r12: Poetry off the Page

In a digital world, many people wonder if books will be replaced by pixilated text. While a digitized form may not be the best manner to present a full-length book, shorter pieces of work may benefit from the combination of text, audio, and video. Digital poetry, Internet poetry, or “poetry off the page” is a new realm of creative writing we must explore in this technological era. My essay took the form of an iMovie, which wove together examples of digital poetry, emphasizing how the internet could transform something from just text to something more.

The original idea for my essay was sparked by a youtube video of Otep preforming “Baby’s Breath.” In the comments section, there were varying opinions concerning whether or not the video was poetry. I initially wanted to make the argument that more things are poetry than we realize, and that poetry isn’t necessarily constructed in ABAB rhyme. Music, writing, video: all of these things can be poetry in their own way; however, the question of “what is poetry” seemed too expansive to cover in a single essay. For that reason, I narrowed my focus to “what is digital poetry.”

Working with iMovie proved to be a struggle. Often times the program would crash (in fact, it gave me great difficultly this morning when I tried to export my video), freeze, or simply be unresponsive. In addition, I had never worked with iMovie before, only having the class tutorial to guide my work. Regardless, I managed to compile a series of poetic examples into an eleven-minute movie, letting the words, audio, and video speak for itself. On my second draft, it seemed that more text and explanation was required, and I tweaked my movie, replacing examples, finding new audio, and, most importantly, adding text. The result is uploaded on youtube.

Obviously, working with iMovie gave me several advantages to working with a text. The inherent nature of digital poetry would not be conducive to a standard essay form: I could describe the interactive nature of some of the poems, but you would not be able to see me interacting with them. You would not be able to hear poets speaking or watch performances of poems. Therefore, the major affordance of working with a digital form of writing was to go beyond merely describing my examples–to actually show the readers a digital poem.

r10: Web 3.0 and Google’s Downfall

While searching the internet for articles, I came across this one: “Is the social web an asteroid for the Google dinosaur?” (now that’s an effective microstyle title). Intriguged, I continued to read. Essentially, this opinion article addresses Google’s attempts to keep up in a Web 3.0 world, i.e. one dominated by social media.

A few years ago, Google dominated Web 2.0, which was based on “searches” and “links.” With the advent of social media, however, the search engine has had difficultly finding it’s footing. In this new browsing experience, people are referred to webpages via Facebook, rather than Google searches. For that reason, Google+ was born: an unimpressive attempt to compete with pressures from Facebook.

One thing to take away from this article is the transient nature of the internet. Remember when Myspace was the social media site? Also, remember when search engines (Ask.com, Yahoo) reined supreme? Now it seems like I get my news via statuses and shared links; for example, I found out about the death of Osama Bin Laden through Facebook. Another example: Twitter crashed on January 1st from an influx of “Happy New Years” tweets. Does this mean that the Google empire will eventually fall?

In all, we spent a good bit of time talking about Web 2.0 in class, but I think Web 3.0 and the advent of social media deserves equal attention. Facebook, and site like it, are drastically altering the way we share and receive information.

r8: Blog Favorites

Chinny’s blog, #socollegelol, is hilarious. The best part of her voice is that it’s not even hers: it’s the creator of a meme page, a frat bro, and the typical, overworked Duke student. From the post Food (Die)ries:

“So like, I only ate like, half a cup of granola, and then like, half a banana, like, I would have eaten like, the whole banana, but like some of it was brown so I was all like ew w ew and I took it off and then I was like yes! fewer calories! but then I like totally had a bite of Rebecca’s brownie cause like it was her birthday but like, that can’t be too many calories right? Ugh, I just don’t know honey, should I get a salad or would that just be too much?!”

Seriously. I feel like this describes a good portion of Duke girls. Or maybe it doesn’t. Maybe I’m just overgeneralizing–making a stereotype–which is the whole point of the blog. As Chinny says: it’s comedic, sarcastic, and even educational.

