Mafia at the Movies Syllabus

January 8. Introduction to the course

January 13. Before Cinema

Readings

  • John Dickie, “The Genesis of the Mafia 1860–1876,” from Cosa Nostra: A History of the Sicilian Mafia, pp. 35-68.
  • Giovanni Verga, “Rustic Chivalry.” Available here.

January 15. Before Cinema

Readings

  • John Dickie, “The Mafia Enters the Italian System 1876–1890,” from Cosa Nostra: A History of the Sicilian Mafia, pp. 69-87.

Movie

  • Francis Ford Coppola, The Godfather Part 3 (1990). Available here.

January 20. Martin Luther King Holiday. No Class.

January 22. The Mafioso and the Anglo-Saxon: Early Cinema in the US

Readings

  • John Dickie, “The Mafia Establishes Itself in America 1900–1941,” from Cosa Nostra: A History of the Sicilian Mafia, pp. 161-190.

Movie

  • Francis Ford Coppola, The Godfather Part 2 (1974). Available here.

January 27. The Mafioso and the Anglo-Saxon: Early Cinema in the US

Film Shorts

  • Wallace McCutcheon, Black Hand: The Story of a Recent Occurrence in the Italian Quarters of New York (1906). Available here.
  • Sidney Olcott, Poor Little Peppina (1916). Available here.

Readings

  • Madison Grant, “Introduction to the Fourth Revised Edition” (pp. xxvii-xxxiii) and “Race and Language” (pp. 69-75) from The Passing of the Great Race: Or, The Racial Basis of European History (1916). Available here.
  • “Introductory” (pp. 1-12); “Italian” (pp. 81-85); “Sicilian” (pp-127-128), from Report of the Immigration Commission: Dictionary of Races of Peoples (1911). Available here.

January 29. Can the Mafioso Speak? Classic Hollywood

Movie

  • William A. Wellman, The Public Enemy (1931). Available here.

Readings

  • Maurice, Alice. “‘Cinema at Its Source’: Synchronizing Race and Sound in the Early Talkies.” Camera obscura (2002). Available here.

February 3. Can the Mafioso Speak? Classic Hollywood

Movie

  • Mervyn LeRoy, Little Caesar (1931). Available here.

Readings

  • Robert Warshow, “The Gangster as Tragic Hero,” Partisan Review (1948). Available here.

February 5. Can the Mafioso Speak? Classic Hollywood

Movie

  • Howard Hughes, Scarface (1932). Available here.

Readings

  • Yogurts, Chris. “Hughes, Hawks, and Hays: The Monumental Censorship Battle Over Scarface.” The Journal of American Culture (2017). Available here.

February 10. The Mafia Movie Goes to Italy

Movie

  • Francesco Rosi, Salvatore Giuliano (1961). Available here.

Reading

  • John Dickie, “War and Rebirth 1943–1950,” from Cosa Nostra: A History of the Sicilian Mafia, pp. 191-216.

February 12.  Just Business!

Movie

  • Alberto Lattuada, Il mafioso (1962). Available here.

Readings

  • Peretti, Luca, “Mafia, Mobility, and Capitalism Circa 1960,” in A Companion to the Gangster Film (2018). Available here.

TAKE-HOME MIDTERM EXAMINATION

February 17. Just Business!

Movie

  • Francis Ford Coppola, The Godfather. Part I (1972). Available here.

Reading

  • Freedman, Carl, “The Supplement of Coppola: Primitive Accumulation and the Godfather Trilogy,” Film International (2011). Available here.

February 19. The Second Mafia War

Movie

  • Damiano Damiani, How to Kill a Judge (1974). Available here.

Reading

  • John Dickie, “The Origins of the Second Mafia War 1970–1982,” from Cosa Nostra: A History of the Sicilian Mafia, pp. 259-292.

February 24. Hollywood Goes Ethnic (Again)

Movie

  • Martin Scorsese, Goodfellas (1990). Available here.

Reading

  • Lopes, Paul, “The power of Hyphen-Nationalism: Martin Scorsese’s sojourn from Italian American to White- Ethnic American,” Journal for the Study of Race, Nation and Culture (2017). Available here.

February 26. Business, Again

Movie

  • Brian De Palma, The Untouchables (1987). Available here.

Reading

  • Pelan, Tim, “Gang Wars, the Prohibition Menace: Brian De Palma’s ‘The Untouchables’.” Available here.

March 3. Business, Again

Movie

  • Martin Scorsese, Casino (1999). Available here.

Reading

  • Moloney, Ciara, “‘Why Don’t You Go Down to Wall Street and Get Some Real Crooks?’: Capitalism and Masculinity in GoodFellas, Casino, and The Wolf of Wall Street,” Journal of Film and Video (2023). Available here.

March 5. The Rise of the Anti-Mafia Movie

Movie

  • Marco Tullio Giordana, I cento passi (2000). Available here.

Readings

  • John Dickie, “Bombs and Submersion 1992–2003,” from Cosa Nostra: A History of the Sicilian Mafia, pp. 311-338.

March 10-12. Spring Break

March 17. The Discreet Charm of the Mafia

Movie

  • Mike Newell, Donnie Brasco (1997). Available here.

Readings

  • Yacowar, Maurice, “Love vs. honour; Donnie Brasco and Sling blade,” Queen’s Quarterly (1997). Available here.

March 19.  The Discreet Charm of the Mafia

Movie

  • Ridley Scott, American Gangster (2007). Available here.

Readings

  • Rambsy, Kenton, “Close-Up: Hip-Hop Cinema Jay Z’s American Gangster,” Bloomington (2017). Available here.

March 24. Men

Movie

  • Brian de Palma, Scarface (1983). Available here.

Readings

  • Bogue, Ronald, “De Palma’s Postmodern “Scarface” and the Simulacrum of Class,” Criticism (1993). Available here.

March 26. Men

Movie

  • Lina Wertmüller, The Seduction of Mimi (1972). Available here.

Readings

  • Rakopoulos, Theodoros, “Two kinds of mafia dependency: on making and unmaking mafia men,” Social Anthropology (2020). Available here.

March 31. Women

Movie

  • Roberta Torre, Angela (2002). Available on WarpWire here.

Readings

  • Baris, Cayli, “Performance matters more than masculinity: Violence, gender dynamics and mafia women,” in Aggression and Violent Behavior (2016). Available here.

April 2. Organized Crime Goes Global

Movie

  • Matteo Garrone, Gomorrah (2008). Available on WarpWire here.

Reading

  • Balsamo, Antonio, “Organised crime today: the evolution of the Sicilian mafia,” Journal of Money Laundering Control (2006). Available here.

April 7. The End?

Movie

  • Martin Scorsese, The Irishman (2019). Available on WarpWire here.

April 9. In Class Presentations

  • Group 1
  • Group 2.

April 14. In Class Presentations

  • Group 3
  • Group 4.

April 16. In Class Presentations

  • Group 5.
  • Group 6.

April 21. In Class Presentations

  • Group 7.
  • Group 8.

April 23. In Class Presentations

  • Group 9.