Publications
Books:
The Stones of Naples: Church Building in the Angevin Kingdom, 1266-1343, Yale Univeristy Press, London, 2004 ; In Italian: Le Pietre di Napoli, Rome, Viella, 2005
The Brummer Collection of Medieval Art, with Jill Meredith, ed. and author, Durham, Duke University Press, 1991, 291 pp
The Thirteenth‑Century Church at Saint‑Denis, New Haven, Yale University Press, 1985, 210 pp.
Cistercian High Gothic: The Abbey Church of Longpont and the Architecture of the Cistercians in the Early Thirteenth Century, Analecta cisterciensia, XXV, 1979, pp. 3‑204 ; in French: L’Apogée de l’art gothique: L’église abbatiale de Longpont et l’architecture cistercienne au début du XIIIè siècle, trans. Marie‑Françoise Brunet, Citeaux, Commentarii cistercienses, 1990, 151 pp.
Paesaggi Perduti: Granet a Roma, 1802‑1824, exhibition catalogue, Milan, Electa, 1997.
Forthcoming 2009:
Campania Gotica, co-authored with F. Aceto, A. Periccioli-Saggese, and P. Vitolo, Milan
Articles:
forthcoming 2009:
“Naples as anti-Avignon? Robert the Wise, Sancia of Mallorca, and the Convent of Sta. Chiara (Corpus Domini) in Naples,” The Cultures of Papal Avignon, University of Minnesota Press
“Workers and Builders in the Angevin Kingdom,” forthcoming in Arnolfo’s Moment: I Tatti Studies in the Renaissance,ed. D. Friedman, M. Haines, and J. Gardner Arnolfo di Cambio e la sua epoca: costruire, scolpire, dipingere, decorare, Florence, 2007
Four documents in Medieval Italy: A Documentary History, ed. K. Jansen and J. Drell, U. of Penn Press.
“Project and Process in Medieval Architecture” in Festschrift in Honor of Eliane Vergnolle, ed. Yves Gallet, Paris
2009:
Review of Roland Recht, Believing and Seeing: the Art of Gothic Cathedrals, in Times Higher Education, Jan. 2009, p. 49.
“The Renaissance in a Neapolitan Palace: The Discovery of a Patron and a Building,” Review essay of B, De Divitiis, Architettura e committenza nella Napoli del Quattrocento, Venezia, 2007, Art History,, vol. 32:2, 2009, pp. 414-416.
2008:
Review of John James, the Creation of Gothic Architecture, in Speculum XXXX
“A Rose by any Other Name: the “Not Gothic Enough” Architecture of Italy,” in M. Reeve (ed), Reading Gothic Architecture, (Studies in Medieval Visual Culture, I), Turnhout nd New York: Brepols, pp. 93-109.
“Relazione,” Il francescanesimo in Calabria (Atti del I Convegno Internazionale di Studio (Siderno Gerace, 26-28 Maggio 2006), pp. 81-84
The Dead come to Town: Preaching, Burying and Building in the Mendicant Orders,” The Year 1300 and the Creation of a New European Architecture, ed. A. Gajewski and Z. Opacic; forthcoming in Italian as “I morti arrivano in Città: Predicare, seppellire, e costruire. Le chiese dei Frati nel Due-Trecento,” Colloqui d’Architettura, ed. C. Bozzoni, Rome, 2009
2007:
e-review Pierre Yves le Pogam, Les palais des papes, CAA online reviews
2006:
“A note on the 1233 Tower of Archbishop Peter of Sorrento and the Topography of Naples,” Architektur und Monumentalskulptur des 12.-14. Jahrhunderts,” Bern, 2006, pp. 225-235
e-review: J. Caskey, Art and Patronage in the Medieval Mediterranean, CAA reviews, 2006
review of W. Cook, Essays in Franciscan Art and Architecture, in Church History , pp. 663-665
2005:
“S. Sebastiano in Alatri in the Twelfth and Thirteenth Centuries: the Benedictine and Clarissan communities,” co-authored with Caroline Goodson, in The Monastery of San Sebastiano at Alatri, Brill, 2005, pp. 72-114.
