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Monthly Archives: February 2025

Professor Stephanie Anderson featured in Publishers Weekly with her new volume: Women in Independent Publishing: A History of Unsung Innovators, 1953-1989

On February 17th 2025, DKU Assistant Professor of Literature and Creative Writing Dr. Stephanie Anderson was featured in American magazine Publishers Weekly for her new edited volume: Women in Independent Publishing: A History of Unsung Innovators, 1953-1989.

Hot off the press with the University of New Mexico Press, Dr. Anderson’s work showcases an intimate yet thorough oral history that includes interviews with women and nonbinary editors, all of whom injected new voices and perspectives into the literary landscape and approached the publishing process on their own terms. See full details of the interview here.

Purchase the book here.

We are incredibly proud of Dr. Anderson’s achievement and thrilled to see her work receive such well-deserved recognition. We eagerly anticipate the ongoing influence of her scholarship within both academic and literary communities. Let’s all take a moment to celebrate her remarkable accomplishments.

The LilyPad is Recruiting

Gain experience in news writing, editing, interviewing, graphic design, social media marketing, and more. Join the team of DKU’s only student-led newspaper!

Open Positions:

  • Associate Editors
  • Staff Writers
  • Social Media and Design

Applications open until February 28.

Apply here!

Student Report on Archives and History Initiative’s We Rock This City: Live Music Bar Scenes in Urban China – Prof. Andrew Field’s Book Proposal Workshop

By Disty Mahmud (Class of 2026)

On Wednesday, February 12th, DKU’s Archives and History Initiative (AHI) hosted a book proposal workshop featuring Professor Andrew Field, who introduced his upcoming book We Rock This City: Live Music Bar Scenes in Urban China.

The event began with an overview of his book chapter by chapter. The first chapter explores how Filipino musicians serve as intermediaries between Western and Asian societies, demonstrating adaptability by seeking work wherever opportunities are. He then examines the broader phenomenon of globalization and its impact on urban Chinese nightlife and music culture. Field also discusses the clientele, backgrounds, behaviors, and experiences of patrons in China’s live bar scene. He highlights the role of Filipino “cover bands” in shaping the musical landscape of these venues. Another chapter delves into the lives and careers of Filipino musicians, the families they support back home, and the factors that contribute to their success in the industry. It also examines gender differences among performers.

Field also delves into how the pandemic reshaped the live bar scene. The COVID-19 pandemic significantly disrupted the industry, forcing most Filipino musicians to return home, where they had to find alternative livelihoods. Those who remained in China faced job losses and lockdowns. The chapter explores their experiences and efforts to rebuild. He then looks into global networks, and how live music bar scenes in China are connected to global networks of musicians, venues, and audiences. Lastly, the final chapter examines how live bar music culture influences local urban communities and cultural landscapes.

Afterwards, Anjeline de Dois, a guest speaker who joined via Zoom, provided insights and suggestions. She encouraged Field to consider the role of place and musical locality. She also questioned whether Filipino musicians are simply imitating Western music or contributing to its evolution through their performances.

The event concluded with a Q&A session that featured a variety of suggested literature and multimedia resources from the audiences. The workshop attracted a large audience, including both faculty and students. Overall, the workshop saw the attendance of 25 students and 4 members of faculty. They all provided valuable discussions on live music culture in urban China and the significant role of Filipino musicians in this landscape.

Teng Tong 疼痛: Female + Pain Reading Group

Date: 2/20 (Thursday) 6:30-7:30 pm

Location: AB1075A(HUM Space)

Introduction:

Pain, both physical and psychological, is one of the most complex emotions and experiences. In late imperial China (17th to 19th century), shaped by cultural and historical contexts such as Confucian hierarchy and the practice of footbinding, women experienced pain in ways distinct from their male counterparts and from contemporary understandings. This created a unique discourse around gender, the body, and historical conditions. In this reading event, we will begin by exploring two books by historian Dorothy Ko: Teachers of the Inner Chambers: Women and Culture in Seventeenth-Century China and Cinderella’s Sisters: A Revisionist History of Footbinding. Following the reading, we will open up a discussion on the intersection of female experience, pain, and the gendered body.

All are welcome. Pizza and refreshments will be provided on-site. Scan the QR code to join the group and stay updated on future events.

