A new audio performance series has formed under the auspices of the Franklin Humanities Institute. The following narrative is from FHI’s weekly events newsletter:
Sights & Sounds is a series of events using music and sound as a reference point to discuss topics spanning the disciplines.
On Oct 13, 3pm, in C105, Bay 4, Smith Warehouse, aka FHI Garage, Sights & Sounds Theater will kick off with a discussion on Lady Gaga with Profs. Guo-Juin Hong (Asian & Middle Eastern Studies) and Jacqueline Waeber (Music) and FHI program coordinator John Orluk. The first episode will feature Lady Gaga music videos “Bad Romance” and “Telephone” and use them as a basis for an intimate personal exploration of our relationship with photography, movies, fashion, literature, pop culture, sexuality, and more. Undergraduates are especially welcome!
From October 7-31, 2010, multi-disciplinary artist Amy Caron will be in residence at Duke. Her piece, Waves of Mu, will be housed in Schiciano Auditorium and The Studio, in the Pratt School of Engineering, FCIEMAS (Fitzpatrick Center). There is an opening reception scheduled for October 18 (5-9pm). Admission is free and the gallery is open to the public beginning October 19, but you tickets are required to attend the performances (opening night is already sold out).
Caron created Waves of Mu (pronounced myew) with neuroscientist V.S. Ramachandran and leading mirror neurons researchers Lindsay Oberman and Vittorio Gallese. The two-room installation and performance piece informs an audience about cutting edge neuroscience technology and research through experiential learning about these foundational neurological structures. For more information about her integrated approach to “performing” science, here is a small section from Caron’s project rationale:
In terms of presentation, Waves of Mu will defy traditional categories and forge into “new genre” territory in several ways. For one, the performance/exhibition is designed for a small audience. The work’s social aspects and theme of interconnectivity will be most successful with an intimate group. The work also challenges traditional performance boundaries by moving the entire audience between two rooms and further initiating their interaction and participation throughout the show. Braving these logistical challenges is necessary to dissolve the barrier between audience and presentation, which is important for fulfillment the work’s goal to offer an experiential understanding mirror neurons, which are defined as a neuron with properties that can dissolve the barrier between self and other. For Caron, the boundary between audience and performer must be traversed to make the work truly successful.
Keep checking the blog for insights from the director, dramaturg, performers, and the playwright. Soyinka will be back on campus for opening weekend: October 21-24, 2010. Reserve your tickets now at the Duke University Box Office.
On Wednesday, September 23, 2010, the Theater Studies toasted its new departmental office space, 109 Page Auditorium, West Campus. President Richard Brodhead joined in the celebration and offered his thoughts on the importance of theater.
The call for proposals, papers, panels, has just gone out for Performance Studies International #17 (May 25-29, 2011, Utrecht, the Netherlands).
Here is a description of the theme/protocol for the gathering:
Camillo 2.0: Technology, Memory, Experience combines science, scholarly pursuit and art in a five-day program consisting of lectures, presentations of current research (both theoretical and practical), performances, debates, and workshops. In addition, hybrid program components, or ‘shifts’, introduced by participants or initiated by the organisers will pave the way to unconventional presentation situations. This PSi conference is an initiative of the Theatre Studies department at Utrecht University and Utrecht’s annual Theatre Festival aan de Werf. The conference will be organized in collaboration with the Utrecht School for the Arts (HKU).
This is the WordPress blog-in-progress for Duke’s Performance and Embodied Research Colloquium, a collection of faculty and students interested in performance as both methodology and subject of inquiry. Stay tuned for further announcements of upcoming events and guests.