e-review of Helen Hills, Invisible City: the Architecture of Devotion in Seventeenth-Century Neapolitan Convents, Oxford, 2003 in Reviews in History, The Institute for Historical Research
“S. Lorenzo Maggiore e lo studio francescano di Napoli: qualche osservazione sul carattere e la cronologia della chiesa medievale,” Le chiese di San Lorenzo e San Domenico: gli ordini mendicanti a Napoli, ed. S. Romano and N. Bock, Napoli, 2005, pp. 27-50
2004:
“The architectural context of Santa Maria Donna Regina,” The Church of Santa Maria Donna Regina: Art, Iconography and Patronage in Fourteenth-Century Naples, ed. J. Elliott and C. Warr, Ashgate 79-92
Il gotico dell’architettura universitaria,” Arti e Storia nel Medioevo, ed. E. Castelnuovo and G. Sergi, Turin, IV, pp. 483-490
“ ‘Le pietre sono parole.’ Charles II d’Anjou, Filippo Minutolo e la Cathedrale Angevine de Naples,” Le monde des cathédrales, Paris, Musée du Louvre), pp. 145-189
2003:
“Una nuova ipotesi sul transetto di San Lorenzo a Napoli: ‘la chiesa fantasma,’” Confronto, I (2003), pp. 62-66,
“L’architecture des premiers rois angevins dans le royaume de Naples,” Les Princes angevins du XIIIe au XV e siecle, Rennes, 2003, pp. 183-202
2002:
“Ipotesi e proposte sulla costruzione del Duomo di Napoli,” Il Duomo di Napoli (Rendiconto di una giornata di studio,Université de Lausanne (November, 2000), Naples, 2002, pp. 119-131
2001:
“L’architecture du royaume de Naples pendant le règne de Charles II d’Anjou, 1289-1309,” 1300.. . L’Art au temps de Philippe le Bel, Paris, Ecole du Louvre, 2001, pp. 23-271
“Les villes, les fortifications, et les églises dans le royaume de Sicile pendant la premiere phase angevine,” L’europe des Anjou, Angers, June, 2001, pp. 48-65
Review of Daniel H. Weiss, Art and Crusade in the Age of Saint Louis, Speculum, vol. 76, pp. 813-5
“St.-Denis: l’Eglise du treizième siècle,” Dossiers d’archéologie, no. 261, 38-49
2000:
“Introduzione: Antichità senza Provenienza,” Bollettino d’Arte, Supplemento al N. 101, 1997 (published 2000), pp. 3-4.
“Trying to Forget: the Lost Angevin Past of Italy,” International Congress of the History of Art, Amsterdam (Sept. 1-6, 1996). Amsterdam, 2000, 735-43
“Il Gran Rifiuto: French Gothic in Central and Southern Italy,” Architecture and Language: Constructing Identity in European Architecture c. 1000-c. 1650, ed. P. Crossley and G.Clarke, Cambridge, 2000, 36-45
« Charles of Anjou and the Architecture of the French in Italy: Some Issues Pertaining to the Labor Force, » Europa e l’arte italiana: Per i cento anni dalla fondazione del Kunsthistorisches Institut in Florenz, ed. M. Seidel, Florence, 2000, 95-107
1999:
« ‘A Torchlight Procession of One:’ Le choeur de Santa Maria Maggiore de Barletta » Revue de l’Art, no.125, 1999, pp.9-19
“ Giovanni Pipino of Barletta: The Butcher of Lucera as Patron and Builder,« Pierre, lumière, couleur: Etudes d’histoire de l’art du Moyen Age en l’honneur d’Anne Prache ed. D. Sandron and F. Joubert, pp. 255-67, 1999.
« Columpnas marmoreas et lapides antiquarum ecclesiarum: The Use of Spolia in the Churches of Charles II of Anjou,” Arte d’Occidente: temi e metodi. Studi in onore di Angiola Maria Romanini, Rome, 1999, pp. 187-195.
1998:
”Charles I, Charles II, and the Development of an Angevin Style in the Kingdom of Sicily,” L’Etat angevin. Pouvoir, culture, et société entre XIII et XIV siècle: (Collection de l’Ecole française de Rome), ed. J. Dalarun, 99‑114.
1997:
“Charles of Anjou and the French in Italy,” Kunst im Reich Kaiser Friedrichs II. von Hohenstaufen, Munich/Berlin, 1997, 146‑153
“Les cisterciens et le gothique,” Dossiers d’archéologie: Citeaux 1098/1998, Dec. 1997, 48‑55.
1996:
« Nuns in Space: Strict Enclosure and the Architecture of the Clarisses in the Thirteenth Century,” Clare of Assisi: A Medieval and Modern Woman (Clarefest: Selected Papers, VIII, ed. Ingrid Peterson, The Franciscan Institute, 1996, 41‑62.