Student Report on Reading Group for “Censoring ‘Rainbow’ in China”

By Yaxuan Wang, Class of 2027

On Friday, February 14, 2025, DKU faculty, staff, and students gathered for our first reading group session, which focused on the article “Censoring ‘Rainbow’ in China” by Jamie J. Zhao. We were excited to welcome both returning participants and new faces, including several first-year students.

The session began with an introduction by Professor Zhenjie Weng, who outlined the article’s main themes. The article discusses the censorship of LGBTQ content in Chinese media. Scenes featuring gay romance and LGBT pride symbols were cut, reflecting China’s complex stance on LGBTQ rights, particularly in its media. Professor Weng also introduced the broader context of LGBTQ censorship in China, including state-enforced regulations and the struggles faced by LGBTQ individuals and communities in the country.

Following the introduction, participants engaged in a discussion on the different media censorship policies across various countries, especially with regard to LGBTQ representation. The conversation emphasized the fluid nature of these policies, particularly in China, where censorship practices have shifted over time yet remain influenced by political and ideological factors.

A key point of discussion was the role of Hunan TV, a Chinese media company that, despite its censorship of certain LGBTQ content, has been known for featuring LGBTQ celebrities on its shows in recent years. For example, the 2018 participation of openly queer artist Adam Lambert in the Chinese singing competition Singer was examined as an interesting case of global LGBTQ representation being commercialized for entertainment purposes, despite the Chinese government’s more conservative stance on LGBTQ issues.

Participants also discussed the cultural tensions surrounding LGBTQ representation in China, particularly in relation to how Chinese media balances commercial interests with political control. The group also broadened the conversation to include public opinions on LGBTQ issues in China, referencing popular Chinese television shows like The Untamed (陈情令) and idol-genre dramas (养成系), which often depict LGBTQ themes but avoid directly addressing LGBTQ identities. These shows provide nuanced portrayals of gender and sexuality, but often understate or erase political and social implications, raising questions about how media in China presents LGBTQ culture in a non-threatening, marketable way.

The session concluded with a lively group activity where participants brainstormed strategies for creating more inclusive spaces in Chinese media and education. The activity allowed participants to reflect on the complexities of LGBTQ representation in China, particularly in light of the political climate and the evolving relationship between global pop culture and state censorship.

The event was organized by Dr. Zhenjie Weng, Assistant Professor of English Language Education, and Dr. Yanan Zhao, Senior Lecturer of English for Academic Purposes, from the Language and Culture Center, and was sponsored by the Humanities Research Center. Student worker Yaxuan Wang also contributed to the success of the event. Our next reading group session will be held on March 28, 2025.

Queer Visual Culture in Advertising: Amaryllis du Japon

You’re Invited! Join us for a thought-provoking talk at HRC’s Gender Studies Lab!

Date: March 25, 2025
Location: IB 1047

Time:• 4:30–5:30 PM – Student Workshop • 5:30–7:00 PM – Talk

Speaker: Professor Hyounghee Kong
Topic:Scenting Sapphic Elegance and Queer Promises: Advertisements for Amaryllis du Japon (1891-94)

This talk explores the advertising campaign for Amaryllis du Japon, a fin-de-siècle fragrance by Delettrez, as a case study of homoerotic visual culture targeting middle-class women. Professor Kong will analyze the campaign beyond heteronormative frameworks, revealing both its homoerotic appeal and the contemporary anxieties surrounding such desires.

Plus, rumor has it… PIZZA & BOBA will be provided!

Join Us for a Public Lecture with Stanley Kwan!

We are excited to invite you to a special public lecture featuring award-winning filmmaker Stanley Kwan (關錦鹏), moderated by Professor Crystal Kwok. This is a unique opportunity to explore themes of sexuality, gender, and desire in Kwan’s iconic films, including RougeCenter Stage, and Lan Yu.

Date: February 17
Time: 12:30 PM
Location: CPD-2.58, Central Podium Level 2, Centennial Campus, HKU
Join via Zoom : Please scan the QR code to access the Zoom meeting.

This event is open to all—no registration required! Don’t miss this engaging discussion on how the body performs the past and how Kwan’s films navigate sexuality in a male-dominated society.

We look forward to seeing you there!