Contrasting nicely is Allison’s blog, A Crazy Obsession. Taking a more informative stance on blogging, Allison explores various aspects of working out at Duke. Here she offers advice, best practices, and motivational tips. From the post, Capitalize on the Chorus:

The biggest issue that people find with interval workouts, however, is motivation. It’s very difficult to motivate yourself to do sprint intervals when you don’t have a coach or a personal trainer barking at your back or breathing down your neck ordering you to go faster or to push harder. I think we can all agree that it’s much nicer to simply settle into a certain level and pace, hang on of a little while, and then leave telling yourself you put in the adequate amount of time.

…Unfortunately, it’s not just about quantity, my friends, it’s about quality.

Writing about an “obsession” with exercise can certainly scare readers, but I think Allison does a nice job of balancing information with a light tone. I’ve caught myself thinking “hey, that sounds like me!” several times.

I think the best part of these blogs is their relatability. While they both have the capability of alienating their readers, they approach the problem (in different ways) and overcome it effectively. In the end, I think that’s what made them so enjoyable to read.

Digital Essay Proposal

Subject and slant: I want my essay to answer the question: what is poetry? I thought about this while watching Otep preform “Baby’s Breath.” In the comments section, there were varying opinions concerning whether or not the video was poetry. I want to make the argument that more things are poetry than we realize, and that poetry isn’t necessarily constructed in ABAB rhyme. Music, writing, video: all of these things can be poetry in their own way. For example, is rap music considered poetry? I would argue, for some, yes.

Format: I would like to make a YouTube video using iMovie. Since many of the things I want to include are audio and video based, I think this would be the best format to use. There is not so much text I want to include, save a few explanatory blurbs here and there, and I would rather have the audio and video speak for themselves.

Materials: I want my essay to be based on different forms of poetry, plus personal experiences writing poetry. I want to include:

Questions: I know that “what is poetry” is a pretty broad topic, and I am wondering if I need to narrow my focus. Also, I’m not sure how long my video should be.

r7: Nomadicity

The first article in the section, Todd Giltin’s “Nomadicity,” immediately caught my attention. Too often have I put in my headphones in order to “shut everything out” and “squash thoughts:” I prefer my iPod to any other “escape implement.” While reading this description, I couldn’t help but think of my recent Spring Break trip to Washington, DC, where the Metro was filled with passengers drowning out the world with their headphones; in fact, the subway was almost silent from lack of talking. At Duke, I think the situation is slightly different, as the buses are normally filled with conversations. For that reason, I wonder if this more solitary form of traveling is related to cities, or what conditions the city produces that lead to portable music players and silent subways.

Also, it seems that this article was written long before the Smart Phone era, as the author notes these “wireless handheld devices with Internet access” had only begun to spread throughout the United States. In fact, only 35% of Americans own a smartphone now, but that number is expected to reach 65% by 2015. I have managed to get by with my Macbook and Duke’s seemingly endless WiFi network, but if the university did not have the wireless coverage it did, I would consider paying an extra $15 to $80 a month for the required data plan. Considering this, and the author’s suggestion that we are always striving for more portability, what is the ultimate form of technological mobility? Have we already reached it, with internet accessible phones?

r6: Digital Divide (2)

After reading “Love Online” by Henry Jenkins, my first thought was, wow: this would not fly in my house.

Online dating isn’t a new thing; in fact, one in five couples meet online. I used to think of sites like eHarmony and Match.com as reserved for the old and desperate: people who had been trying for years to find a significant other. In their late twenties, they try (as a last resort) to find suitable partners in other towns, states, and countries. In this article, however, Henry begins searching for online love at fifteen, after finding “slim pickings at school.” “Online, he had what it took–good communication skills,” Jenkins writes. This poses several questions. How important is it for a fifteen-year-old have a relationship that he go online to find it? Shouldn’t “good communication skills” be built IRL (in real life)? And what does a teenager know about “slim pickings” anyway?

While I have no doubt that Henry’s feelings were “no less real than the first love of any other teenager,” one fact still remains: he is communicating with a stranger on the internet. There has been countless literature warning parents about the dangers of chat rooms, as well as instructions for teens to never give out personal information, go to private chat rooms, or agree to meet someone online (Henry broke all these rules). Not surprisingly, there have been cases like this one where “predators” develop relationships with teenagers online, before attempting to meet in person. Luckily, Henry talked to his father about his activities: many teens would not. With that being said, is Jenkins an awful parent? What should the parent’s role be in this situation? What would you do?

