The color correction tools built into most editing software are obviously useful for fixing glaring problems with variables like exposure and white balance, but spending a few minutes applying simple correction can make even decent looking video pop. Video scopes can be intimidating at first, but, once understood, they make color correction a breeze and eliminate second guessing. There are plenty of introductory primers to what video scopes are and how they work. I like this one, for example.
Checking video scopes is a regular part of my post production process, and I almost always end up making at least minor tweaks. Everyone has their own approach to color correction, but I’ll share my own basic, default workflow here as an example.
I begin by adjusting luminance using the waveform monitor. I first set the white (top line) and black (bottom line) levels. I can then adjust the midtones as needed to get an even spread of points throughout the scope.
Next, I adjust the saturation level if needed to add some vibrance to the image, and, finally, I check the color using the vectorscope. To make this step easier, I zoom in on parts of the image to isolate useful colors for correction (whites, blacks, and skin tones). I can then adjust the color to sit where it belongs on the scope (center for shadows and highlights and the skin tone line for the skin tones).
And that’s it! The process only takes a minute or two and can make a good image look even better.