Center for Comparative Philosophy

Frank Saunders Jr is a PhD candidate in the philosophy department at the University of Hong Kong.

Do the Moral Characters of our Leaders Really Matter?

The rulers of the ancient Chinese warring states had absolute authority over their subjects, and were therefore principally responsible for their well-being. The Confucian and Mohist political thinkers of the Warring States period developed the idea that a ruler can lead his people to order and prosperity only if he cultivates his virtue or moral character (de 德). (more…)

Jordan Jackson received his BA and MA in Philosophy from the University of Cincinnati, and a second MA in Chinese Philosophy from Huazhong University of Science and Technology in Wuhan.  He is currently working as a teacher in Wuhan while he prepares to pursue a PhD in China.

Wuwei and Radical Action

Traveling home for Christmas holiday, on a flight from Shanghai to Detroit, I had the chance to watch The End of the Tour (James Ponsoldt, 2014), a film centered around David Foster Wallace (played by Jason Segel) and a Rolling Stones journalist (Jesse Eisenberg) on the last leg of the Infinite Jest book tour.  As the characters board a flight headed for Minneapolis, the character Wallace said something that struck a nerve in me. While discussing his solutions for reversing a low point in his life, Wallace describes his various strategies as, “a very American I-will-fix-this-somehow-by-taking-radical-action sort of thing.” (more…)

Xuenan Cao is a 3^rd year Ph.D student in the Literature Program at Duke University.

Empathy and Well-Being

To concern oneself with the well-being of others, as in cases of altruism and charity, is one act. To empathize with imaginary characters or characters from a different culture is a rather similar act, since this act also participates in framing how one perceives the well-being of others. In such an act, what appears to be an aesthetic issue can be, in fact, an ethical one. (more…)

Seth Robertson is a PhD student in Philosophy at the University of Oklahoma focusing on moral psychology. 

Nunchi

Nunchi (눈치, pronounced “noon-tchee”),  a Korean word meaning literally “eye-measure,” isn’t widely considered a virtue, but it should be. Nunchi is the ability both to accurately read others’ mental states by the subtlest of cues and to use this information to expertly steer social situations. The person who notices the tiniest twinge of discomfort on a colleague’s face when a new topic is broached, and then deftly steers the conversation away from that topic has lots of nunchi; the person who always puts his foot in his mouth lacks it. Nunchi is both perceptive and performative. It is not quite social or emotional intelligence and not quite tact, but it includes them. (more…)

Ewan Kingston is a PhD student at the Department of Philosophy, Duke University.

Sympathetic joy

In a traditional Indian teaching preserved in Buddhism, the path to a fulfilling life consists of practicing four virtues – kindness, compassion, equanimity and… mudita. The last lacks an obvious English translation, a hint that perhaps Western culture could use more reflection on it.

Mudita is probably most easily explained by considering those that stand in opposition to it: sour grapes, envy and schadenfreude.  We know what it is to disparage someone else’s good fortune, or to desire it for ourselves, and even to rejoice in in an enemy’s suffering.  To embody mudita, in contrast, is to rejoice in another’s happiness, to feel genuine joy at their joy. Thus, a common translation of mudita is “sympathetic joy”. (more…)

Chong Yuan is a Graduate Student in Philosophy at St. Louis University. He describes himself as a “perplexed feminist learning to run”.

Now that you are reading this blog, I assume that you care about virtue, culture, and the interaction between them. If that is the case, I urge you to watch Danqing Chen’s mini TV series “Ju Bu” (Of Parts). It was first aired on Youku.com in 2015, and in each episode Chen presented some artwork (mostly paintings) or artist in the light of his own philosophy of art. The program as a whole is a marvelous display of the virtues of the artworks as well as of the artists, and it is all the more fascinating as Chen drew examples all the time from the histories of both Western and Chinese art.

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