Lit 80, Fall 2013
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Daytripper Novel Response

October 25th, 2013 | Posted by Sheel Patel in Uncategorized - (0 Comments)

Before reading Daytripper, I had never read a graphic novel or even stumbled across one, for that matter. So before delving into Daytripper, I really had no idea what to expect as the only conception I had of graphic novels and comics pertained to super-heros fighting evil.  Never did I imagine that this graphic novel would move me in such a profound way. The novel itself is structured in a very unique way. Initially, each ‘chapter’ or installment of the book was released separately to the public before being collected together to create the graphic novel. The story follows an aspiring author named Bras de Oliva Domingos, the son of a famous Brazillian writer, who writes obituaries for a Brazillian newspaper. Initially Bras feels the burden that comes with his fathers fame and often resents him for it. In the first installment of this novel, Bras eases himself with a drink at a local bar before attending a gala celebrating his fathers achievements. All seems well, before a drastic plot twist takes Bras life at the hands of an armed robber. Right off the bat, this novel causes an uneasy feeling in the reader, but that is what makes it beautiful. Each installment that follows, continues to explain more of the realities that may have been Bras’s life, with his death ending each chapter. Just as the reader starts to become attached to the young writer who’s trying to figure out his life, he is taken away by the hands of death. This unique plot, elucidates far more than just the life of Bra’s.

Death is often a subject that most societies look down upon. A topic that is correlated to darkness, pain, and melancholy. It is a subject most people chose to avoid until it directly effects them. Why is that the case? Why should we shun the idea of death and do everything in our power to prevent it when simply stated, death is part of life. If there are two things that are certain in this world it is that there is life, and life is followed by death. Death is inevitable and necessary to facilitate future life in all realms from humans to plants to single-celled organisms. Death is simply part of living and will be part of everyones life. That idea is what makes Daytripper beautiful. Death is often portrayed as a very saddening event and something people try to avoid, but in the case of Bras, death reaches him at sad times in his life but also at happy times. We may have peaks and troughs in our lives, but together they constitute to our experience on earth and can be ended at any moment. The story of Bras in Daytripper, takes us through these highs and lows of his life and with his death, makes us appreciate these moments in our own lives even more. Through heartbreak, love, success, and pain, we follow Bras de Oliva Domingo’s life and his realization that death will be just a single part of those life experiences, rather than the end. Through heartbreak, love, success, and pain we follow our own lives as well, and hopefully come to a similar conclusion.

This idea of the acceptance of death as part of life can be vividly seen towards the final chapters of the novel, as shown in the annotated pages below.

Chapter 10

Chapter 10

Appropriate to our on-going discussion of (re)mediated temporalities & our interest in mapping time in & across our literary media: A graphic novel strip about the time(s) in/of the graphic novel:

McCloud, Understanding Comics, p104

McCloud, Understanding Comics, p104

McCloud, Understanding Comics, p 104.

McCloud, Understanding Comics, p 104.

 

From Scott McCloud. Understanding Comics: the Invisible Art. New York: Harper Perennial, 1993.

Media Archaeology Chat Reflection

October 22nd, 2013 | Posted by Zhan Wu in Uncategorized - (0 Comments)

After reading Chapter One on the book of Media Archaeology [1], written by Jussi Parikka and subsequently attending a symposium with the same person on Friday, I gained a more comprehensive understanding about media effects in our society, specifically, how the nature of a medium influences us as well as our environment.

One element that Dr. Parikka was talking about during the symposium which I especially liked was the impact, both deleterious and benign, of the physical essence of media in our lives. In terms of ourselves, our habits are concretely shaped by repeated utilization of the same form, or physical essence, as Parikka dubs it, of media. For example, having read more hard-copied books back during childhood, we simultaneously grew more accustomed to the presence of written media that we could touch and hold. Thus it is not surprising that most of us find it more comfortable and maybe even more reasonable to obtain a hard-copy of specific media, whether that be a newspaper, manual, textbook etc., rather than perusing said media on digital devices, such as PCs, laptops, and tablets.

Additionally, detrimental effects of the physical essence of media can be seen by environmental influence, specifically the creation of “dirty energy”, some mediums create in our world. Dr. Parikka talked about how an old watermill in his hometown in Finland got converted into a Google Data storage, and how the storage used hydroelectric energy as well as other forms of power sources to operate on a full scale, possibly polluting the ecosystem at the expense of creating more digital data “clouds” for Google users. Thus, we can see that the transmission of media, often considered invisible, often has an apparent physical essence to it. This physicality of media is also expressed in Neuromancer, where both hardware and software are abundant in the cyberpunk world.

Another very interesting aspect brought up by the authors during our discussion session was that whether a medium would become well-known or obsolete in mostly dependent on accident, which means that the fate of a medium customarily happens by accident, and cannot be physically manipulated into any direction. A classic example is the introduction of SMS text messaging in Europe, with phone companies at that time advertising the many advantages of text messaging. What the companies didn’t realize, however, was that the rapid proliferation of texting was not due to people’s recognition of it as a more advantageous method of remote communication than phone calls or other media, but that texting was simply cheaper and a better way to save money for households. This piece of history strongly demonstrated that how well-known a media can really become happens mostly accidentally.

The graphic-novel Daytripper that we will read and discuss this week in class presents some additional insights into media archaeology by furnishing different accounts of alternate history.

Sources:

[1] Parikka, Jussi, Media Archaeologyhttp://www.ucpress.edu/book.php?isbn=9780520262744. Accessed Oct. 16, 2013