Response to R. Howard Bloch, ‘Medieval Misogyny'” Medieval Feminist Newsletter 6 (1988): 14-5.

Sylvia Huot, From Song to Book: The Poetics of Writing in Old French Lyric and Lyrical Narrative Poetry Romanic Review 79, no. 3 (May 1988): 517-20.