Another point of contention is when Jenkins tries to equate Henry’s situation with that of his parents and grandparents, who communicated via letters during the World Wars. At the end of the article, Jenkins mentions that Henry maintained future relationships online through summer vacation periods. Isn’t there a difference between long distance relationships started in person and those started online? Would there be more of a drive to continue something that was once tangible, rather than sustain something that was never tangible?

r5: Digital Essays

I think Prezi is awesome. I’ve never actually made one (maybe this will be my chance!), but I’ve always been impressed with how they can play around with words and media. I stumbled upon this one about the new Prezi app for the iPad. I love how at the end the entire presentation becomes part of a bigger picture (literally). It’s very similar to the Stephen Fry video we watched at the beginning of the semester, except the Prezi format is more interactive.

r4: Digital Divide

In “Digital Natives, Digital Immigrants,” Marc Prensky suggests our educational system is failing because of the disparity between digital natives (students who grew up with technology) and digital immigrants (teachers who were not born into the digital world).

As I started to think about his definitions, I wondered: what am I? I wasn’t born into modern technology, per say. I was born into a world of dial up internet, floppy discs, and CD player. Even in my own family, I notice differences across the generations. Take the iPad for example. While my four-year-old cousin maneuvers between applications expertly, my grandfather has difficulty remembering basic functions. I was able to pick up the device after a few days; however, my parents took longer, and they still come to me for troubleshooting.

Prensky cites some examples of these digital immigrant accents, which include calling people to ask “did you get my e-mail?” and needing to print out documents written on the computer in order to edit them. Personally, I am guilty of both of these “antiquated” behaviors, as well as many others. But is it fair for Prensky to equate these actions with an older generation of students/teachers? I like to scribble my edits everywhere and annotate in the margins. In fact, I have great difficultly reading an article if it’s sitting lifeless on my computer monitor; I need to interact with it in person.

In that sense, did my immigration status help me learn “legacy” content in school? Pensky defines this content as reading, writing, arithmetic, logical thinking, and understanding the writing and ideas of the past. Although I am currently absorbed into the world of technology, my brain is not “fundamentally different” than those students who need their information fast, randomly, and in short bursts. While Pensky suggests we adjust the educational curriculum to incorporate this “future” content (digital/technological), is this practical? Or should students just have to think and behave differently in an educational environment?

r3: Micromessages

I commented on a Slate.com article: What to Expect When You Weren’t Expecting, which asks if women can sue birth control manufacturers for intended pregnancies.

I tried to keep in simple, using short, familiar words, as well as creating a microvoice (correct spelling and grammar is a must). Hopefully, I also established a relationship with other readers of the article (I tried to sound colloquial as opposed to standoffish or argumentative, which, unsurprisingly, is the tone of most comments on the internet).

r2: Microstyle

As I mentioned last class, Hyperbole and a Half is my favorite blog. I think there are several posts in which Allie (the author) effectively violates the writing strategies Christopher Johnson describes in Microstyle.

Let’s take this post for example: “How a fish almost destroyed my childhood.”

With the title, Allie violates Johnson’s advice to “be clear” and “choose the right word,” saying a fish almost destroyed her childhood. Sometimes headlines present confusing messages to pique interest in a story: this is certainly true of Allie’s post. By using her favorite literary device (the hyperbole), she entices her readers to click and see what real damage this aquatic creature could have done.

On the other hand, Allie also applies pieces of Johnson’s advice to her posts. For example, she literally “paints a picture” while “evoking specific situations,” especially in the form of stories that make her readers laugh. At the end of this particular post, Allie presents a drawing of her childhood-self cheering over a dinner of fish tacos. In context, this ending is unexpected (“say the wrong thing”), which casts another layer of humor over the blog.

In my own blog, my most recent post is titled “There’s a Whole New Way to Get Naked.” This title “uses ambiguity for good, not evil.” While the word naked refers to the absence of clothes, it also refers to the new eye shadow palette by Urban Decay, the company on which my post is centered. By being purposefully ambiguous, the title catches the readers’ eye and invites them to continue reading.