Our interdisciplinary work aims to show how theology can reinvigorate the arts, and how the arts can reinvigorate theology. Watch a short video to learn more.


Faculty Research

Professor Jeremy Begbie has for many years pursued sustained research and publication, especially in the field of theology and music. His recent publications include:

Music, Modernity, and God: Essays in Listening (Oxford:Oxford University Press, December 2013)

“The Future of Theology Amid the Arts: Some Reformed Reflections” in Christ Across the Disciplines: Past, Present, Future, ed. Roger Lundin (Eerdmans, 2013)

“Natural Theology and Music” in The Oxford Handbook of Natural Theology, ed. Russell Re Manning (Oxford University Press, 2013).

ThD Student Research

Also at the heart of DITA is a cohort of doctoral students who meet regularly to encourage each other, examine recent writing, and share samples of their own emerging work. Students are pursuing a range of research projects, including:

  • 16th century iconoclasm and accompanying early modern understandings of the image, idolatry, and sacramental theology
  • The consequences of a covenantal, Christ-centered doctrine of creation for the practices of art-making
  • Theology, architecture, and the built environment, specifically their role in shaping Christian worship, identity, and imagination
  • Theological aesthetics as practical theology, essentially considering the place of beauty in the normal Christian life
  • The intersection of theology and music, with a particular emphasis on modern aesthetics
  • How the arts shape our identities, including race and gender, and how this interacts with Christian formation

Duke-UK Collaboration

Since 2009, DITA has promised a research collaboration between Duke University and Cambridge University in the UK. The first phase culminated in the April 2014 performance of James MacMillan’s St. Luke Passion.

Documentary Video

The second phase, entitled “Theology, Modernity, and the Arts” addresses the question of how the arts can contribute to the theological narration of modernity, particularly a narration that employs New Creation in Christ as a guiding integrative vision. The goal of this second phase is to produce a series of publications, commissioned art works, and online resources over a four-year period from 2015- 2018.

The project aims to demonstrate:

  • that the arts can bear their own kind of witness to the theological dynamics that have characterized and shaped modernity
  • that arts of modernity can give voice to particular questions, cultural quandaries or impasses that call for, and have already called for, scriptural and creedal responses rooted in a theology of New Creation
  • that the arts can open up ways of addressing and moving beyond some of the intractable dilemmas and pathologies which have hampered modern theology
  • that the Scriptural theme of the New Creation, realized and promised in Christ, has immense potential for elaborating a theological treatment of the trajectories of modernity, a potential neglected or underdeveloped in many of the existing accounts.