Please refer to the About page for more information about our co-convenors.
Tinashe Mushakavanhu presents a timeline of literary production in Zimbabwe, focusing on 3 critical waves that have shaped the country’s black writing and intellectual traditions. Although Zimbabwean writers have longed for a secure place within the hierarchy of professions, their social status has remained ambiguous. At the same time, even though the successful development of literary infrastructure in the 80s salved persistent anxieties about Zimbabwe’s place in Africa after a prolonged period of isolation under Rhodesia’s unilateral declaration of independence, things disintegrated during Robert Mugabe’s long tenure in power. In this talk, he interrogates the discord and harmony of Zimbabwe’s recent post-independence history through the prisms of his digital archive, readingzimbabwe.com.
Tinashe Mushakavanhu is a writer and editor from Zimbabwe. He is the 2018 Andrew W. Mellon Writer in residence at Rhodes University, South Africa. He is the principal researcher for readingzimbabwe.com.
Photo credit: Argenis Apolinario
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Videos of poetry readings are available here.
Representing Migration Humanities Lab
Friday, February 2nd, 10 am – 3 pm
Perkins Library 218
inTransit: Arts & Migration around Europe
A Workshop, February 1-2, Nasher Museum
How does the history of migration around Europe change when we consider early modern Muslims, their expulsion from Spain, their crossing to North Africa in 1609? When we look Northwards, at thousands of local working men and women along the Channel, besieged by dynastic conflict, uprooted by religious war across French, Flemish, Nederlandish lands?
The inTransit research group takes these 2 cases to investigate because rarely are these peoples conceived as migrants. We focus attention on groups – religious communities and socio-economic classes – whose figures and own expression are missing from a general picture of migration. We choose to do so by way of the arts. The materials of visual and literary culture offer a telling way into this little-known early modern chapter of migration around Europe.
On February 1-2, we’re hosting a workshop to begin pursuing these questions. Colleagues from the Dept. of Romance Studies, Art, Art History and Visual Studies, and the Nasher Museum have invited a small group of cultural historians, artists, and a museum curator to join our investigation. Our approach involves working with creators and critics engaged with the question of migration today. inTransit combines historical research with today’s art practice, and curatorial thinking. And this work focuses on — updates — what continue to be two hot zones for migrants around Europe: the North African-Spanish passage, the Northern, Channel crossing . We believe that such collaborations will help build a fuller history of migration, and help deepen debates around those who face forced migration now.
The opening discussion on the evening, Feb. 1 welcomes the general public and all those interested in the issues, including in the local area.
Raquel Salvatella de Prada will be showing her work in progress, “Cornered,” a video installation that represents the motivation and struggles of African immigrants leaving their home country and making an attempt, most often failed, to cross the border from Morocco to the Spanish cities of Melilla and Ceuta, the only European cities on Africa’s mainland.
Through the workshop, inTransit aims to contribute to the campus and Durham community-wide debate on migration.
It also marks the first phase of preparing a small experimental exhibition with students set for the Nasher, Oct. 1-Jan. 6 2018.
James Amelang, Universidad Autónoma de Madrid:
on the Expulsion of the Moriscos from Spain
Pierre Olivier Dittmar, EEHS, Paris:
on the history of xenophobia in early-modern Northern Europe
Michael Gerli, University of Virginia:
on the Moriscos & Witnessing Genocide
Sara Razza, Guggenheim Museum:
on Art and Migration in the Middle East
Barthélémy Toguo, artist
Laura Weigert, Rutgers University:
on Tapestry & the Fabric of Mobility in early-modern Northern Europe
For more information on the inTransit project as a whole, see: https://intransitduke.org