Student report on the DKU-Duke joint seminar:Exile, Diaspora and Empathy

By Ruixiang (Claire) Hu (class of 2027), Felipe Silvestri (class of 2026), and Philip Yanakiev (class of 2027)

On January 24, 2025 on the Duke University campus, the “Diaspora, Exile and Interreligious Dialogue” Bass Connections project at Duke University teamed up with the DKU Humanities Research Center “Para-politics of Empathy” project for a joint seminar. The seminar was led by Professor Kolleen Guy and Professor Jay Winter and the Bass Connections interdisciplinary project team-lead Professor Malachi Hacohen, Professor of History and Religion, and Director of the Religions and Public Life Initiative at the Kenan Institute for Ethics.

The seminar explored the limits and possibilities of empathetic action as a form of para-politics by looking at case studies of stateless refugees in Asia and the Pacific during the period of the Second World War. The case studies emerged from a project initiated in 2022 and funded by the HRC that engaged faculty, student-researchers, and eventually led to Signature Work projects. This collaborative work culminated in a book entitledStatelessness after Arendt: European Refugees in China and the Pacific during the Second World War, which focuses on the stateless using Arendt’s ideas and applying them to the Asia and the Pacific. Nine DKU students participated in the project as research assistants. Their research shows that stateless people weren’t powerless—they often created their own ways of living and organizing, even without official recognition. In Asia, the project shows that being stateless was not a uniform experience, but a variety of possibilities reflecting the political structure of the states and cities in which refugees found shelter. The book, scheduled for publication in May 2025, highlights how these individuals found ways to shape their own futures.

The joint Duke and DKU seminar at Duke extended key arguments from the book to examine how different actors — “agents of empathy”— assisted the stateless in reclaiming their rights. Through grass-roots initiatives from below, these actors used empathy to bring those politically exiled, who have been pushed to the margins of society, back into the political realm. Professor Guy and Winter argued that empathy is key to understanding their actions. Drawing on ideas from cultural theorist Raymond Williams, they argue that empathy can combine emotion and thought to drive meaningful change. Two key concepts emerged in the seminar: the realm of parapolitics, a term usedby Professor Winter that describes political actions by the stateless in order to gain back their rights; and Professor Guy’s agents of empathy, outsiders who acted as catalysts of parapolitical life by mobilizing refugees’ efforts to regain the pathway back to the political. These were not just individuals who constructed parapolitics, but those who aided the stateless; those who mixed thought and action in an effort to highlight and transcend the tragedy of the stateless.

With the 8:30 a.m. sun casting a glow over Duke’s stunning Gothic architecture, Professor Winter began with an excerpt of Hannah Arendt’s poem on exile. Addressing an audience of Duke professors, graduate students, and undergraduates from both Duke and DKU, he pointed out the stanza’s inherent oxymoron: how can one long for a state that has rejected them? This is the paradox that faced Hannah Arendt, who wrote seminal worksOn TotalitarianismOn Revolution, and Eichmann In Jerusalem. As an Aristotelian, she presents a bifurcated worldview; the rise of the totalitarian state did not come suddenly, it was a process that had been gathering momentum for a long time and culminated in the interwar period. Arendt sees their despair as pariahs, where their exclusion from the political realm is the gravest consequence and compassion and empathy are useless emotions. The thesis Winter advanced is that Arendt’s rejection of emotion in political action, especially in light of the plight of refugees and the failure of the interwar nation-state system, is a flawed reflection of her own despair at being a pariah in a world of nation states that had no place for her and for millions like her.

Professor Winter, drawing on Arendt’s work on statehood and totalitarianism, describes how there is no arguing against her logic until the conclusion.She leaves us with only silence when she describes the plight of the stateless.  She was unable to draw on the political sophistication of the stateless and their tendency to come together in social and religious groups to perform their statelessness.  Arendt was completely “deaf to religious life”, and the core religious concept of paradox was unacceptable for her. Professor Winter explained the clear push towards the secular in Arendt’s work; noting she renounced everything specifically Jewish and European and became overly American in the process, with no record of ever having gone to a synagogue or other religious activity at any point in the US. Arendt was in the dual position of both philosopher and stateless. Approaching the stateless, she was both an insider and an outsider, and left out the rich social and cultural world she herself knew at the time. And in particular, for her, emotion played no role in achieving any political program. What Guy and Winter term ‘parapolitics’ was outside of her political thought. 