1995:
“Queen Sancia of Mallorca and the Church of Sta. Chiara in Naples,” Memoirs of the American Academy in Rome, Vol. 40, 1995, 41‑72.
1994:
« Il coro di San Lorenzo e la ricezione dell’arte gotica nella Napoli angioina,” Il Gotico Europeo in Italia, Naples, Electa, l994, 265‑77.
“L’abbaye cistercienne de Longpont,” Congrès archèologique, Département de l’Aisne, l994, 431‑443.
1992:
“Hearing is Believing: Clarissan Architecture 1212‑1340,” Gesta, XXXI (1992), 83‑92. (Reprinted in Medieval Religion: New Approaches, ed. C. Berman, (Routledge, 2005), pp. 272-289)
« Introduction, » issue on Monastic Architecture for Women, co‑authored with Constance Berman, Gesta, XXXI (1992), 73‑75.
Review of J. James, The Template‑Makers of the Paris Basin: Toichological Techniques for Identifying the Pioneers of the Gothic Movement, with an examination of Art‑Historical Methodology, in Speculum, 1992.
1991:
« ‘Ad modum franciae: Charles of Anjou and Gothic Architecture in the Kingdom of Sicily,” Journal of the Society of Architectural Historians, vol. 50, l991, 402‑20.
“Art, Architecture, and Urbanism in Naples,” Naples: An Early Guide by Enrico Bacco, Cesare d’Engenio Caracciolo and Others, ed./ trans. Gardiner, New York, Italica Press, l99l, pp. lxv‑lxxix.
1989:
Review of S. McKnight Crosby, The Abbey of St.‑Denis, Design Book Review, XVII, 1989, 72‑74
1988:
Review of D. Kimpel and R. Suckale, Die gotische Architektur in Frankreich, 1130‑1270 Journal of the Society of Architectural Historians, XLVII, 1988, 190‑2
Review of J. Kruger, S. Lorenzo Maggiore in Neapel, Journal of the Society of Architectural Historians, XLVII, 1988, 301‑2
1987:
“The Construction of Notre‑Dame in Paris,” Art Bulletin, LXIX, 1987, 540‑69
“The Abbey of St.‑Denis and the Politics of Restoration,” Crit (American Institute of Architects), April, 1987, 31‑7.
“The Second Campaign at Saint‑Urbain in Troyes,” Speculum, LXII, 1987, 635‑40
“The Early Work on the Rebuilding of St‑Denis in the Thirteenth Century,” Artistes, artisans, et production artistique au Moyen‑Age, Actes du colloque international,Université de Rennes, ed. X. Barral y Altet, Paris, Picard, 1987, Vol. II: 331‑49.
1985:
Review of J.‑P. Aniel, Les Maisons de Chartreux: des origines à la Chartreuse de Pavie, Speculum, LX, 1984, 377‑80.
1982:
“The Transept of the Abbey Church of Chaalis and the Filiation of Pontigny,” Mèlanges à la mémoire du Père Anselme Dimier, ed. Benoit Chauvin, III: Architecture cistercienne:abbayes, 1982, 447‑54.
1980:
“The Twelfth‑Century Church at Ourscamp,” Speculum LVI, 1980, 28‑39.
Dictionary entries:
Macmillan Dictionary of Art:
The Patronage of Louis IX; the Patronage of Blanche of Castile; San Lorenzo Maggiore in Naples; The Thirteenth‑Century Church at Saint‑Denis; Saint‑Denis from 1789 to the present
Enciclopedia dell’arte medievale:
The Patronage of the Counts of Anjou in France; Louis IX
Dictionary of the Middle Ages: St.‑Denis; Longpont; Chaalis; Ourscamp; St.- Sulpice‑de‑Favières
The Dictionary of Christianity : numerous entries (« Romanesque », « Gothic », « Stained glass, »
Oxford Dictionary of the Middle Ages
Women and Gender in Medieval Europe,
Work in Progress:
Bodies, Buildings and the Medieval City: The Mendicant Orders, Lay Burial, a and the Transformation of the Medieval City
Art and Architecture in the Kingdom of Sicily, 1100-1400, with W. Tronzo, which will include a digital archive of images of monuments in European libraries
The Cathedral and the City, a textbook on the cathedral and its urban context