Professor Kolleen Guy then presented Laura Margolis’ case study, as an agent of empathy. Her story illustrates what[how] Parapolitics looks like, not as merely political action, but also as emotional commitment. She argues that it is precisely emotion that makes these agents effective, a rejection of Arendtian conception of the dangers of empathy. Laura Margolis was a transnational agent of empathy. She toiled tirelessly all over the world, helping the stateless in Shanghai between 1941 and 1943. The case study focused on her work in Shanghai with Jewish refugees arriving in the treaty port. Angered at the situation of those who had lost their statehood, Laura Margolis channeled this into effective action and thus became a force against bureaucratic restrictions facing the refugees. In Shanghai, she was responsible forfeeding about 20,000 Jewish refugees. To ensure the soup kitchens under her supervision remained open, she employed “cocktail dress diplomacy” while combining pragmatic commitment and emotional engagement. Her case shows how empathy informs political action; how one can be empathetic and drive social change; how one can offer refugees a pathway out of their isolation and indignity. 

Professor Winter concluded the meeting with the story of the Mir Yeshiva. Originally a Lithuanian yeshiva in Byelorussia, it was the most esteemed place for studying the Torah in Europe. With the Soviet advance, its members fled to Lithuania in 1940. Caught between Nazi Germany and the Soviet Union, the yeshiva turned to Rabbi Chaim Ozer Grodzinksy, an esteemed religious figure, for a reading of the Torah and Talmud to guide them through these troubling times. He found no clear answer in these texts, and concluded that it was best to wait the war out in Lithuania. The students at the yeshiva, however, believed that survival trumped everything else and started making arrangements to flee to the Far East. A key figure in the process was the Japanese consul in Lithuania, Chiune Sugihara. He provided all 350 students with transit visas, and with them. They had little food and freedom of movement, especially at the start of their sojourn. They lived in a synagogue built by the crooked businessman Silas Aaron Hardoon that no other Jewish resident or refugee in Shanghai would touch. At last, in 1947, all Jewish refugees were expelled from Shanghai by the Nationalist government and the students of the yeshiva re-settled in Israel and the US. Their deep-rooted spiritual life was such that none was willing to recount their escape to the East, as it contravened the teachings of their holy leader. The Mir Yeshiva’s example thus offers an alternative perspective on parapolitics: it is not confined solely to those within the political sphere who can reintegrate outsiders, but it can also empower those on the margins in reclaiming their full political identity.

After Professor Guy and Professor Winter presented the two case studies, the floor was open. A lively discussion ensued. Professor Malachi Cohen and graduate student Avital Schkolnik observed that Arendt herself maintained a complex relationship with faith, particularly Judaism, and noted significant internal debate within the Jewish community at that time. Postdoctoral Associate Reut Israela Ben-Yaakov also added to the discussion, bringing forwardthe Frankfurt School’s view on religion, especially Walter Benjamin and Horkheimer’s conceptions of religion. Former DKU student Muhammad Usama (Class of 2023), now pursuing a doctoral degree in History at Duke University, also participated in the dialogue.

We would like to extend our warm thanks to the Diaspora, Exile and Interreligious Dialogue Bass Connections project at Duke University for hosting the joint seminar. We would also like to thank the Humanities Research Center at DKU for their continuous support for scholarly research.

Join Us for an Engaging Talk with Julie Chun!

Time: Friday, 28 February 2025, 7:00 pm to 9:00 pm

Location:99 Fucheng Road (near Dongchang Road) 震旦博物館, 富城路99号震旦大厦1楼, 近东昌路 Shanghai, China

To register, please scan the QR code below.

We continue our insightful 2024-2025 series China’s Arts and Aesthetics of the Past by delving into the material culture of the recent and distant history to assess how objects ranging from imperial patronage to utilitarian handicrafts have shaped China’s aesthetics through the ages.

In this unique session of night-at-the-museum, please join Art Historian and Art Focus Convener Julie Chun as we explore the emergence of ancient sculptures in China. We will discuss and examine the fragmentary evidences of abstract and figurative signifiers that were originally constructed as religious and funerary markers, reliquaries, steles, and monuments but eventually became ensconced as “art.” How did these site-specific objects from sacred caves, religious temples and even personal tombs find their way into museums and private collections? More importantly, what do these artifacts reveal about the context in which they were created, utilized and even venerated? And how did some of these objects articulate hierarchies of power beyond their purpose as spiritual objects of guidance? These aspects can be embodied in Buddhist imageries, many of which were constructed with iconographical standards set by devout monks, some who even wielded great influence at court. As a foreign doctrine to China, Buddhism is derived from the lives and teachings of Siddhartha Gautama, who lived during the 6th or 5th century BCE. His doctrine spread from South Asia to many regions in Asia, and beyond, to influence societies and civilizations throughout history with the compelling aid of visual imagery. Come join us as we study how Buddhist iconographies incorporated diverse ranges of foreign and local elements to assist devotees to elucidate an abstract concept as a visible and personal belief system.

Speaker’s Bio:

JULIE CHUN
Art Focus Convener at Royal Asiatic Society China
 

Julie Chun is a trained Art Historian and Art Critic based in Shanghai since 2011. She lectures about the state of art and museums in Shanghai for diverse foreign associations, including for the foreign Consulate General offices. She has taught East Asian art history as an Adjunct Professor at global programs in Shanghai and is a regular contributing writer for Yishu Journal of Contemporary Chinese Art. Her art reviews and criticisms have been published in academic journals and online art journals in China and internationally. Since 2013, she serves as the Art Focus Convener of the Royal Asiatic Society in China where she devotes her time to expanding the public’s understanding of artistic objects, past and present.

*** Members of the DKU community are invited to attend at a discounted rate of 100RMB including two drinks.

Come explore history and engage in thought-provoking discussions!

Join Us for an Engaging Talk with Prof. Titas Chakraborty!

Interested in labor, gender, and migration in history? Don’t miss the chance to hear from Prof. Titas Chakraborty, a historian specializing in 18th-century South Asia. She will share insights from her research on hired labor, slavery, and resistance in the East India Company era.

Time: Saturday, Feb 15, 3:00-5:00 pm

Location: Sketchyard Cafe (Next door to the RAS reading room) Dong’an Road 888, Haoshang Bay Building 13 F1, Shanghai, China

To register, please scan the QR code below.

The Royal Asiatic Society was founded in London in 1823, following the establishment of its predecessor in India, the Asiatic Society of Calcutta. At this time the British Empire in India was dominated by the English East India Company (EIC), which had been established in 1600 and functioned as a de facto colonial state until 1858. This talk explores the cultural worlds of both indigenous and European workers of the EIC during the period that led up to the establishment of academic societies such as the RAS.

While the religious and cultural worlds of monks, rulers, and merchants of the eighteenth century are relatively well known, the cultural and religious life worlds of ordinary workers remain much less researched even though they provide key insights into the transition to colonial rule in the region. Often at odds with interests of the EIC, workers’ cultural and religious practices constantly undermined the EIC’s efforts to streamline the labor market in India. For example, European soldiers converted to Islam, to escape the EIC and work for local rulers who paid better wages. The spiritual and mystical practices of Indian boatmen, as another example, often evaded British colonial classifications as either “Hindu” or “Muslim.” Such practices left their documentary trail not only in the archives of the EIC and other European companies but also in indigenous literature, religious texts, art and architecture.By the early nineteenth-century the EIC reined in this pluricultural world of work by creating a judicial and law enforcement mechanism that simultaneously fostered racial and religious divisions amongst and between European and indigenous workers as well as subjected all workers to iron-handed labor discipline. The workers thus transitioned into being subjects of the new colonial state, severed from a pre-colonial culture of work, through an experience of great violence.

Speaker’s Bio:
Titas Chakraborty Assistant Professor of History at Duke Kunshan University

A historian of labor, gender, and migration in 18th-century South Asia, Titas Chakraborty specializes in South Asian, labor, and world history. At DKU, she teaches courses on migration, inter-Asian connections, and world history. Her book project, Empire of Labor, examines the transformation of hired labor in Bengal through European and indigenous workers’ experiences. She has also published on slavery, the slave trade, and resistance in East India Company settlements. She holds a Ph.D. from the University of Pittsburgh and was a Postdoctoral Research Fellow at the University of Texas at Austin (2017–2018).

*** Members of the DKU community are invited to attend at a discounted rate of 100RMB including two drinks.

Come explore history and engage in thought-provoking discussions!